Tag: memorial & monument

Review: Singing Songs of Piccadilly

Review: Singing Songs of Piccadilly

By Editors

Niall Hobhouse writes about The Buildings of Green Park by Andrew Jones. To purchase the book, click here. Green Park, a pair of anecdotes: 1. Queen Caroline – ‘What would it cost, Sir Robert, to close the Park to the public?’ Walpole – ‘May it please your Majesty, but Three Crowns –… Read More

Carlos Diniz and the World Trade Center

Carlos Diniz and the World Trade Center

By Sam van Strien

The landmark skyscrapers of SOM, the deconstructivism of Frank Gehry’s Disney Concert Hall, and the corporate modernist master plan of the World Trade Center all have something in common: long before they were constructed, they were represented in drawings by Carlos Diniz.  In 1962, the architect Minoru Yamasaki hired Diniz… Read More

Writing Prize 2020: Architectural Apparitions

Writing Prize 2020: Architectural Apparitions

By Anahat Chandra

Some dreams are never meant to see the light of day. Like a wild design that continually finds itself at the bottom of the roster, patiently waiting its turn to be a part of the city’s skyline, it either promises to burn a hole in the pocket of the investor,… Read More

Superstudio: Monument Interrupted

Superstudio: Monument Interrupted

By Julian Lewis

The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More

The Story of the Pool (1978)

The Story of the Pool (1978)

By Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More

Gallaratese & Fagnano Olona (1976)

Gallaratese & Fagnano Olona (1976)

By Aldo Rossi

Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More

Ink on his Hands: Montano’s Visceral Roman Architectures

Ink on his Hands: Montano’s Visceral Roman Architectures

By Dijana O. Apostolski

When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More

The San Cataldo Ossuary in the Age of Hyper-Objects

The San Cataldo Ossuary in the Age of Hyper-Objects

By Stefano Corbo

I An abandoned house – a derelict phantom with no roof and no windows – reveals the twofold condition of architecture as image and as form. In San Cataldo, the image and form of death. As image: from afar, a metaphysical de Chirican presence, suspended between Adolf Loos’s project in… Read More

Henry van de Velde and a monument to Nietzsche

Henry van de Velde and a monument to Nietzsche

By Richard Hollis

Count Harry Kessler – the German aristocrat, publisher, patron and friend of seemingly everyone in the European avant-garde – had long had in mind a worthy monument to his idol, Friedrich Nietzsche, whose seventieth birthday would be celebrated on 15 October 1914. Beginning in February 1911, Kessler began sending letters… Read More

Ugliness and Judgment

Ugliness and Judgment

By Timothy Hyde

In the summer of 1740, John Wood the Elder ventured his first study of the lithic monuments that surrounded his native city of Bath, drawing sketches of the stones at Stanton Drew. These earned him the patronage of Edward Harley, second Earl of Oxford, which enabled Wood to undertake more… Read More

Behind the Lines 8

Behind the Lines 8

By Philippa Lewis

Annette Berthe Schlegel, wife of Adalbert, mother of Mariana, Friedrich, Werner and Elmira, and grandmother to little Wilhelm and Lydia, died peacefully in her cherry wood bed at home in Marienstrasse, Stuttgart, on March 29th, 1812. Adalbert, a successful watchmaker, had held Annette dear, and two weeks after the funeral… Read More

Freestanding: Sigurd Lewerentz

Freestanding: Sigurd Lewerentz

By Helen Thomas

Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More