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Ephraim Joris

Ephraim Joris

– Ephraim Joris

…(re)use of historical compositional concepts. Monolith Drawing 17–22. Monolith Drawing 17–24. It’s important to understand that the Monolith Drawing, in the first instance, exists as a study of architecture. When…

W. R. Lethaby: Architecture, Mysticism and Myth

W. R. Lethaby: Architecture, Mysticism and Myth

– Hugh Strange

…China, and Mexico, Lethaby recounts the common usage of mythical representations, including such compelling examples as pavements that represent the sea, ceilings of the sky, and domes of the firmament….

AndrΓ© Arbus: Details Matter

AndrΓ© Arbus: Details Matter

– Anna Healy

André Arbus (1903–1969), Interior elevations, Open-plan apartment, c.1950s. Pen, ink and cut-out on paper, 498 × 630 mm. DMC 2571.1. These presentation drawings – polished, finished, complete – were drawn…

Sir William Chambers: Somerset House

Sir William Chambers: Somerset House

William Chambers (1723–1796), plan for the complex, Somerset House, London, c.1776. Pen, pencil and wash on laid paper. © Sir John Soane’s Museum, London. Photo: Ardon Bar Hama. Approximately 700…

Postcards: The Nature of images

Postcards: The Nature of images

– Luca Galofaro

…Giorgio Agamben, ‘In Praise of Profanation’, in Profanations [2005] (New York: Zone Books, 2007), 77. Giorgio Agamben, ‘In Praise of Profanation’, in Profanations [2005] (New York: Zone Books, 2007), 83–4….

What Lies Beneath

What Lies Beneath

– Sarah Handelman

…structures and enclosures, Australia, c.1930. Pen, ink, watercolour, linen backed, 560 × 760 mm. DMC 2595.3. Unknown Australian, Diagram, Shark-proof structures and enclosures, Australia, c.1930. Pen, ink, watercolour, linen backed,…

Superstudio Migrazioni

Superstudio Migrazioni

…the group’s work both theoretical and realised, this exhbition presented the work of others marked by the inimitable signature of Superstudio’s influence. https://open.spotify.com/episode/2MkM1ezi8QjzDfDEgZ1Ei5?si=TUvHCY3UTg-fwWg1a4qIGg Listen to the curators in discussion here…

The Being of Drawing (2021) – Review

The Being of Drawing (2021) – Review

– Matt Page

…enjoyed his commentaries on Henri Matisse in relation to uninscribed gestures (p.75); William Kentridge and drawing’s ability to generate ideas (both for the drawer and the viewer) (p. 99–104); and

Alternative Histories: 31/44 Architects on William Butterfield

Alternative Histories: 31/44 Architects on William Butterfield

31/44 Architects, William Butterfield’s east elevation of No 9 Heath’s Court, 2018. Medium-density fibreboard, valchromat, acrylic, aluminium mesh, 460 × 360 × 160 mm. William Butterfield (1814–1900), east elevation (sheet…

Time’s Witness. History in the Age of Romanticism (2021) – Review

Time’s Witness. History in the Age of Romanticism (2021) – Review

– Martin Bressani

…watercolour, 122 × 210 mm. The MET, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959. Edward William Cooke (1811–1880), The Antiquary’s Cell, 1835. Oil on panel. © Victoria and

Bramante: Five Dots

Bramante: Five Dots

– Guido Beltramini

Donato Bramante (1444–1514), Study Drawing, Basilica di San Pietro, Rome, 1506. Red chalk on paper, 690 × 472 mm. Firenze, Uffizi, Department of Prints and Drawings, inv. 20A. Reproduced with…

Pier Vittorio Aureli: Ambiguous Drawings

Pier Vittorio Aureli: Ambiguous Drawings

– Paco Alfaro Anguita

…Madrid and Cuenca. This text was selected as highly commended in the Drawing Matter category, ‘Architecture and Representation’, of the Architecture Foundation Writing Prize 2022. Notes Pier Vittorio Aureli: https://drawingmatter.org/the-marriage-of-reason-and-squalor/….