Architect: Adolfo Natalini
Alternative Histories: Eagles of Architecture on Adolfo Natalini
29 July 2019
Alternative Histories: Eagles of Architecture on Adolfo Natalini29 July 2019
Hope as an attitude.Hope in the merging of two conflictual realities.Hope when considering the multiplicity of realms around which the encounter revolves. The paradigm which lays at the heart of the SUPERSTUDIO sketch raises a series of urgencies, doubts, eventualities.The model aims at intensifying these. In the model, a shift… Read More
Alternative Histories: OMMX on Adolfo Natalini
27 July 2019
Alternative Histories: OMMX on Adolfo Natalini27 July 2019
Alternative Histories: GAFPA on Superstudio
12 January 2019
Alternative Histories: GAFPA on Superstudio12 January 2019
We received a sketch made by Superstudio, the Italian architecture firm renowned for its conceptual architecture works.In the famous 1966 exhibition ‘Super Architecture’ the squared grid is used in a variety of scales from the simplest objects of furniture, such as a table, to an urban landscape.Through a series of… Read More
Superstudio: In Yesterday’s Tomorrow
23 December 2018
Superstudio: In Yesterday’s Tomorrow23 December 2018
‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More
The Continuous Monument, Shatwell
9 October 2018
The Continuous Monument, Shatwell9 October 2018
To provoke an archaeology of collage making Niall Hobhouse asked Adolfo Natalini and Gian Piero Frassinelli to prepare a last collage, some 50 years after the first Continuous Monument, to imagine that it had finally arrived at Shatwell.
Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’
31 August 2017
Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’31 August 2017
In 1972 Adolfo Natalini spent a few months in the United States. The main event of his visit was the seminal exhibition Italy: The New Domestic Landscape in New York MoMA (May 26 – September 11, 1972). Nevertheless, Natalini spent these months not only working on perhaps the most existential project of… Read More
The Continuous Monument
5 February 2016
The Continuous Monument5 February 2016
My sketchbooks show a really typical project called the Continuous Monument. The Monument was a demonstration of the falsity and the absurdity of some of the theories that went on in that period. We started producing images of this sort of continuous monument, the continuous strip of urbanisation which was… Read More
On Drawing
4 February 2016
On Drawing4 February 2016
When I was very young I wanted to be an artist; I wanted to be a painter, and I started making paintings. Quite successfully: once, I sold a painting and bought a Fiat Cinquecento with this money. Impossible for me now, even if I complete a fairly big project. But… Read More
Notes on the Sketchbook
19 February 2018
Notes on the Sketchbook19 February 2018
– Mark Dorrian
When we talk about the sketchbook what do we mean? Its complexity is reflected in the difficulty we experience – in many examples, at any rate – in straightforwardly attaching a name to it, for there are times it might seem to be equally a notebook, a journal, a diary,… Read More
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