Tag: detail

Protected: Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop

Protected: Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop

Sergio Kopinski Ekerman

There is no excerpt because this is a protected post.

The Poetry of Concrete

The Poetry of Concrete

Lina Bo Bardi

The following text is reproduced from the catalogue to Lina Bo Bardi: The Poetry of Concrete, an exhibition of the architect’s drawings at the Tchoban Museum for Architectural Drawing, Berlin (1.06.2024 – 22.09.2024). Find more information, and purchase the catalogue, here. I was born in Rome, in Prati di Castello,… Read More

In the Archive: New and Found 3

In the Archive: New and Found 3

Editors

Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More

Trevor Dannatt: St Mary’s Grove — Through the Door

Trevor Dannatt: St Mary’s Grove — Through the Door

Adrian Dannatt

This is the sixth part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, here. Entering the house the first thing one sees is the entrance door to my… Read More

Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!

Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!

Adrian Dannatt

‘I’m going to get medieval on your ass!’ Any analogy between the hefty massing of the middle-ages and soi-disant Brutalism is here revived in the bold metal hinges of our garage door, worthy of some château fort. Likewise the solid lead parapet of the roof could well guard a fortress, if also reminiscent of the… Read More

Work with your hands: AUB Summer School 2023

Work with your hands: AUB Summer School 2023

Timothy Christian Murphy

‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More

Trevor Dannatt: St Mary’s Grove — Garage door trio

Trevor Dannatt: St Mary’s Grove — Garage door trio

Adrian Dannatt

No sooner had I written about the door hook than my mother, sharp as ever at 98, revealed that the original had been stolen, along with parts of the front gate, presumably for their metal value. This hook was definitely her replacement, from Franchi on the Holloway Road, whilst the first… Read More

Trevor Dannatt: St Mary’s Grove — Hook & Extension

Trevor Dannatt: St Mary’s Grove — Hook & Extension

Adrian Dannatt

Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More

Diplomatics and Instrumentality of the Drawing / William Butterfield

Diplomatics and Instrumentality of the Drawing / William Butterfield

Nicholas Olsberg

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More

Trevor Dannatt: St Mary’s Grove — Stone Head & Slab

Trevor Dannatt: St Mary’s Grove — Stone Head & Slab

Adrian Dannatt

A carved stone head by Theo Crosby, given as a moving-in gift back in the mid-fifties and much weathered ever since, amongst the bosky foothills of the front steps. For aesthetic law insists that ‘outdoor’ sculpture must be shown as such and allowed to return to nature, obeying its original… Read More

Trevor Dannatt: St Mary’s Grove — House Number & Gate

Trevor Dannatt: St Mary’s Grove — House Number & Gate

Adrian Dannatt

This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More

Trevor Dannatt: St Mary’s Grove — Gap and Sign

Trevor Dannatt: St Mary’s Grove — Gap and Sign

Adrian Dannatt

When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More

Hardman & Co.

Hardman & Co.

Sarah James

My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More

Materia 5: Timber

Materia 5: Timber

Gordon Shrigley

This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products.  The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More

Drawing Construction: A Drawing Matter Workshop

Drawing Construction: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on construction drawings by architects architects and designers. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live in the Drawing… Read More

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

Hugh Strange

This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More

fala: execution drawings

fala: execution drawings

fala

This is the fifth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Construction documents include an array of scales. General drawings, partials, maps, details, and indexes are loaded with intentions and manic descriptions. They are supposed to… Read More

W. R. Lethaby: The Builder’s Art and the Craftsman

W. R. Lethaby: The Builder’s Art and the Craftsman

Hugh Strange

This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More

How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing

How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing

Federica Goffi and Devon Moar

The bee drawing(s) by Devon Moar illustrate that changes in scale imply a passage of time. One drawing here becomes many drawings, each marking a different moment of discovery unfolding a process. One could say that when it comes to architectural media, there are two types of scales dealing with… Read More

Turning Point: The US Embassy in Dublin

Turning Point: The US Embassy in Dublin

Cormac Murray

This is an extract of the construction drawings produced by John M. Johansen’s office in 1963 for the cylindrical US Embassy in Dublin. It is a three-dimensional ink drawing of the external precast concrete structure, describing two single-storey bays in isolation. Viewed abstractly it could almost be an anatomical study,… Read More

‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)

‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870)

William Burges

The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More

The Edge of Architecture: Cornices in the Drawing Matter collection

The Edge of Architecture: Cornices in the Drawing Matter collection

Editors

The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.

Sigurd Lewerentz: Punctum. seeing the detail

Sigurd Lewerentz: Punctum. seeing the detail

Mikael Bergquist

In his book on photography, Camera Lucida, Roland Barthes introduces the concept of ‘the Punctum’. The Punctum is something in a photograph that etches itself in the consciousness of the viewer. It is often a small detail that evokes emotions long after the gaze has left the picture: an experience that is born in the viewer’s… Read More

The Measure of It: An Essay on Measured Drawings

The Measure of It: An Essay on Measured Drawings

George Saumarez Smith

As a classical architect, George Saumarez Smith not only believes in producing something that is pleasing to the eye, but in the importance of precise measuring in architectural practice, that ‘…the important part of an architect’s role is to produce drawings as instructions to a builder’. The following excerpt is… Read More