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Walter Pichler: Mystery and Mysticism

Walter Pichler: Mystery and Mysticism

Harvey Herman

Walter Pichler (1936–2012), sketches for the Underground City, 1960–1964. 215 × 279 mm. DMC 2327.32r. Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the…

Dessiner pour Bâtir

Dessiner pour Bâtir

Louis Le Vau (1612–1670), Château de Meudon, c.1656–1657. Pencil, pen, ink and wash on watermarked laid paper, 267 × 700 mm. DMC 2652.b. 13 December 2017 – 12 March 2018, Archives Nationales…

Hugh Ferriss

Hugh Ferriss

Helen Thomas

Hugh Ferriss (1889–1962), aerial perspective, buildings in the Modeling Project, 1924. Conté crayon on board, 318 × 813 mm. © MoMA Collections. In 1916 a series of laws came into…

Lütjens Padmanabhan Architekten: Sketch modelling

Lütjens Padmanabhan Architekten: Sketch modelling

Oliver Lütjens and Thomas Padmanabhan

Lütjens Padmanabhan Architekten, Model of House Binningen II, Binningen, Switzerland, 2014. Foam board and coloured paper. © Lütjens Padmanabhan Architekten. Hard lead pencils are unforgiving and require concentration, precision and

Two ideas of the House

Two ideas of the House

Fred Scott

…term, Autumn 1975. One was Le Corbusier’s drawing of the interior of the mass production Artisans’ Dwellings project, included in Vers Une Architecture (Editions Cres Paris, 1923). The other is the painting…

BOLLES+WILSON: Sketching-Over Albania

BOLLES+WILSON: Sketching-Over Albania

Peter Wilson

…from the sketch+note technique (figs. 11–14). Fig. 11: plan of the City Library, Korça. Fig. 12: reception and entrance to the City Library. Fig. 13: facade, City Library. Fig. 14:…

Álvaro Siza: Drawn Closer

Álvaro Siza: Drawn Closer

Álvaro Siza

…× 210 mm. DMC 2503. Álvaro Siza (1933), early sketches for Quinta da Malagueira, Évora, 1977. Pen and ink, 295 × 210 mm. DMC 2503. Álvaro Siza (1933), early sketches…

Urban Form

Urban Form

…Idea: Urban Readings and Interventions as Experiment and Ideology—with David Madden, Director of the LSE Cities Programme: Thursday, 3rd October 2024, 3–5pm: LSE, Vera Anstey Room, Old Building, Houghton Street. The…

Gabriel Pierre Martin Dumont

Gabriel Pierre Martin Dumont

Editors

……’, 1768. Gabriel Pierre Martin Dumont, Plan from ‘Details of the most interesting part of the Basilica of St Peter’s in Rome, drawn on site …’, 1768. Having studied under…

The Architect and the Matador

The Architect and the Matador

Thomas Gould

Eugène Viollet-le-Duc (1814–1879), Sketch of bullfight, 1872. DMC 3106.4. Eugène Viollet-le-Duc (1814–1879), Detail of width of pier and arch, c.1849. DMC 3106.5r. On one sheet, a matador; on the other,…

Future Scenarios, Part II

Future Scenarios, Part II

Niall Hobhouse and Nicholas Olsberg

…anchor. Charles Stanislas Leveillé (1772–1833), Capriccio of Three Men Within a Gothic Ruin, c.1805. Black ink, watercolour and gouache on laid paper, 385 × 307 mm. DMC 1738. Desprez’s ancient…

Gothic Put to Use: The Viollet-le-Duc Album

Gothic Put to Use: The Viollet-le-Duc Album

Martin Bressani

…Viollet-le-Duc, Architecture and the Historical Imagination: Eugène-Emmanuel Viollet-le-Duc (Ashgate, 2014), and co-editor of Gothic Revival Worldwide. A.W.N. Pugin’s Global Influence (Leuven University Press, 2017), The Companions to the History of…