Writer: Peter Wilson

From Diderot to Tokyo: Mechanical, Subjective and Digital Time

From Diderot to Tokyo: Mechanical, Subjective and Digital Time

By Peter Wilson

The absolute precision and technical specificity of Diderot’s encyclopaedia plates, particularly those devoted to Horlogerie, mark a critical moment in the transition from speculative to operative science, from the pre-industrial to a modernist ontology of technical instrumentalisation. Here on these pages, artisan craft is ransomed to the immanent logic of… Read More

BOLLES+WILSON: Sketching-Over Albania

BOLLES+WILSON: Sketching-Over Albania

By Peter Wilson

Having devoted a number of years to techniques and images engendered by holding a wood encased rod of graphite, I some years ago experienced a sort of premature redundancy, noticing that those about me husbanding architecture were now mysteriously clutching not a pencil but a mouse. I had already technologically… Read More

La Casa Della Falsita

La Casa Della Falsita

By Peter Wilson

The 1982 ‘Casa Della Falsita’ exhibition was decidedly under the English architectural radar. Held in Munich at the Focus Furniture Gallery, the inspiration for the show was the result of a squabble with municipality, after the shop owner, Peter Pfeiffer, was denied planning permission to build a spiral staircase between… Read More

Eurolandschaft Dérive

Eurolandschaft Dérive

By Peter Wilson

The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More

The Clandeboye Drawings

The Clandeboye Drawings

By Peter Wilson

The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More

A Public Convenience

A Public Convenience

By Peter Wilson

Whoops… that sounds like the confessions of George Michael. There was in choosing this title in 1976 a certain provocation intended, a toying with misdemeanour, not those of the carnal variety, more a voluptus ocularum. This was a time when drawing could be radical, provocative, set conventions on their heads. What conventions… Read More