Writer: Peter Wilson
Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre
29 January 2024
Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre29 January 2024
Radical Scenarios for Rotterdam For a while in the 1990s, Berlin and Rotterdam were seen as embodiments of opposing strategies in city making. Postwar Berlin was the laboratory for the ‘Reconstruction of the European City’—blocks with 22m facades—while Rotterdam, largely destroyed by German bombing during WW2, became a zone of… Read More
Where in the World are We? Melbourne Venice Studios 2022
22 September 2022
Where in the World are We? Melbourne Venice Studios 202222 September 2022
Remote teaching as a pandemic consequence has already been a theme for Drawing Matter, in the January 2022 Melbourne University Venice Workshop it reached an almost surreal zenith. Remoteness is fundamental to Australia, whether the extreme separations of the outback or a pre-digital geographic estrangement from global cultural discourses. At… Read More
Cosmos Street Revisited
31 August 2021
Cosmos Street Revisited31 August 2021
This response relates to a text by Oscar Binder and Nicholas Podlanha published by Drawing Matter in July 2021, which described and reconstructed (badly) a lost project by the deceased architect James Clark. In fact I am James Clark (decidedly not dead) and the project parodied in this less than… Read More
From Diderot to Tokyo: Mechanical, Subjective and Digital Time
23 June 2021
From Diderot to Tokyo: Mechanical, Subjective and Digital Time23 June 2021
The absolute precision and technical specificity of Diderot’s encyclopaedia plates, particularly those devoted to Horlogerie, mark a critical moment in the transition from speculative to operative science, from the pre-industrial to a modernist ontology of technical instrumentalisation. Here on these pages, artisan craft is ransomed to the immanent logic of… Read More
BOLLES+WILSON: Sketching-Over Albania
27 May 2021
BOLLES+WILSON: Sketching-Over Albania27 May 2021
Having devoted a number of years to techniques and images engendered by holding a wood encased rod of graphite, I some years ago experienced a sort of premature redundancy, noticing that those about me husbanding architecture were now mysteriously clutching not a pencil but a mouse. I had already technologically… Read More
La Casa Della Falsita
5 February 2020
La Casa Della Falsita5 February 2020
The 1982 ‘Casa Della Falsita’ exhibition was decidedly under the English architectural radar. Held in Munich at the Focus Furniture Gallery, the inspiration for the show was the result of a squabble with municipality, after the shop owner, Peter Pfeiffer, was denied planning permission to build a spiral staircase between… Read More
Eurolandschaft Dérive
1 April 2018
Eurolandschaft Dérive1 April 2018
The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More
The Clandeboye Drawings
27 October 2017
The Clandeboye Drawings27 October 2017
The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More
A Public Convenience
18 November 2016
A Public Convenience18 November 2016
Whoops… that sounds like the confessions of George Michael. There was in choosing this title in 1976 a certain provocation intended, a toying with misdemeanour, not those of the carnal variety, more a voluptus ocularum. This was a time when drawing could be radical, provocative, set conventions on their heads. What conventions… Read More