Tag: detail
Protected: Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop
9 December 2024
Protected: Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop9 December 2024
There is no excerpt because this is a protected post.
In the Archive: New and Found 3
3 May 2024
In the Archive: New and Found 33 May 2024
– Editors
Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More
Trevor Dannatt: St Mary’s Grove — Through the Door
3 April 2024
Trevor Dannatt: St Mary’s Grove — Through the Door3 April 2024
This is the sixth part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, here. Entering the house the first thing one sees is the entrance door to my… Read More
Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!
16 November 2023
Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!16 November 2023
‘I’m going to get medieval on your ass!’ Any analogy between the hefty massing of the middle-ages and soi-disant Brutalism is here revived in the bold metal hinges of our garage door, worthy of some château fort. Likewise the solid lead parapet of the roof could well guard a fortress, if also reminiscent of the… Read More
Work with your hands: AUB Summer School 2023
21 September 2023
Work with your hands: AUB Summer School 202321 September 2023
‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More
Trevor Dannatt: St Mary’s Grove — Garage door trio
18 September 2023
Trevor Dannatt: St Mary’s Grove — Garage door trio18 September 2023
No sooner had I written about the door hook than my mother, sharp as ever at 98, revealed that the original had been stolen, along with parts of the front gate, presumably for their metal value. This hook was definitely her replacement, from Franchi on the Holloway Road, whilst the first… Read More
Trevor Dannatt: St Mary’s Grove — Hook & Extension
28 August 2023
Trevor Dannatt: St Mary’s Grove — Hook & Extension28 August 2023
Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More
Diplomatics and Instrumentality of the Drawing / William Butterfield
21 August 2023
Diplomatics and Instrumentality of the Drawing / William Butterfield21 August 2023
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More
Trevor Dannatt: St Mary’s Grove — Stone Head & Slab
26 July 2023
Trevor Dannatt: St Mary’s Grove — Stone Head & Slab26 July 2023
A carved stone head by Theo Crosby, given as a moving-in gift back in the mid-fifties and much weathered ever since, amongst the bosky foothills of the front steps. For aesthetic law insists that ‘outdoor’ sculpture must be shown as such and allowed to return to nature, obeying its original… Read More
Trevor Dannatt: St Mary’s Grove — House Number & Gate
4 July 2023
Trevor Dannatt: St Mary’s Grove — House Number & Gate4 July 2023
This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More
Trevor Dannatt: St Mary’s Grove — Gap and Sign
13 June 2023
Trevor Dannatt: St Mary’s Grove — Gap and Sign13 June 2023
When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More
Hardman & Co.
9 June 2023
Hardman & Co.9 June 2023
My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More
Materia 5: Timber
18 April 2023
Materia 5: Timber18 April 2023
This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More
W. R. Lethaby: The Church of Sancta Sophia, Constantinople
28 November 2022
W. R. Lethaby: The Church of Sancta Sophia, Constantinople28 November 2022
This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More
fala: execution drawings
7 November 2022
fala: execution drawings7 November 2022
– fala
This is the fifth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Construction documents include an array of scales. General drawings, partials, maps, details, and indexes are loaded with intentions and manic descriptions. They are supposed to… Read More
W. R. Lethaby: The Builder’s Art and the Craftsman
24 October 2022
W. R. Lethaby: The Builder’s Art and the Craftsman24 October 2022
This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing
21 October 2022
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing21 October 2022
– Federica Goffi and Devon Moar
The bee drawing(s) by Devon Moar illustrate that changes in scale imply a passage of time. One drawing here becomes many drawings, each marking a different moment of discovery unfolding a process. One could say that when it comes to architectural media, there are two types of scales dealing with… Read More
Turning Point: The US Embassy in Dublin
17 August 2022
Turning Point: The US Embassy in Dublin17 August 2022
This is an extract of the construction drawings produced by John M. Johansen’s office in 1963 for the cylindrical US Embassy in Dublin. It is a three-dimensional ink drawing of the external precast concrete structure, describing two single-storey bays in isolation. Viewed abstractly it could almost be an anatomical study,… Read More
‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)
19 April 2022
‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)19 April 2022
The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More
The Edge of Architecture: Cornices in the Drawing Matter collection
21 February 2022
The Edge of Architecture: Cornices in the Drawing Matter collection21 February 2022
– Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
Sigurd Lewerentz: Punctum. seeing the detail
14 February 2022
Sigurd Lewerentz: Punctum. seeing the detail14 February 2022
In his book on photography, Camera Lucida, Roland Barthes introduces the concept of ‘the Punctum’. The Punctum is something in a photograph that etches itself in the consciousness of the viewer. It is often a small detail that evokes emotions long after the gaze has left the picture: an experience that is born in the viewer’s… Read More
The Measure of It: An Essay on Measured Drawings
31 January 2022
The Measure of It: An Essay on Measured Drawings31 January 2022
As a classical architect, George Saumarez Smith not only believes in producing something that is pleasing to the eye, but in the importance of precise measuring in architectural practice, that ‘…the important part of an architect’s role is to produce drawings as instructions to a builder’. The following excerpt is… Read More
The Poetry of Concrete
17 June 2024
The Poetry of Concrete17 June 2024
– Lina Bo Bardi
The following text is reproduced from the catalogue to Lina Bo Bardi: The Poetry of Concrete, an exhibition of the architect’s drawings at the Tchoban Museum for Architectural Drawing, Berlin (1.06.2024 – 22.09.2024). Find more information, and purchase the catalogue, here. I was born in Rome, in Prati di Castello,… Read More
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