Tag: theoretical & imaginary

In the Archive: New and Found 4

In the Archive: New and Found 4

Editors

Click on drawings to move. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is a collection… Read More

Protected: A Missing Drawing

Protected: A Missing Drawing

John Evelyn

There is no excerpt because this is a protected post.

Watchful Solitude: John Hejduk and Venice

Watchful Solitude: John Hejduk and Venice

Marina Correia

The Thirteen Watchtowers of Cannaregio (with Waiting House) and House for the Inhabitant Who Refused to Participate were conceived as an urban ensemble and laid the foundation for the later phase of John Hejduk’s work, which he described as an ‘architecture of pessimism’, and encompasses his best-known projects, such as… Read More

Gavin Stamp: Interwar, British Architecture 1919-1939

Gavin Stamp: Interwar, British Architecture 1919-1939

Otto Saumarez Smith

When the architectural historian Nikolaus Pevsner was asked to draw up an inventory of interwar buildings that deserved to be placed on the Statutory List, the so-called ‘Pevsner 50’ that resulted was almost entirely composed of the whitest of white modernist buildings. Similarly, John Summerson argued that the only thing… Read More

Protected: Wolkenbügel: El Lissitzky as Architect

Protected: Wolkenbügel: El Lissitzky as Architect

Richard Anderson and Markus Lähteenmäki

There is no excerpt because this is a protected post.

Peter Wilson and Mark Dorrian in conversation – Part 1

Peter Wilson and Mark Dorrian in conversation – Part 1

Mark Dorrian and Peter Wilson

This is the first part of an edited transcript of a conversion held in Thurloe Sq, London, on 25 July 2020. Peter Wilson’s exhibition ‘Indian Summer and Thereafter’ had opened at Betts Project the previous evening. Mark Dorrian: What led you to architecture to begin with, Peter? You began studying… Read More

Protected: A Will to the City

Protected: A Will to the City

Lars Lerup

There is no excerpt because this is a protected post.

Begin again. Fail Better: Pichler and Hollein

Begin again. Fail Better: Pichler and Hollein

Matt Page

This text by Matt Page will be included in the exhibition catalogue for Begin again. Fail Better: Preliminary drawings in architecture (and art). The exhibition opens on the 31st May 2024 at the Kunstmuseum Olten, and includes nearly 100 drawings from the Drawing Matter Collection. More information about the exhibition… Read More

O.M. Ungers: Drawing a metaphor

O.M. Ungers: Drawing a metaphor

Diogo Lopes and Fanny Noël

This drawing emerged within the framework of a summer school in Berlin, organized by Oswald Mathias Ungers for his Cornell students in 1977. The project was developed by the German architect together with his assistants, Peter Riemann, Rem Koolhaas, Hans Kolhoff and Arthur Ovaska and it offers a vision for… Read More

John Hejduk’s Farm Library

John Hejduk’s Farm Library

Mehrshad Atashi and Lida Badafareh

Farm Library is one among the sixty-eight entities that John Hejduk designed for the Lancaster/Hanover Masque. It is a primitive round object, with a spiral staircase positioned in its centre, running from the ground to the top. The bookshelves of the library are aligned with the boundary of the building, maintaining a distance… Read More

A Bath for Immortality

A Bath for Immortality

Clara Maria Puglisi

It is 1971 and the city is Graz. ‘If we look at the city as a set of artefacts that can be modified over time, homogeneous and isotropic, correlated to the physical reality of the landscape and the territory, and at the same time if we refuse to take part… Read More

­­­Constant’s Ladders as Mythic Entity

­­­Constant’s Ladders as Mythic Entity

Alison Bartlett

The ladder, a seemingly unexceptional instrument within the array of futuristic and utopian architectural schemes, sits front and centre; the protagonist of not only this drawing but of Constant’s almost two-decade-long project, spanning 1956–1974, entitled ‘New Babylon’. Propped somewhat haphazardly against a series of horizontally-connected and vertically-angled planes, it exudes… Read More