Tag: theoretical & imaginary

Peter Märkli: My Facade Material

Peter Märkli: My Facade Material

By Editors

The following quotations are from ‘Mein Stoff für Fassaden (My Facade Material)’, a lecture delivered online by Peter Märkli to open a series of five talks for the Architecture Foundation. The quotations are presented here in a loose fashion, some treated as aphorisms about design, others illustrated with drawings from… Read More

Nancy Holt: Sky Mound

Nancy Holt: Sky Mound

By Holt/Smithson Foundation

Nancy Holt (1938-2014) was a member of the earth, land, and conceptual art movements. A pioneer of site-specific installation and the moving image, Holt recalibrated the limits of art. She expanded the places where art could be found and embraced the new media of her time. Across five decades she… Read More

Excerpt: Shadow Places

Excerpt: Shadow Places

By Simon Unwin

The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

By Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More

Tradition and Modernity, Continuity and Critique

Tradition and Modernity, Continuity and Critique

By Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More

The Perpetual Race of Piranesi and the Tortoise

The Perpetual Race of Piranesi and the Tortoise

By Marc McGowan

Melting reality, ancient history and fantasy into one, the etchings of Giovanni Battista Piranesi hold an unparalleled allure that continues to entrance and captivate. They offer an escape into imagined and unknown worlds; each drawing an organism of its own, containing an immense depth of spatial layering and an extraordinary… Read More

Superstudio: Another Mirror Image

Superstudio: Another Mirror Image

By Ludwig Engel

Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More

Signature

Signature

By André Patrão

It’s just a small loose sheet of paper ripped off a notepad. Along its margins, an elegant round-cornered brown border, once enclosing an anonymous blank space of empty expectancy, now ceremoniously frames a mysteriously attractive, harmonious, yet utterly cryptic mark, struck and left upon its surface: a signature. By whose… Read More

Louis Kahn: In Praise of shadows

Louis Kahn: In Praise of shadows

By Emerald Liu

The pale white touch The most exquisite glow and depth of shadows An immutable mystery in the crossbeam of tranquillity simply vanished when the sunlight flooded the atmosphere Of this small corner Where we as children would feel an inexpressible chill While waiting so quiet and pliant to the touch… Read More

Viollet-le-Duc: Ruins in Reverse

Viollet-le-Duc: Ruins in Reverse

By Thomas Gould

In 1844, architect Eugéne Viollet-le-Duc won a competition to supervise the restoration of the Notre-Dame Cathedral.  Blasted and defaced during the Revolution, the condition of the great church testified less to the promises of an infant republic than to the bloody throes of its birth. For its restoration, the Comité des… Read More

The Meaning of Lines

The Meaning of Lines

By Laura Bonell and Daniel López-Dòriga

A series of seemingly abstract lines occupy the whole space of the paper. Each of them is formed by a thin black line that defines the geometry, accompanied by a thicker, semi-transparent brown line, which highlights it. Written annotations are placed on top, sometimes following the drawing’s wavy shape like… Read More

Outside In

Outside In

By Emily Priest

Music plays from behind a curtain. Lights come on and you see that the curtain runs along two sides of a carpet whose centre hosts a leopard skin cushion. There is a chair at one side of the carpet and at the opposite end, a single column. Not before long… Read More