Tag: landscape
Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz
07.04.2025
Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 07.04.2025
Last year, Francis Martinuzzi contacted Drawing Matter after seeing a reproduction of one of his drawings on our website. The drawing was from a project from the submission for his architectural diploma with Jean Faloux under the tutelage of Antoine Grumbach at Unité Pédagogiuqe no. 6 (L’École nationale supérieure d’architecture… Read More
Ian Hamilton Finlay at Drawing Matter
06.01.2025
Ian Hamilton Finlay at Drawing Matter06.01.2025
Ian Hamilton Finlay (1925–2006) was born in Nassau, Bahamas, and educated in Scotland from the age of six. He briefly studied at the Glasgow School of Art and joined the British Army in 1942. After the war, Finlay worked as a shepherd while producing paintings, short plays and stories. He… Read More
Fuglsang Kunstmuseum: Facts and Interpretation in Staging a Museum
11.11.2024
Fuglsang Kunstmuseum: Facts and Interpretation in Staging a Museum11.11.2024
The following text was first published in OASE #111: Staging the Museum (2022). Drawing Matter would like to thank Tony Fretton and the issue’s editors Aslı Çiçek, Jantje Engels, and Maarten Liefooghe, for allowing us to reproduce the text. Purchase a copy of OASE #111 here. Fuglsang Kunstmuseum is located on the… Read More
Tim Robinson: Deep Mapping
26.02.2024
Tim Robinson: Deep Mapping26.02.2024
This text is an excerpt from Shallow Time: The Burren (Dpr-Barcelona and Irish Architecture Foundation, 2023), 73-74, written by Tom Cookson. The text is reproduced with permission from the Irish Architecture Foundation. How to communicate the topographic nature of landscape and lived experience on a map reproduced on paper? The composition… Read More
DMJ – The Stereoautograph
06.12.2023
DMJ – The Stereoautograph06.12.2023
The Zeiss Stereoautograph 1914 Bild II is a mammoth device (Fig.1). It weighs over 400kg and has the same footprint as a Smart Car. When it was retired and donated to the Zeiss Archive in 2004, the Technical University of Hanover had to remove part of its roof in order to lift… Read More
Work with your hands: AUB Summer School 2023
21.09.2023
Work with your hands: AUB Summer School 202321.09.2023
‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More
Alberto Ponis: Drawing Landscape
30.08.2023
Alberto Ponis: Drawing Landscape30.08.2023
This is film was made by team SHICHAI拾柴 for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023. It concludes a series of posts on Drawing Matter pairing team SHICHAI拾柴’s films with drawings from our collection; find these in the ‘related reading’ below.
Capilla Pajaritos
24.08.2023
Capilla Pajaritos24.08.2023
The following text was written by Alberto Cruz as an account of the project for a small chapel outside of Santiago (1952–3; first published in Spanish in 1954). It describes an unfolding process of design, framed around the guiding principles of observation, act, and, form—the key tenets of Cruz’s architectural… Read More
Alberto Ponis: Casa Scalesciani
09.08.2023
Alberto Ponis: Casa Scalesciani09.08.2023
This is the third of a series of posts pairing films made by team SHICHAI拾柴 with drawings from the Drawing Matter Collection. The films, of houses designed by Alberto Ponis on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023. View more… Read More
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso
17.07.2023
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso17.07.2023
Alberto Cruz presented the principles of The Palace of Dawn and Dusk (Palacio del Alba y del Ocaso) in the Open City’s Music Room on 19 January 1981[1]. While the initial project comprised four lodges with communal rooms, courtyards, and public baths, ultimately, as Cruz describes, following a ‘poetic revelation’… Read More
Alberto Ponis: Pathways
12.07.2023
Alberto Ponis: Pathways12.07.2023
This is the second of a series of posts pairing films made by team SHICHAI拾柴 with drawings from the Drawing Matter Collection. The films, of houses designed by Alberto Ponis on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023. Explore more… Read More
Alberto Ponis: Studio di Yasmin
23.06.2023
Alberto Ponis: Studio di Yasmin23.06.2023
This is the first of a series of posts pairing films made by team SHICHAI拾柴 with drawings from the Drawing Matter Collection. The films, of houses designed by Alberto Ponis on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023.… Read More
