Tag: plan

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

By Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce the… Read More

The Meaning of Lines

The Meaning of Lines

By Laura Bonell and Daniel López-Dòriga

A series of seemingly abstract lines occupy the whole space of the paper. Each of them is formed by a thin black line that defines the geometry, accompanied by a thicker, semi-transparent brown line, which highlights it. Written annotations are placed on top, sometimes following the drawing’s wavy shape like… Read More

Vitruvius: Follow the Footprints

Vitruvius: Follow the Footprints

By Paul Emmons

An intriguing Italian Renaissance drawing from the mid-sixteenth century has recently received critical attention through Drawing Matter. [1] Both the recto and the verso of the paper sheet have an ancient temple plan in perspective in a landscape setting, drawn in brown ink and attributed to the Sangallo circle as… Read More

Writing Prize 2020: Domestic Space, Registered

Writing Prize 2020: Domestic Space, Registered

By Laura Bonell and Daniel López-Dòriga

Around 200 AD, a map of the city of Rome was carved on marble at a scale of approximately 1:240. It measured 18 meters wide by 13 meters high and comprised 150 marble slabs hung on an interior wall of the Templum Pacis. The Forma Urbis Romae or Severan Marble Plan, as… Read More

Startha Éagsula: David Leech Architects on Barthélemy Enfantin

Startha Éagsula: David Leech Architects on Barthélemy Enfantin

By David Leech

The colourful ink and pencil drawing of Barthélemy Enfantin seeks to establish a set of rules for a new open metropolis. Without site, set out in all axes, and with the edges of the drawing alluding to a non-determined repetition, it was possibly drawn for continuous reuse and translation. Like… Read More

Bramante: Five Dots

Bramante: Five Dots

By Guido Beltramini

The remote past is distant and faded. Original objects and documents that might be used to study it are scarce. They are often uncooperative and most of the time they don’t tell the truth, because they have been reframed by history’s ‘victors’ over the centuries. We must always bear in… Read More

Startha Éagsula: Steve Larkin Architects on Walter Pichler

Startha Éagsula: Steve Larkin Architects on Walter Pichler

By Steve Larkin

This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. Friedrich… Read More

Trees Move In

Trees Move In

By Sylvia Lavin

The following text is the second of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us to reproduce the essays on… Read More

S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of

S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of

By Elizabeth Hatz, Gerard Carty and Fionn O'Leary

In the Autumn of 2019, tutors Elizabeth Hatz and Gerard Carty visited the Drawing Matter archive with their fourth-year students from the School of Architecture and the University of Limerick (SAUL). Below is a record of their visit and its place in the context of the fourth-year studio. Tutors interested… Read More

The Empire State Building: Elevators (1931)

The Empire State Building: Elevators (1931)

By Bassett Jones

The following was first published as ‘The Empire State Building: Shreve, Lamb & Harmon, Architects: VIII. Elevators’, Architectural Forum (January 1931). Drawing Matter would like to thank Nicholas Olsberg for sending us this text. Digital copies of Architectural Forum’s series on the Empire State Building can be found at usmodernist.org.

Trees Make A Plan

Trees Make A Plan

By Sylvia Lavin

In 1546, Antonio da Sangallo the Younger died of malaria while working in Umbria about 100 kilometres north of Rome. Unlike Claude Perrault, who in 1688 also contracted a fatal infection as part of his work – the source of his malady is said to have been a camel he… Read More

Soane’s Designs for Combe House, Continued

Soane’s Designs for Combe House, Continued

By Pierre du Prey

When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More