Tag: Extracts: Women Writing Architecture
Roosevelt Island
17 February 2019
Roosevelt Island17 February 2019
The Roosevelt Island competition was sponsored by New York State Urban Development Corporation for the urbanisation of an island in the East River of Manhattan. The city grid served as a formal generator for the building types, adapted with controlling geometry to the proportions of the island’s topography. There are… Read More
Alternative Histories: Marie-José Van Hee on Hans Hollein
14 February 2019
Alternative Histories: Marie-José Van Hee on Hans Hollein14 February 2019
The construction and layering in Hans Hollein’s drawing reminds me of the Aqueduc Romain de Barbegal in France, which I visited some summers ago. This structure can be found in Hollein’s drawing of the city; for me, it represents a landscape, rather than an urban context. The drawing comprises three layers.… Read More
Zaha Hadid
27 November 2018
Zaha Hadid27 November 2018
When, in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period, What if fate had led her… Read More
Remembered Space
22 April 2018
Remembered Space22 April 2018
A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More
Behind the Lines 3
7 February 2018
Behind the Lines 37 February 2018
“Lord, Fanny, I had such a very strange encounter this morning. It being a Friday, I was delivering muffins down to that mad Lady Lewson in Cold Bath Square – her maid says she never washes and is most provoking – and as I was walking along the wall by… Read More
Behind the Lines 1
22 September 2017
Behind the Lines 122 September 2017
I look at this drawing and imagine the following scenario: Rex Savidge, architect, is running short of time. He must submit his plan for a commercial development in Newcastle the following day. Giving it a last look over, he is generally pleased with it: he has taken particular care with the… Read More
Concrete Beach
13 August 2017
Concrete Beach13 August 2017
This drawing was made with a chinagraph pen over the course of a holiday afternoon. It started out roughly, as a quick sketch, but time stretched out as more people filled the page. I like using chinagraph as it can be sensitive to great softness and also very dark lines. I like its texture – it is a very… Read More
Conen Sigl Architekten: Drawing in retrospect
9 April 2017
Conen Sigl Architekten: Drawing in retrospect9 April 2017
A drawing made in retrospect is the opposite of a sketch made at the beginning of the design process, which is an incomplete kind of searching for a way to order and compose the constitutive elements. This kind of ‘drawing made afterwards’ is much more about bringing all the principal… Read More
Fontaine: Model for a Music Room
4 October 2016
Fontaine: Model for a Music Room4 October 2016
A fresh alternative to the intellectual and formal mannerisms associated with architectural drawings in the West since the age of Leon Battista Alberti, Pierre-François-Léonard Fontaine’s drawing explores a simple, direct way of communicating a spatial proposition. To access his vision we don’t need to be familiar with the conventions of… Read More
On Cornices, Part I
17 June 2019
On Cornices, Part I17 June 2019
– Emma Letizia Jones
In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More
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