Tag: DMC
Sin Centre: Sheen and Transparent Overlays
10.11.2025
Sin Centre: Sheen and Transparent Overlays10.11.2025
– Nat Chard and Michael Webb
Following a lively debate at Drawing Matter about the surface and support of Michael Webb’s isometric drawing of a car ramp, Nat Chard thought to ask Michael himself how he made it. Dear all, On Monday we had a conversation about one of Mike Webb’s Sin Centre drawings that had a print-like… Read More
Protected: Tomas Schmit: Two New Ways to Draw a Circle
07.11.2025
Protected: Tomas Schmit: Two New Ways to Draw a Circle07.11.2025
– Editors and Berit Schuck
There is no excerpt because this is a protected post.
Protected: Photographing Drawings
03.11.2025
Protected: Photographing Drawings03.11.2025
There is no excerpt because this is a protected post.
In Palau, Sardinia, on the East Coast
03.11.2025
In Palau, Sardinia, on the East Coast03.11.2025
Anyone who has seen and contemplated certain beautiful and simple ancient Mediterranean houses, such as those found in Greece, Spain, Portugal and southern Italy, knows that modern examples rarely possess the wisdom and beauty of these anonymous, traditional dwellings. Wisdom, above all: the thickness of the walls, for coolness and… Read More
Andrea Branzi & Archizoom Associati at Drawing Matter
27.10.2025
Andrea Branzi & Archizoom Associati at Drawing Matter27.10.2025
– Rosie Ellison-Balaam and Francesco Fiammenghi
To probe the long and multifaceted career of Andrea Branzi (1938–2023), one must first turn to his formative years at the Faculty of Architecture at the University of Florence in the early 1960s. At the time, the Florence School became the incubator of several of Italy’s postwar avant-garde groups, including… Read More
Lucien Hervé: A Photographer with Scissors
23.10.2025
Lucien Hervé: A Photographer with Scissors23.10.2025
We are thankful to Ross Anderson, who identified these statements Lucien Hervé made when interviewed by Hans Ulrich Olbrist, and which are pertinent to this contact sheet in the Drawing Matter Collection: ‘When Le Corbusier received me in his office one day, we talked for a long time; I remember that he… Read More
Protected: The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards
13.10.2025
Protected: The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards13.10.2025
There is no excerpt because this is a protected post.
Protected: The Viennese School at Drawing Matter
08.10.2025
Protected: The Viennese School at Drawing Matter08.10.2025
There is no excerpt because this is a protected post.
Protected: Zaha Hadid at Drawing Matter
01.10.2025
Protected: Zaha Hadid at Drawing Matter01.10.2025
– Editors
There is no excerpt because this is a protected post.
Ulrich Rückriem’s Anröchter Dolomit Projekt
29.09.2025
Ulrich Rückriem’s Anröchter Dolomit Projekt29.09.2025
A drawing for?A drawing of?Before?After?An explanation?An idea?An instruction?Precise?Approximate?Careful?Loose?For the artist?For us?For sale? A seemingly quiet drawing raises many questions. Ulrich Rückriem splits, saws and breaks stone. It is a process that defies determination through drawing—or perhaps one that is itself drawing. How can an idea be drawn for a material… Read More
William Butterfield at Drawing Matter
25.09.2025
William Butterfield at Drawing Matter25.09.2025
William Butterfield was a British architect who trained first as a builder’s apprentice and then as an architect in offices at London and Worcester before opening his own London studio in 1838, continuing in full practice until 1886, and then on a limited scale through to 1897. He was the… Read More
Protected: John Pudney writes a prescription for… The Ideal City
24.09.2025
Protected: John Pudney writes a prescription for… The Ideal City24.09.2025
There is no excerpt because this is a protected post.
