Tag: detail

The Poetry of Concrete

The Poetry of Concrete

Lina Bo Bardi

The following text is reproduced from the catalogue to Lina Bo Bardi: The Poetry of Concrete, an exhibition of the architect’s drawings at the Tchoban Museum for Architectural Drawing, Berlin (1.06.2024 – 22.09.2024). Find more information, and purchase the catalogue, here. I was born in Rome, in Prati di Castello,… Read More

In the Archive: New and Found 3

In the Archive: New and Found 3

Editors

Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More

Trevor Dannatt: St Mary’s Grove — Through the Door

Trevor Dannatt: St Mary’s Grove — Through the Door

Adrian Dannatt

This is the sixth part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, here. Entering the house the first thing one sees is the entrance door to my… Read More

Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!

Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!

Adrian Dannatt

‘I’m going to get medieval on your ass!’ Any analogy between the hefty massing of the middle-ages and soi-disant Brutalism is here revived in the bold metal hinges of our garage door, worthy of some château fort. Likewise the solid lead parapet of the roof could well guard a fortress, if also reminiscent of the… Read More

Work with your hands: AUB Summer School 2023

Work with your hands: AUB Summer School 2023

Timothy Christian Murphy

‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More

Trevor Dannatt: St Mary’s Grove — Garage door trio

Trevor Dannatt: St Mary’s Grove — Garage door trio

Adrian Dannatt

No sooner had I written about the door hook than my mother, sharp as ever at 98, revealed that the original had been stolen, along with parts of the front gate, presumably for their metal value. This hook was definitely her replacement, from Franchi on the Holloway Road, whilst the first… Read More

Trevor Dannatt: St Mary’s Grove — Hook & Extension

Trevor Dannatt: St Mary’s Grove — Hook & Extension

Adrian Dannatt

Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More

Diplomatics and Instrumentality of the Drawing / William Butterfield

Diplomatics and Instrumentality of the Drawing / William Butterfield

Nicholas Olsberg

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More

Trevor Dannatt: St Mary’s Grove — Stone Head & Slab

Trevor Dannatt: St Mary’s Grove — Stone Head & Slab

Adrian Dannatt

A carved stone head by Theo Crosby, given as a moving-in gift back in the mid-fifties and much weathered ever since, amongst the bosky foothills of the front steps. For aesthetic law insists that ‘outdoor’ sculpture must be shown as such and allowed to return to nature, obeying its original… Read More

Trevor Dannatt: St Mary’s Grove — House Number & Gate

Trevor Dannatt: St Mary’s Grove — House Number & Gate

Adrian Dannatt

This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More

Trevor Dannatt: St Mary’s Grove — Gap and Sign

Trevor Dannatt: St Mary’s Grove — Gap and Sign

Adrian Dannatt

When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More

Hardman & Co.

Hardman & Co.

Sarah James

My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More