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Michael Graves: Fargo-Moorehead Cultural Bridge

Michael Graves: Fargo-Moorehead Cultural Bridge

– Jordan Kauffman

…1980. Michael Graves (1934–2015), garden facade, Kalko House, 1978. Pencil, crayon, prisma colour on yellow trace, 508 × 495 mm. DMC 2292. Michael Graves (1934–2015), French & Company, New York,…

Queensway, Hong Kong

Queensway, Hong Kong

– Sony Devabhaktuni

…Crowd-Less Streets: Urban and Environmental Order, Absence, and Risk in Pierre Patte’s Profil d’une rue (1769)’, Architectural Theory Review 23, no. 2 (2019): p.179, https://doi.org/10.1080/13264826.2019.1656267. Patte’s work on theatre design…

In the Archive: New and Found 4

In the Archive: New and Found 4

– Editors

…strips, 500 × 645 mm. DMC 2156.1. Notes ‘Dymaxion Map’, Buckminster Fuller Institute, <https://www.bfi.org/about-fuller/big-ideas/dymaxion-map/> [accessed 10.06.2024]. Tom Cookson, ‘Tim Robinson: Deep Mapping’, Drawing Matter, 26 February 2024 <https://drawingmatter.org/deep-mapping/> [accessed 10.06.2024]….

Geography of Hope: John Lautner

Geography of Hope: John Lautner

– Nicholas Olsberg

…motion—the intervention in the wilderness hovering in deference to it. Lautner refers to this ambiguous effect as a ‘desired incompleteness… life-giving free space…, ever changing-into-infinity’. John Lautner (1911–1994), Scheme, a…

Unveiling the Enigma: Jan Henriksson’s Γ–rebro Riksbank, 1987.

Unveiling the Enigma: Jan Henriksson’s Γ–rebro Riksbank, 1987.

– Felicia Liang and William WikstrΓΆm

Jan Henriksson (1933–2004) och Lena Bejvall, first-floor plan Örebro Riksbank. Ink, pencil, colored pencil and gouache on diazo copy, 613×900 mm. ArkDes Collection ARKM.2004-13-003-001 © ArkDes Collections. Jan Henriksson playfully…

Jesse Reiser & Nanako Umemoto (RUR)

Jesse Reiser & Nanako Umemoto (RUR)

– Jesse Reiser

…‘pregnant with architecture’. Jesse Reiser & Nanako Umemoto (RUR), Kaohsiung Port Terminal Anatomy: internal panels, 2017. Ink on hot-pressed watercolour paper. Jesse Reiser & Nanako Umemoto (RUR), Kaohsiung Port Terminal…

Tradition and Modernity, Continuity and Critique

Tradition and Modernity, Continuity and Critique

– Rebecca Siefert

…others at La Sapienza University in Rome. Notes Krauss, ‘The Originality of the Avant-Garde’, p.158. Krauss, ‘Grids’, pp 50–64. Rem Koolhaas, Delirious New York: A Retroactive Manifesto for Manhattan (New…

fala: the single line

fala: the single line

– fala

…iterations meant more: Toyo Ito’s drawings of so-called morphemes, Itsuko Hasegawa’s axonometric drawings and Atsushi Kitagawara’s crowds of elements. Within our work, the single-line drawing generated many other experiments. They…

Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff

Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff

– David Chipperfield and Ralph Rugoff

…environment. RR: It’s a very dramatic and precarious location. It must have been difficult to build on. DC: He’s very good at things like that. I mean, it’s where he…

Artful Trades: Into a Market of Consumables

Artful Trades: Into a Market of Consumables

– Sarah Hearne

…1960s (Minnesota: University of Minnesota Press, 2019).  John Gennard, A History of the National Graphical Association (London, UK: Unwin Hyman, 1990). Sarah Hearne is an architectural historian, educator, and curator. She received her PhD…

Paul LΓ‘szlΓ³: Hertz Fallout Shelter

Paul LΓ‘szlΓ³: Hertz Fallout Shelter

– Christine Bolli

Paul László (1900–1993), longitudinal section plan in colour, presentation drawing, bomb shelter for Mr. and Mrs. John Hertz, c.1955. Courtesy László Papers, Architecture and Design Collection (ADC), Art, Design &…

Behind the Walls

Behind the Walls

– Matt Page

Albert, Untitled (building). Pencil on paper, 295 × 195 mm. Courtesy of the author. Albert, an artist known only by his first name, thinks about buildings in ways similar to…