Bernat Klein Studio
18.09.2025
Bernat Klein Studio18.09.2025
Travelling north through the Borders over the years, regardless of route, a diversion along a twisting country road north of Selkirk was always on the cards. Navigating a dangerous bend in the road, no time to stop, was rewarded by a fleeting glimpse of an enigmatic presence amongst the trees.… Read More
In the Archive: Maristella Casciato
01.09.2025
In the Archive: Maristella Casciato01.09.2025
From April to July, Maristella Casciato was Drawing Matter’s Visiting Scholar—our first in London. During her time in the archive, she made new discoveries and started many stimulating conversations. Among other things, she closely studied Le Corbusier’s Chandigarh Punjab Grille Capitol album, translated a selection of Gio Ponti’s illustrated letters,… Read More
Carlos Diniz: London 2025
29.08.2025
Carlos Diniz: London 202529.08.2025
– Editors
‘As a piece of urban design [it] is simply abysmal. A wonderful opportunity to create a new place in London with innovative urban forms has been missed… The layout is simplistic and banal, the architecture lumpy and mediocre—the whole looks like a chunk of some ageing, tired and dreary US… Read More
Orgonic Architecture
21.08.2025
Orgonic Architecture21.08.2025
A face is drawn over a torso; breasts are transformed into eyes with nipples as pupils, the nose curves along the edge of the ribcage, and the belly button is the pursed smoking and kissing mouth, above hangs a necklace made of spherical beads, acting like a curled fringe. The… Read More
DMJ – Riddle as Method, Transparency at Play: Aldo Van Eyck at Baambrugge
18.08.2025
DMJ – Riddle as Method, Transparency at Play: Aldo Van Eyck at Baambrugge18.08.2025
As work on site at the Orphanage (1956-1960) neared completion, Aldo van Eyck was busy exploring and expanding the reach of his ideas through a number of interlaced and mutually generative projects, editorial of Forum magazine (1959-63), contributions to the reorganisation and ultimate dissolution of CIAM (1954-1960) and the design of a… Read More
Banana Ballpoint
14.08.2025
Banana Ballpoint14.08.2025
design for a ball-point pen to be the same size as a banana, in plastic with soft rubber skin, and in bold natural colour, technicolour preferably. based on the observation that a ‘peeled’ banana is good functional shape for writing—not unlike a quill pen nor much like one either. 1st… Read More
Polly Hutchison on John Ruskin’s Rocks
11.08.2025
Polly Hutchison on John Ruskin’s Rocks11.08.2025
In early July, Polly Hutchison from the Natural History Museum spent an afternoon at Drawing Matter examining a number of specimens from John Ruskin’s collection of siliceous minerals. In this short film, Polly explains the geological processes by which they were made and some of the resulting characteristics that likely… Read More
Melancholy Little Gardens
04.08.2025
Melancholy Little Gardens04.08.2025
Lionel Wallace, the protagonist of H.G. Wells’s The Door in the Wall (1906), was haunted by the vision of an enchanted garden glimpsed in childhood. Having eluded the vigilant and authoritative care of his nursery governess, he found himself wandering aimlessly among the long grey West Kensington roads until he… Read More
Gio Ponti at Drawing Matter
21.07.2025
Gio Ponti at Drawing Matter21.07.2025
– Maristella Casciato and Rosie Ellison-Balaam
Gio Ponti (1891-1979) was born in Milan, and while he had ambitions to become an artist, he enrolled in architecture at the Politecnico di Milano in 1913. He completed his studies in 1921 after serving in the war, and in the same year, he opened his firm. Ponti is often… Read More
Sourcing Superstudio
04.07.2025
Sourcing Superstudio04.07.2025
On the 21st page of Natalini’s 12th sketchbook (DMC 2141) there is a list of buildings and landmarks. It feels quite disparate at first. It begins as a chronological list of architecture’s greatest and most recognisable hits: Stonehenge… the Colosseum… the Uffizi… the Taj Mahal… Crystal Palace… the Eiffel Tower.… Read More
Studio Ponis: The Crystal and the Flame
02.07.2025
Studio Ponis: The Crystal and the Flame02.07.2025
– Irina Davidovici, Niall Hobhouse, Alex Pillen, Jonathan Sergison and Annarita Zalaffi
On Friday 20 June, Drawing Matter welcomed Annarita Zalaffi, Jonathan Sergison, Irina Davidovici, and Alex Pillen to the archive for a conversation about the work of Studio Ponis in Sardinia, and Alberto Ponis and Annarita Zalaffi’s working relationship. The conversation marked the opening of an exhibition of drawings from the… Read More
Protected: Notes on Louis-Hippolyte Lebas’ Travel Sketchbooks
11.11.2025
Protected: Notes on Louis-Hippolyte Lebas’ Travel Sketchbooks 11.11.2025
– Elizabeth Hatz
There is no excerpt because this is a protected post.
DMC sketch sketchbook