Writer: Niall Hobhouse
Buffington & Mies: Skyscrapers on Paper
31.01.2025
Buffington & Mies: Skyscrapers on Paper31.01.2025
The ‘skyscraper’ was conceived in Minnesota in 1871; its designer, LeRoy Buffington, described it in the patent he registered seventeen years later: ‘as a building having a continuous skeleton of metal, a covering of veneer, and a non-conducting packing between the skeleton and veneer.’ His innovation—which he struggled to defend… Read More
On Origins and Originality
15.11.2024
On Origins and Originality15.11.2024
The following text by Niall Hobhouse is included in the exhibition catalogue for Begin Again. Fail Better: Preliminary Drawings in Architecture. The exhibition, previously shown at the Kunstmuseum in Olten, opened at EPFL on the 5th of November and will close on the 2nd of December 2024. It includes nearly 100 drawings from… Read More
Quantum Collecting: A Few Principles and Mechanisms for the Acquisition of Architectural Drawings
06.11.2023
Quantum Collecting: A Few Principles and Mechanisms for the Acquisition of Architectural Drawings06.11.2023
– Niall Hobhouse and Matt Page
Drawing Matter is often asked to contribute to discussions, initiated by public institutions with significant collections of architectural drawings, about what—and what not—to collect. For ourselves, this feels the wrong way round, not least because we have no public mandate and have always resisted formulating (still less, publishing) any sort… Read More
Through a Glass Darkly
06.06.2023
Through a Glass Darkly06.06.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. Since Burckhardt’s discovery of Petra in 1812, Europeans and… Read More
Drawing Programme: A Drawing Matter Workshop
02.05.2023
Drawing Programme: A Drawing Matter Workshop02.05.2023
– Niall Hobhouse, Manuel Montenegro and Amy Teh
This audio recording documents a workshop on architects’ drawings exploring the relationship between form, space and programme. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More
Lenin’s Tomb, the Second Version
05.09.2022
Lenin’s Tomb, the Second Version05.09.2022
– Niall Hobhouse and Markus Lähteenmäki
The following email exchange took place between Niall Hobhouse, founder of Drawing Matter, and Markus Lähteenmäki in July 2022. Dear Markus, Came across these here in the archive… from god knows where exactly. Thought you might have something to say – had forgotten that it was originally ‘dummied’ in wood.… Read More
Stories from Architecture: Behind the Lines at Drawing Matter
13.12.2021
Stories from Architecture: Behind the Lines at Drawing Matter13.12.2021
– Adrian Forty, Niall Hobhouse and Philippa Lewis
This film was recorded in the Drawing Matter archive on the afternoon of Friday 28 November. It records a conversation between Philippa Lewis, Adrian Forty and Niall Hobhouse, about some of the drawings behind Philippa’s new book, Stories from Architecture: Behind the Lines at Drawing Matter (2021). The film was… Read More
Álvaro Siza: Seven Early Sketchbooks
22.11.2021
Álvaro Siza: Seven Early Sketchbooks22.11.2021
– Niall Hobhouse, Manuel Montenegro and Álvaro Siza
These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt
26.05.2021
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt26.05.2021
Review By preserving the trees on the site within his pavilion in the Giardini, Sverre Fehn offered Venice an insight into a unique Nordic sensitivity towards nature and the environment. He tempered the harsh Mediterranean sun to evoke the horizontal light of the Baltic through a spectacularly innovative technical design… Read More
Stan Allen’s Situated Objects (2020): Review & Excerpt
24.02.2021
Stan Allen’s Situated Objects (2020): Review & Excerpt24.02.2021
Review Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More
Grounded: Plans & Planning
29.04.2020
Grounded: Plans & Planning29.04.2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
Seeing, and Disbelieving
02.03.2020
Seeing, and Disbelieving02.03.2020
It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More
From a Little Below and to the Right
17.12.2019
From a Little Below and to the Right17.12.2019
There is a characteristic recurrence in Lutyens’ drawings of a quickly sketched oblique perspective in his own hand. Apparently, this is added as an afterthought once the orthogonal image of the building itself has been fully developed elsewhere (sometimes by assistants), and both usually appear on the same sheet. Invariably,… Read More
Gio Ponti: un disegno è un idea
07.10.2019
Gio Ponti: un disegno è un idea07.10.2019
Signora Onvoloni, here is a drawing that might find a place in your cabinet of ideas: ‘a drawing is an idea’ – Gio Ponti, translated by Guido Beltramini [1] All seems simple enough on the face of it, and of course one smiles, just as Gio hoped we might. But… Read More
Gio Ponti: ‘Come for Porchetta’
23.08.2019
Gio Ponti: ‘Come for Porchetta’23.08.2019
The Milanese architect Gio Ponti typically arrived at his office very early in the morning and would use the quiet interlude before his colleagues appeared to write a succession of letters – to friends and associates, to clients and contractors, to his associate editors at Domus or Stile, to his fellow architects Le… Read More
Madelon Vriesendorp
04.11.2018
Madelon Vriesendorp04.11.2018
– Niall Hobhouse and Madelon Vriesdendorp
Excerpted from Madelon Vreisendop in conversation with Niall Hobhouse, RIBA, 2 July 2018
Siza and the Limits of Representation
25.09.2018
Siza and the Limits of Representation25.09.2018
Over the years in which the collection of Drawing Matter has been formed we have come to understand that the most productive discussion of architecture is actually about the precise relationship between the drawing and ‘its’ building. One good rule is that an architect with a powerful idea is always… Read More
Sans Humour?
14.09.2018
Sans Humour?14.09.2018
It seems that architects are too self-conscious – or perhaps in need of being seen as permanently on duty – to portray themselves or what they do with much humour, let alone self-critical caricature. Edwin Lutyens is an honourable exception, even if his self-mockery ultimately becomes a public performance – a… Read More
Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India
07.09.2018
Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India07.09.2018
Niall Hobhouse remembers that Jullian de la Fuente, the Chilean architect who worked with Le Corbusier, told him the story of how he came to own the twelve pages (of which one is shown) extracted from Le Corbusier’s sketchbook: In the late 1950s the first Prime Minister of India, Jawaharlal… Read More
Studio Ponis: The Crystal and the Flame
02.07.2025
Studio Ponis: The Crystal and the Flame02.07.2025
– Irina Davidovici, Niall Hobhouse, Alex Pillen, Jonathan Sergison and Annarita Zalaffi
On Friday 20 June, Drawing Matter welcomed Annarita Zalaffi, Jonathan Sergison, Irina Davidovici, and Alex Pillen to the archive for a conversation about the work of Studio Ponis in Sardinia, and Alberto Ponis and Annarita Zalaffi’s working relationship. The conversation marked the opening of an exhibition of drawings from the… Read More
in the archive (project) DMC