Grids

Constant, New Babylon, 1963, DM 1472.1 IN SET – Drawing Matter

Constant (Anton Nieuwenhuys) (1920–2005), New Babylon, 1963. Lithograph, 400 × 760 mm. © Estate of the artist.

Pier Vittorio Aureli, The Marriage of Reason and Squalor - Drawings for Non-compositional Architecture, 2001-14 DM 2068.2 IN SET – Drawing Matter

Pier Vittorio Aureli (*1973), The Marriage of Reason and Squalor, 2001 – 2014. Pencil, pen and ink on wove paper, 500 × 500 mm.

James Gowan, Isle of Wight House, 1956-58, DM? IN SET – Drawing Matter

James Gowan (1923–2015), Isle of Wight House, 1956 – 1958. Pencil, pen and ink and coloured crayon on paper, 218 × 215 mm. © Estate of the architect.

John Lautner, Ewing house semi-circular, LA, Site plan DM 1836 IN SET – Drawing Matter

John Lautner (1911–1994), Scheme for semi-circular house raised on concrete piers for the artist Edgar Ewing on Mt Washington, Los Angeles, 1952. Print with colour wash and crayon, 525 × 770 mm.

Le Corbusier, Olivetti Centre model, 1962, DM 1440 IN SET – Drawing Matter

Le Corbusier (1887–1965), Model fragment for Olivetti Centre, Milan, 1962. Tempera on cardboard, 113 × 89 × 51 mm.

Cedric Price, Competition entry for Parc de la Villette, Paris, 1982 DM 1438 IN SET – Drawing Matter

Cedric Price (1934–2003), Competition entry for the Parc de la Villette, Paris, 1982 – 1983. Lithograph on paper with painted mylar overlay, 350 × 465 mm.

Ludwig Mies van der Rohe, Photomontage for Glass Skyscraper, c1922, DM 1295 IN SET – Drawing Matter

Ludwig Mies van der Rohe (1886–1969), Glass Skyscraper Project (no intended site known), c. 1922. Gelatin silver print, 393 × 293 mm.

Superstudio, Infinite mirror model, 1959, DM 2093 IN SET – Drawing Matter

Superstudio (1966–1978), Infinite mirror model, 1969. Wood with plastic overlay and felt pen, 150 × 300 × 300 mm.

Superstudio, Istogrammi d'Architettura, 1969, DM 2075 IN SET – Drawing Matter

Superstudio (1966–1978), Istogrammi d'Architettura, 1969. India ink on tracing paper, 620 × 860 mm. © The architects.

Unknown, Scheme for tournament structure, Florence, 1650, DM 1595 IN SET – Drawing Matter

Anon. (Italian) (*), Scheme for a temporary tournament structure, Piazza Santa Maria Novella, Florence, 1650. Brown ink and wash on paper, 275 × 835 mm.

Charles Percier, Fete de la federation, 1790, DM 1735 IN SET – Drawing Matter

Charles Percier (1764–1838), Champ de la Fédération, c. 1800. Black pen with coloured washes on laid paper, 192 × 313 mm.

Marie-Jose Van Hee, Black Drawing 2, 2012 IN SET – Drawing Matter

Marie-José Van Hee (*1950), Design sketch for Zuidzande House, 2012. Pencil on paper. © The architect.

Marie-Jose Van Hee, Black Drawing 1, 2012 IN SET – Drawing Matter

Marie-José Van Hee (*1950), Black Drawing for Zuidzande House, 2012. Pencil on paper. © The architect.

Michael Webb, Sin Centre ramp elevation, 1961, DM 1101.12 IN SET – Drawing Matter

Michael Webb (*1937), Sin Centre, Leicester Square, London, elevation of car ramp system, 1961. Photocopy with yellow trace and red pantone overlay, mounted on board, 315 × 770 mm.

Michael Webb, Sin Centre sin palace perspective, 1961, DM 1101.16 IN SET – Drawing Matter

Michael Webb (*1937), Sin Centre, Leicester Square, London, perspective projection of Sin Palace, 1961. Ink and colour film overlay on card, 380 × 396 mm.

Michael Webb, Sin Centre ramp and pedestrian systems, 1961, DM 1101.17 IN SET – Drawing Matter

Michael Webb (*1937), Sin Centre, Leicester Square, London, diagram of car ramp and pedestrian circulation systems, 1961. Pencil, type and collage on board, 280 × 215 mm.

Michael Webb, Spiral ramp, Sin Centre, 1961, DM 1101.2 IN SET – Drawing Matter

Michael Webb (*1937), Sin Centre, Leicester Square, London, wire frame axonometric, c. 1961. Black pen on mylar, 300 × 963 mm. © The architect.

Michael Webb, Sin centre car ramp, perspective, 1962, DM 1101.7 IN SET – Drawing Matter

Michael Webb (*1937), Sin Centre, Leicester Square, London, isometric of car ramp, c. 1965. Pencil and graphite on airbrush board, 410 × 530 mm.

Michael Webb, Sin Centre car ramp plan, 1961, DM ? – Drawing Matter

Michael Webb (*1937), Sin Centre, Leicester Square, London, plan of car ramp, 1961. Collage.

Zund-up, Auto Expander, 1969, DM 2157.2 IN SET – Drawing Matter

Zünd-Up (*1967), The Great Vienna Auto Expander, 1969. Pencil and red ink on tracing paper, 300 × 490 mm.

Friedman – Drawing Matter

Yona Friedman (*1923), Ville Spatiale concept model: hoop wire structural study, 1958 – 1959. Wire, 180 × 600 × 600 mm.