Tag: detail

The Values of Profiles (1951)

The Values of Profiles (1951)

By Luigi Moretti

Provoked by the assertion of rational architecture, the beginnings of modern non-figurative art coincide in time with the exclusion from the world of living forms of cornices and profiles, the most evidently ‘abstract’ elements of ancient architecture. At least two reasons may be relevant to this singular phenomenon: one is… Read More

On a handrail

On a handrail

By Jon Lopez

What drew me to the drawings Tony made, and the handrail itself, is the line it treads between standardisation and customisation. The way in which, for instance, standard sections of steel are bundled together and expressed to form thicker newel posts or to hold the glazing panels of the balustrade.… Read More

Tony Fretton: Drawn Closer

Tony Fretton: Drawn Closer

By Tony Fretton and Sarah Handelman

Sometimes you make drawings to tell yourself the project is going okay. Well, that’s what I do. This drawing came quite late in the design of the first Lisson Gallery. In the way I used to work, you would reach a point where you’d have a very thorough sense of… Read More

ETH Zurich: Casting the Cornice in Ticino

ETH Zurich: Casting the Cornice in Ticino

By Erik Wegerhoff and Emma Letizia Jones

From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. Further generations of these craftsmen made their way over the Gotthard pass to… Read More

Six Architects on their Dream Desks

Six Architects on their Dream Desks

By Roz Barr, Biba Dow, Elizabeth Hatz, Stephanie Macdonald, Helen Thomas and Emma Letizia Jones

Drawing Matter recently acquired this design for a table, below. Although the work’s last sale in 1972 attributed the drawing to Thomas Chippendale, we are (perhaps wishfully) hoping that it might be an architect’s own design for desk. The sheet set off a flurry of chatter about the platonic spaces… Read More

Halsey Ricardo

Halsey Ricardo

By Nicholas Olsberg

Early in 1916, RIBA president Halsey Ricardo reported on an acquisition that, when added to the works of Bibiena, Palladio, Jones and Wren, would begin to build a more continuous corpus of the drawn history of architecture. [1] This was a large set of sketchbooks and project drawings ‘from a… Read More

On Cornices, Part I

On Cornices, Part I

By Emma Letizia Jones

In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More

R. Norman Shaw

R. Norman Shaw

By Andrew Saint

R. Norman Shaw (1831–1912) is commonly thought of as a domestic architect, but he built a fair number of churches, sixteen altogether, many of them original and remarkable in one way or another. There is an evolution in Shaw’s church designs from the emotional ardour of his earliest efforts, like… Read More

Sir William Chambers: Somerset House

Sir William Chambers: Somerset House

Approximately 700 drawings of Sir William Chambers’ eighteenth-century design for Somerset House reside at Sir John Soane’s Museum. Yet, to start, it was not at all certain that Chambers would get the commission. At that point in his career he was Comptroller of the Works under King George III, a… Read More

Assemble: Collective Authorship

Assemble: Collective Authorship

By Giles Smith and Adam Willis

Assemble’s practice was established in 2010 through a collective desire to build together, and our first projects were largely designed on site as we went. Our practice has been and remains organised cooperatively, without hierarchy, and our design methodologies have been developed to accommodate that particular dynamic. We use large-scale… Read More

Architecten De Vylder Vinck Taillieu

Architecten De Vylder Vinck Taillieu

By Jan De Vylder

One cannot see these drawings without seeing the mural by Sol LeWitt, in which an electrician has subsequently installed doorbells and a light switch. The mural is in the entrance hall of a city palace that was for a time the entrance to a gallery. When the gallery stopped its… Read More

Philip Webb

Philip Webb

By Adrian Forty

Philip Webb’s full scale drawing for the carving of the wooden frieze above the gallery of the hall at Clouds is an exquisite piece of draughtsmanship. But what make it so special are the small sketch and Webb’s instructions to the wood carver on the upper part of the sheet.… Read More