Tag: DMC
A Bath for Immortality
24 April 2024
A Bath for Immortality24 April 2024
It is 1971 and the city is Graz. ‘If we look at the city as a set of artefacts that can be modified over time, homogeneous and isotropic, correlated to the physical reality of the landscape and the territory, and at the same time if we refuse to take part… Read More
Hans Hollein at Drawing Matter
23 April 2024
Hans Hollein at Drawing Matter23 April 2024
– Editors and Nicholas Olsberg
The Austrian architect Hans Hollein (1934–2014) studied under Clemens Holzmeister at the Academy of Fine Arts in Vienna, and then at the Illinois Institute of Technology and the College of Environmental Design at the University of California Berkeley. With the sculptor and designer Walter Pichler he introduced a body of… Read More
Protected: Architectural models and the oriental ideal of the Alhambra
19 April 2024
Protected: Architectural models and the oriental ideal of the Alhambra19 April 2024
There is no excerpt because this is a protected post.
OMA: London—Foreplay
19 April 2024
OMA: London—Foreplay19 April 2024
This is the first post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
Mies van der Rohe: Clarity as the Aim
17 April 2024
Mies van der Rohe: Clarity as the Aim17 April 2024
Mies’s work is an exemplary embodiment of the idea of architectural abstraction. His buildings are free of all the ‘figurative’ ingredients that characterise traditional architecture. They are made up of materials or constructive elements given cohesion and structure by a series of visual devices. But, although his language is so… Read More
Protected: Peter Wilson in the Empire of Signs
12 April 2024
Protected: Peter Wilson in the Empire of Signs12 April 2024
There is no excerpt because this is a protected post.
DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata
10 April 2024
DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata10 April 2024
Enzo Mari’s Formazione Dinamica di una Sfera Reticolata (Dynamic Formation of a Reticulated Sphere), one of a series of objects produced under the title Relatione tra Contenuto e Contenitore (Relation between Content and Container), was manufactured by the Milanese company Danese between 1959 and 1963. It is a transparent polyester… Read More
Protected: Object of Desire — Haff Cross-Hatch Machine
9 April 2024
Protected: Object of Desire — Haff Cross-Hatch Machine9 April 2024
There is no excerpt because this is a protected post.
C.S. Peach and the Cruciform Design of the Cathedral
5 April 2024
C.S. Peach and the Cruciform Design of the Cathedral5 April 2024
In view here is a startling watercolour by Charles Stanley Peach, titled Plan of a Church Constructed on Divine Principles (1910)—his pictorial articulation of the cruciform layout of the Christian Cathedral. Architectural aspects are overlayed upon two images of Jesus. The first with his arms splayed wide, hands pinned to… Read More
Trevor Dannatt: St Mary’s Grove — Through the Door
3 April 2024
Trevor Dannatt: St Mary’s Grove — Through the Door3 April 2024
This is the sixth part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, here. Entering the house the first thing one sees is the entrance door to my… Read More
Erik Gunnar Asplund at Drawing Matter
2 April 2024
Erik Gunnar Asplund at Drawing Matter2 April 2024
– Editors and Nicholas Olsberg
Erik Gunnar Asplund (1885–1940), trained first at the Royal Institute of Technology (where he would teach from 1931), and then at the Royal Academy of Fine Arts in Stockholm, undertook an extensive study tour of Greece and Italy, and opened his own practice around 1913, working entirely in Sweden, and… Read More
Constant’s Ladders as Mythic Entity
22 April 2024
Constant’s Ladders as Mythic Entity22 April 2024
– Alison Bartlett
The ladder, a seemingly unexceptional instrument within the array of futuristic and utopian architectural schemes, sits front and centre; the protagonist of not only this drawing but of Constant’s almost two-decade-long project, spanning 1956–1974, entitled ‘New Babylon’. Propped somewhat haphazardly against a series of horizontally-connected and vertically-angled planes, it exudes… Read More
sketch theoretical & imaginary DMC Open Call: Storytellers Observed