Showing 1–12 of 120 results for robert%20mull ordered by relevancy

Robert Bray: Six Designs for a Playboy Penthouse Pad

Robert Bray: Six Designs for a Playboy Penthouse Pad

Robert Bray (1940), Drawing of Living Area in which ‘you are standing in the foyer of our duplex penthouse, looking toward the living-room area …. In front of the fireplace…

Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan

Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan

Yvette Putra

Writing in Cities of Hope (1993), the historian Conrad Hamann relates that, on mentioning to Robert Venturi the name of the Australian postmodernist architect Peter Corrigan, the first words from…

Haunted: Robert Smithson’s ‘My House is a Decayed House’

Haunted: Robert Smithson’s ‘My House is a Decayed House’

Suzaan Boettger

Robert Smithson (1938–1973), My House is a Decayed House, 1962. Photo-collage, pen, ink, gouache and watercolour on paper, 610 × 455 mm. DMC 2975. The following text is excerpted from…

The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial

The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial

Colum O'Riordan

…2001, the Irish Architectural Archive (IAA) acquired at auction an item described in the catalogue as ‘Architectural Drawing, possibly by Robert Smirke, of Wellington Monument, Phoenix Park’. The unsigned, undated…

DMJ – From Landscape to Mapscape: Robert Smithson’s Maps

DMJ – From Landscape to Mapscape: Robert Smithson’s Maps

Bernhard Siegert

…articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The Geological Imagination will be published in print in early 2023. Robert Smithson, A Surd View…

Robert Bray: Design for a Playboy Duplex Penthouse, 1970

Robert Bray: Design for a Playboy Duplex Penthouse, 1970

Philippa Lewis

…wear nought but a see-through gown. Robert Bray (1940), Drawing of Living Area, featured in Playboy, January 1970. Gouache on board, 393 × 577 mm. DMC 2640.4. ‘Christ, not in…

Robert Mylne

Robert Mylne

Robert Adam

Robert Mylne (1733–1811), alternative design for the East Façade of Durham Park, 1780. Pen, ink and wash on paper, 430 × 325 mm. DMC 2597.1. There are two sons of…

Architects at Play (2023) – Review

Architects at Play (2023) – Review

Mathilde de Laage

David Malaud, Architects at Play Exhibition, Pavilion Sicli, Geneva, 27 April–11 June 2023. Photo © Guillaume Robert. What is the reason for playing if not to weave relationships with the…

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Editors

These three sketches are from a sketchbook that Robert Maxwell used while studying at the Liverpool School of Architecture in 1944. They are reproduced here to mark the publication of…

Behind the Lines 11

Behind the Lines 11

Philippa Lewis

Robert Schnebbelie, View of the Picadilly street entrance, with figures, Burlington Arcade, London, 1827. Black ink and coloured washes on paper, 215 × 275 mm. DMC 1643. Robert Schnebbelie peered…

Robert Venturi: The difficult whole

Robert Venturi: The difficult whole

Robert Venturi (1925–2018), Facade Study for Gordon Wu Hall, Butler College, Princeton, 1981. Marker pen ink on trace, 304 × 645 mm. DMC 2041. Lying on the border between an…

Robert Adam: The Long Gallery at Syon

Robert Adam: The Long Gallery at Syon

Stephen Astley, Adriano Aymonino, Markus Lähteenmäki and Frances Sands

On 18 December 2015, Frances Sands and Stephen Astley took out two leather-bound volumes from the Robert Adam Archive and laid them on the long table in the first-floor library…