Drawing as Preservation
14.06.2023
Drawing as Preservation14.06.2023
Jiang Yuan’s ‘Epanggong Illustration’ is a reverie made real by the tip of Yuan’s paintbrush. It is simultaneously a fantasy of a past to which one cannot return, a fascination with a form of existence that has disappeared, and also a set of ideas, which live on in spheres far… Read More
Through a Glass Darkly
06.06.2023
Through a Glass Darkly06.06.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. Since Burckhardt’s discovery of Petra in 1812, Europeans and… Read More
Sverre Fehn and the Territorial Eye
18.05.2023
Sverre Fehn and the Territorial Eye18.05.2023
This text is adapted from an abstract to Erika Brandl’s short paper which she presented last year at the ‘Nordic Nature: Art, Ecology, Landscape’ conference in Bergen. Architectural histories of Norway have been inexorably tied to landscape and localism, framed as the romantic wedlock of nature and the built form.… Read More
DMJ – Asphalt Tales and the Ends of History
03.03.2023
DMJ – Asphalt Tales and the Ends of History03.03.2023
This paper explores how asphalt became a medium for architects and artists from the late 1950s to the 1970s to raise and articulate questions about memory, oblivion, communication and the environment. It questions to what extent T.J. Demos’ recent assertion that experimental visual culture is embedded ‘within social engagements and… Read More
DMJ – Shallow Cuts: The Geological Sectioning of Newcastle, NSW
03.03.2023
DMJ – Shallow Cuts: The Geological Sectioning of Newcastle, NSW03.03.2023
This paper charts the emergence of the drawn section as a mode of documenting geological time and physical space. This is specifically mapped in the Antipodean context of colonisation, where vital resources underneath the ground were mediated with strategic ambitions above. The relatively small period in the history of the… Read More
Geography of Hope: Hans Hollein and John Hejduk
01.03.2023
Geography of Hope: Hans Hollein and John Hejduk01.03.2023
This is the final of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Extrusion: Hollein in the Southwest The Austrian architect Hans Hollein, for many years a leading figure in the international avant-garde, was a student at… Read More
Geography of Hope: Bruce Goff
17.02.2023
Geography of Hope: Bruce Goff17.02.2023
This is the third of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. ‘Aparture’: Bruce Goff in the Parched Land ‘For the Panhandle, …1956 became the seventh straight year of drouth. Except for one savage blizzard, it… Read More
Geography of Hope: John Lautner
31.01.2023
Geography of Hope: John Lautner31.01.2023
This is the second of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Suspension and Poise: Lautner at Mountainside The first photograph of John Lautner that we know, shows him as a boy of about fourteen, standing… Read More
Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden
20.01.2023
Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden20.01.2023
Stone, hard and unfeeling, appears in our contemporary lexicon as a metaphor for the lifeless and the immutable. Yet in the classical gardens and paintings of China, stones were objects of fascination for the élite literati for precisely the opposite reason: the cosmic forces of creation and dissolution they, and… Read More
DMJ – Dialogues between Architecture And Granite in Punta Sardegna
20.01.2023
DMJ – Dialogues between Architecture And Granite in Punta Sardegna20.01.2023
The stones are also premonitions, and the trails chart a course through nature that is both sign and path, direction and culture. The human journey and the mystery of the eternal, chance and intervention. Thus, the pre-existing stones are added and mingle with those put in later, and vice versa,… Read More
For AP + AR
20.01.2025
For AP + AR20.01.2025
– Kirsty Badenoch
Long, thin and crisp, sun-bleached, rose-blushed. Thousand-time photocopied notations of notations. Struck-through with highlighter, corrected and recorrected re-negotiated, scribbled and walked across. I walk together with AP e AR, our thin nibbed-shoes picking careful tracks between sharpie chasms. We leak behind us inky trails, to be washed away by the… Read More
topographic/cartographic landscape DMC