Writer: Editors

Claude Parent at Drawing Matter

Claude Parent at Drawing Matter

Editors and Chloé Parent

Drawing Matter is honoured to have recently added to the collection a group of 60 drawings by Claude Parent, which were selected in very generous collaboration with Chloé Parent and the Claude Parent Archives. In the wider context of the collection, we see these drawings as offering unique access to… Read More

Notes on the 2024 Architecture Summer School

Notes on the 2024 Architecture Summer School

Editors

The Architecture Summer School took place over five days in mid-August, for the first time hosted in London at Drawing Room in Bermondsey SE1. Now in its eight year, the program is open to any student aged 15 and above who has an ambition to study architecture, with six young… Read More

Adolfo Natalini with Superstudio at Drawing Matter

Adolfo Natalini with Superstudio at Drawing Matter

James Dunbar and Editors

Adolfo Natalini (1941–2020) was an Italian architect. A member of the ‘School of Pistoia’ Pop Art group in the early 1960s, Natalini combined his Pop aesthetic with critique and irony in his thesis work at the University of Florence School of Architecture, graduating in 1966.[1] Soon after, he co-founded Superstudio… Read More

In the Archive: New and Found 4

In the Archive: New and Found 4

Editors

Click on drawings to move. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is a collection… Read More

Frank Lloyd Wright at Drawing Matter

Frank Lloyd Wright at Drawing Matter

Editors and Nicholas Olsberg

The Frank Lloyd Wright collection is of primary interest from 1936 to 1951, and especially for a small group of studies and presentations for the shaping of domestic space, dwelling within landscape, and interior fittings. There are also important isolated drawings for a prairie house, Midway Gardens, the Johnson Administration… Read More

Louis-Hippolyte Lebas at Drawing Matter

Louis-Hippolyte Lebas at Drawing Matter

Editors and Nicholas Olsberg

French architect Louis-Hippolyte Lebas (1782–1867) trained with Percier and Fontaine, whose assistant he remained for some years; working in Paris, both independently and in collaboration with Éloi Labarre and others from the mid 1820s; professor of history of architecture at the École des Beaux-Arts from 1840; and leader of an… Read More

In the Archive: New and Found 3

In the Archive: New and Found 3

Editors

Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More

Hans Hollein at Drawing Matter

Hans Hollein at Drawing Matter

Editors and Nicholas Olsberg

The Austrian architect Hans Hollein (1934–2014) studied under Clemens Holzmeister at the Academy of Fine Arts in Vienna, and then at the Illinois Institute of Technology and the College of Environmental Design at the University of California Berkeley. With the sculptor and designer Walter Pichler he introduced a body of… Read More

Erik Gunnar Asplund at Drawing Matter

Erik Gunnar Asplund at Drawing Matter

Editors and Nicholas Olsberg

Erik Gunnar Asplund (1885–1940), trained first at the Royal Institute of Technology (where he would teach from 1931), and then at the Royal Academy of Fine Arts in Stockholm, undertook an extensive study tour of Greece and Italy, and opened his own practice around 1913, working entirely in Sweden, and… Read More

Accademia Bridge Proposals: Venice Biennale 1985

Accademia Bridge Proposals: Venice Biennale 1985

Editors

This project scrapbook was prompted by Drawing Matter’s recent acquisition of drawings by Peter Wilson and Luc Deleu, made in response to Aldo Rossi’s ‘Progetto Venezia’ brief for the 1985 Venice Biennale, which invited proposals for a new Accademia Bridge to replace the wooden one constructed in the 1930s. Wilson… Read More

Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more

Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more

Editors

There is no excerpt because this is a protected post.

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Editors

Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More