Five Obelisks

... 288 × 220 mm. Charles Percier (1764–1838), Champ de la Fédération, c. 1800. Black pen with coloured washes on laid paper, 192 × 313 mm. Anon. (Italian), Scheme for a temporary tournament structure, Piazza Santa Maria Novella, Florence, 1650. Brown ink and wash on paper, 830 × 275 mm. Louis-Gustave ...

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Drawer 14

... January, in 8.44 / out 8.16 4 Aug 2017 Drawer 14 Drawer 14 Superstudio (1966–1978), Graz, 1971. Collaged photographs with overdrawing, 323 × 248 mm. Anon. (Italian), Key to Citta Capitale ideata, c. 1820. Pencil and brown ink on paper, 565 × 235 mm. Anon. (Italian), Taglia di contorni di ...

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Sheds: Palaces of Nothing

... in red ink, 295 × 420 mm. Haus-Rücker-Co. (*1967), 'Cover' installation project, Museum Haus Lange, Krefeld, Germany, 1971. Photographic printed reproduction, 295 × 397 mm. Anon. (French), Design for a Fantastic Railway Carriage, 1878. Pencil, watercolour and bodycolour on wove paper, 288 × 470 mm. Anon. (English), Reliquary of St ...

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Fortifications

... Matter Home Drawings Publications Events About Contributors Artists & Makers Mailing List Search Drawing MatterDRAWINGS21 January, in 8.44 / out 8.16 1 Sep 2017 Fortifications Anon. (Italian), Fortification study, after 1600. Pen and ink and washes on paper, 366 × 493 mm. Fortification design is generally associated with military engineers ...

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Views of A Civic Utopia

... Exposé Relatif aux Constructions du Palais de Justice et de la Prison de Lyon, 1823 – 1834. Pen, ink and wash, 200 × 500 mm. Anon. (French), Study for a public garden on a city wall, c. 1810. Black ink, pen, grey and blue and pink wash, and pencil on ...

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Disappear Here: On Perspective and Other Kinds of Space

... to explore how perspective drawing has been applied to the art of building for centuries and used as a tool to evoke illusory architectural spaces. Anon. (Italian), Design for ceiling with columns and coffered arches, c. 1700. © RIBA Collections Sam Jacob Studio was invited by RIBA to draw on ...

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