Tag: presentation
The ‘Typewriter’ Drawing
01.05.2026
The ‘Typewriter’ Drawing01.05.2026
The ‘Typewriter’ drawing is made on brown paper mounted on a black backing, its surface carrying both the mechanical impressions of a typewriter and the analogue traces of a black pen layered above them. But unlike later typewriter drawings, which use typed characters as grids, codes, or proto-digital marks, this… Read More
Protected: The Creative Potential of Archival Boundaries
29.04.2026
Protected: The Creative Potential of Archival Boundaries29.04.2026
There is no excerpt because this is a protected post.
Protected: Vanbrugh in the Best Light: Sir John Soane’s Lecture Drawings of Blenheim Palace
27.04.2026
Protected: Vanbrugh in the Best Light: Sir John Soane’s Lecture Drawings of Blenheim Palace27.04.2026
There is no excerpt because this is a protected post.
Protected: Carlos Bedoya, PRODUCTORA: Thinking through Drawing
27.04.2026
Protected: Carlos Bedoya, PRODUCTORA: Thinking through Drawing27.04.2026
There is no excerpt because this is a protected post.
The Principle of ‘Reach’
27.04.2026
The Principle of ‘Reach’27.04.2026
In the home economics theory of domestic space, a necessary and pivotal condition allowing the homemaker to work out and practice more ‘efficient’ routines, and thereby decrease her domestic drudgery, was the design of home interior. This included the arrangement of the objects of daily use. Conceptualising the space as… Read More
The Open Hand Reloaded
24.04.2026
The Open Hand Reloaded24.04.2026
* Maristella Casciato (architect, architectural historian, and educator) is senior curator, head of architectural collections at the Getty Research Institute in Los Angeles.
Protected: Collection Guide: Cedric Price
23.04.2026
Protected: Collection Guide: Cedric Price23.04.2026
– Editors
There is no excerpt because this is a protected post.
Protected: Owen Luder: Sunderland Stadium
20.04.2026
Protected: Owen Luder: Sunderland Stadium20.04.2026
There is no excerpt because this is a protected post.
The House Stands Still While Life Moves
17.04.2026
The House Stands Still While Life Moves17.04.2026
The house has a floor sticky like honey; our feet cling to it and we cannot get away from it. The house is a rucksack so huge and full on our shoulders that every movement becomes impossible. The house is an unconditional refuge for those who fear all the mishaps… Read More
On Cedric Price
02.04.2026
On Cedric Price02.04.2026
Cedric Price’s thinking and work have had a very particular influence on my work, in the sense that some fundamental choices I have made as an architect have been deeply influenced by his philosophy. In this sense, it seems to me that Cedric Price was one of the few architects… Read More
Collection Guide: Futurism, Rationalism, and Stile Littorio
26.03.2026
Collection Guide: Futurism, Rationalism, and Stile Littorio26.03.2026
The Drawing Matter collection holds around 70 objects that speak to Italy’s architectural evolution in the early twentieth century. It should be noted that this period was characterised by tremendous stylistic diversity, with movements and groups—often unhappily—coexisting and shifting, ultimately culminating in the dominance of the Stile Littorio. At the… Read More
Protected: James Gowan’s Schreiber House
19.03.2026
Protected: James Gowan’s Schreiber House19.03.2026
There is no excerpt because this is a protected post.
The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026
The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026
The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More
Levers Long Enough to Move the World
03.03.2026
Levers Long Enough to Move the World03.03.2026
‘Give me a lever long enough and a fulcrum on which to place it, and I shall move the world’ — Archimedes Levers Long Enough to Move the World is an exhibition of architectural sketches curated by Andrew Holder at the Pratt School of Architecture, featuring the work of 62 contemporary… Read More
New Views on Vanbrugh and his Drawings
02.03.2026
New Views on Vanbrugh and his Drawings02.03.2026
This text is published to mark the opening of John Vanbrugh: The Drama of Architecture at Sir John Soane’s Museum (4 March–28 June 2026), co-curated by Charles Saumarez Smith and Roz Barr. More information about the exhibition can be found here. In the summer of 1982, when I was at… Read More
The Brick Pencil: Analogue Technology in a Digital Age
27.02.2026
The Brick Pencil: Analogue Technology in a Digital Age27.02.2026
Part 1: The Brick Pencil In a colour photograph with the rich saturation of Kodachrome, against an aquamarine background, a manicured hand grips an upright brick. Taped to the brick, tip down, is a pencil. The weight of the brick is palpable. Someone is working hard to write with this… Read More
Het woonpalazzo – The Residential Palazzo
16.02.2026
Het woonpalazzo – The Residential Palazzo16.02.2026
Open any book by a Dutch architect and you are bound to come across H. P. Berlage—the forefather from whom sprang everything, albeit indirectly, from the Amsterdam School to Der Stijl and who is revered for his contribution at all scales from the details of his buildings to his town… Read More
Saul Steinberg: Bucharest, Milan, New York
09.02.2026
Saul Steinberg: Bucharest, Milan, New York09.02.2026
Steinberg is for me, first of all, the New Yorker magazine—one of the most intelligent and open American publications, with a very distinct graphic style that includes a generous use of drawings and cartoons, born and fed by the amazingly rich cultural landscape of New York City. I see New York… Read More
Collection Guide: Zaha Hadid
15.12.2025
Collection Guide: Zaha Hadid15.12.2025
– Editors
Zaha Hadid was born in 1950 in Baghdad, Iraq. After studying mathematics at the American University in Beirut, Lebanon, from 1968 to 1971, she moved to London in 1972, where she studied architecture at the Architectural Association (AA). It was here that her work began to reference the Russian avant-garde,… Read More
Protected: The Olympic Stadium Project: Le Corbusier & Baghdad
08.12.2025
Protected: The Olympic Stadium Project: Le Corbusier & Baghdad08.12.2025
– Editors
There is no excerpt because this is a protected post.
The Lovell Health House: Richard Neutra’s Revolution in Building
04.12.2025
The Lovell Health House: Richard Neutra’s Revolution in Building 04.12.2025
‘Paris, 1927. I was in Lurçat’s studio on the rue Bonaparte looking for the first time at reproductions of the ‘Health House’ of Neutra. We young followers of the new architecture were both admiring and astounded by this signal of a revolution in building.’ Willy Boesiger, introducing Richard Neutra. Buildings and Projects (Zurich:… Read More
This is Tomorrow
02.12.2025
This is Tomorrow 02.12.2025
The following text is excerpted from the catalogue of the exhibition Theo Crosby: One Hundred Lives, which is on view at Osh Gallery London until the 11th December 2025. Curated by Pentagram’s Michael Bierut and researcher Tess McCann, the exhibition focuses on the life and work of Theo Crosby, one of the founding… Read More
Collection Guide: The Viennese School
18.11.2025
Collection Guide: The Viennese School18.11.2025
Drawing Matter’s collection of Viennese drawings from the 19th and early 20th century includes works by Franz Jakob Kreuter, Otto Wagner, Josef Hoffmann, Otto Schönthal, Emil Hoppe, and Friedrich Ohmann, among others. It was a time of great technological advance, social upheaval, cultural revolt, and changing attitudes to design. Considered as a group, the… Read More
Protected: Mapping Water
29.04.2026
Protected: Mapping Water29.04.2026
– Anna Biza
There is no excerpt because this is a protected post.
map Open Call: Visibility, and the Unseen water mapping plan presentation