Paul Rudolph

Paul Rudolph, Model Flap House Grand Rapids, 1955, DM 2300 IN SET – Drawing Matter

Paul Rudolph (1918–1997), Model Flap House for Grand Rapids housing exhibition, 1955. Black and brown ink with pencil underdrawing, 654 × 1060 mm.

Paul Rudolph, Model Flap House Grand Rapids, 1955, DM 2301 IN SET – Drawing Matter

Paul Rudolph (1918–1997), Model Flap House for Grand Rapids housing exhibition, 1955. Black and brown ink with pencil underdrawing, 654 × 1060 mm.

I try to find a graphic means of indicating what’s happening to the space. Space can move quickly or slowly. It can twist and turn. Space extends the dynamics of any building, because if the thrusting and counter-thrusting of the spaces aren’t balanced, then people feel unstable, the building doesn’t feel harmonious.

The usual definition of scale is the relationship of the human dimension to the environment. We talk about a building being ‘in scale’ or ‘out of scale’, which is really nonsense. Most buildings that really count have multiple scales. Buildings need to be understandable in their varying dimensions – sight, sound, smell, relationship to their environment, their spot on the globe, materials, climate, the mode of approaching, modes of movement.

Renderings are made primarily to clarify the building concept for the owner, but they also serve as a point of reference. They have a life of their own. 

– Paul Rudolph

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On other mid-century modern houses and whose drawings also had a life of their own, those of Bruce Goff and John Lautner.