Tag: sketch
DMJ – A Storyboard for the Fun Palace
07.07.2025
DMJ – A Storyboard for the Fun Palace07.07.2025
Each community, with its own pride, wit and resourcefulness, could make a toy, a microcosm, a small city, a university-of-the-streets, a street theatre, a science playground, an adventure playground for the young kids – a place for time-wasting, gossip, new-arguing, learning, promenading, dancing, eating and drinking, handling tools, paint, machinery…… Read More
Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência
03.07.2025
Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência03.07.2025
The book Architecture as Poetics of Knowledge is essential reading for anyone interested in Paulo Providência’s renovation of the parish church of São Salvador, Figueredo, 1992-2002, as well as for understanding his singular architectural poetics. A beautifully published suite of drawings (29 pages, including 4 foldouts) and photographs (34 pages) is supported… Read More
Le Corbusier at Drawing Matter
26.06.2025
Le Corbusier at Drawing Matter26.06.2025
– Maristella Casciato and Nicholas Olsberg
Born in La Chaux-de-Fonds, Switzerland, Le Corbusier (Charles-Édouard Jeanneret-Gris, 1887-1865) trained in the fine and decorative arts before undertaking travels and varied apprenticeships to develop his architectural skills, opening a studio and teaching practice in La Chaux in 1912, and moving to Paris in 1917 to work principally as a… Read More
Protected: Tolerance
10.06.2025
Protected: Tolerance10.06.2025
There is no excerpt because this is a protected post.
House in Maia
29.05.2025
House in Maia29.05.2025
The transformation of a single-family house built on a plot in the centre of the city of Maia was carried out with consideration to its previous condition as a conceptual motif: an ordinary house, with no qualities of note, detached from the city, spatially uninteresting or even, one might say,… Read More
N.B. These Drawings Were From Memory
19.05.2025
N.B. These Drawings Were From Memory19.05.2025
After entering Smart’s Place, and climbing the steep staircase of treads (that become increasingly high and shallow until all the tension in my body was focused on my toes gripping and my weight not leaning back*), I arrived at the space of Drawing Matter where Rosie had indiscriminately laid out… Read More
Ludwig Mies van der Rohe at Drawing Matter
13.05.2025
Ludwig Mies van der Rohe at Drawing Matter13.05.2025
– Editors and Nicholas Olsberg
The drawings archive held by Mies at the time of his death was placed in the Museum of Modern Art, and his correspondence and papers at the Library of Congress. They constitute a comprehensive record of his works after the opening of his practice in the United States, especially for… Read More
Fine Art and Commercial Architecture
08.05.2025
Fine Art and Commercial Architecture08.05.2025
Architects are touchy about whether they are making art or not. At a conference in Santa Monica several years ago Cesar Pelli was very concerned that his architecture be considered art. This is an ambiguity of European usage. As one of ‘the arts,’ architecture is an art. Visual art is… Read More
Lisson to Tony Fretton
05.05.2025
Lisson to Tony Fretton05.05.2025
– Tony Fretton and Ricardo Aboim Inglez
Tony Fretton founded his architectural practice (Tony Fretton Architects) in 1982 in London. He came into international prominence in 1991 after the completion of the second Lisson Gallery building, transforming the street into an urban setting to be absorbed by culture. From his house in London and over two hours,… Read More
Jean Tinguely: La Vittoria
02.05.2025
Jean Tinguely: La Vittoria02.05.2025
– Editors
In 1970 Pierre Restany and Guido Le Noci, director of the Apollinaire gallery, decided to celebrate, with the help of the municipality of Milan, the tenth anniversary of the foundation of the Nouveaux Réalistes group. On 27 November, ten years after Yves Klein published his single-issue newspaper Le Dimanche 27… Read More
Processing Process
25.04.2025
Processing Process25.04.2025
It is not Walter Gropius’ fault that his drawing for a single-family row house is strikingly dull. Even the towering figures of architecture, those revered creators of space and form, must, at times, strip their visions down to something much simpler. Clear, unadorned, almost utilitarian sketches become the necessary language… Read More
Wang Shu: Drawing Uncommon Grounds
24.04.2025
Wang Shu: Drawing Uncommon Grounds24.04.2025
– Xin Jin
Despite the extensive literature on Chinese experimental architecture that emerged in the mid-1990s after the Cultural Revolution, architects’ reflections on and practices of representation remain under explored. Wang Shu (王澍), recipient of the 2012 Pritzker Prize, is a prominent figure in Chinese experimental architecture. Though widely acclaimed in the West… Read More
Curtains
28.03.2025
Curtains28.03.2025
– Petra Blaisse and Sophie Wehtje
Brief email exchanges. When meeting physically is out of the question, good old-fashioned correspondence still works, even if and for some time now, it is done electronically. This is how many of the editorial pieces on the Drawing Matter website come into being—through a chain of typed messages. It’s a… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
Leicester Engineering Building: Un-detailing
21.03.2025
Leicester Engineering Building: Un-detailing21.03.2025
The building is in many ways as extraordinary as its details. At ground-floor level it confronts the visitor with a blank wall of hard-faced red brick, which is occasionally pierced with a rather private-looking doorway, except at the point where the glazed main-entrance lobby splits this defensive podium into two… Read More
Aldo Rossi at Drawing Matter
20.03.2025
Aldo Rossi at Drawing Matter20.03.2025
– Editors and Nicholas Olsberg
Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More
DMJ – A Will to the City
17.03.2025
DMJ – A Will to the City17.03.2025
Nine unfinished drawings from 15 years ago; a text titled Phobos, which later appears in print; a story by Emilio Gadda and a brief encounter with agoraphobes; Denis Hollier’s work on Bataille’s aversion to monuments; Michel Serres’ Rome: The Book of Foundations; Aldo Rossi’s fabricca; Michel Foucault’s panopticism; Borges’ fear of mirrors; 50 years of sporadic visits to… Read More
Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis
14.02.2025
Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis14.02.2025
‘He pulls down, he builds up, he exchanges square for round.‘Horace—Epistles. I. 1. 100[1] The Aldo van Eyck drawing currently on show at 13 Lincoln’s Inn Fields appears, at first glance, to do precisely this. A preliminary drawing, one made for the design of the architect’s own house, on transparent… Read More
Adolf Loos: House Tzara, Paris, 1925-27
13.02.2025
Adolf Loos: House Tzara, Paris, 1925-2713.02.2025
In 1924, Adolf Loos decided to leave Vienna and move his office to Paris. This decision was prompted by the politically motivated closure of the Settlement Office in Vienna. Loos had been the chief architect of the Settlement Office and was deeply committed to the settlers’ movement and the young… Read More
Álvaro Siza: SAAL Bouça Housing, Porto
10.02.2025
Álvaro Siza: SAAL Bouça Housing, Porto 10.02.2025
– Manuel Montenegro, Helen Thomas and Ellis Woodman
This drawing has two layers and two authors. Francisco Guedes de Carvalho made the draft perspective when he was a collaborator working in Siza’s office after studying under him at the Faculty of Architecture at the University of Porto (FAUP). Guedes de Carvalho worked on the Bouça housing project both… Read More
Richard Neutra at Drawing Matter
03.02.2025
Richard Neutra at Drawing Matter03.02.2025
– Editors and Nicholas Olsberg
Richard Neutra trained in Vienna, for a time under Karl Moser and Adolf Loos, did wartime service in Serbia, and spent six years working first in Switzerland with the landscape architect Gustav Ammann; then in Berlin—for the last two years as project manager for Erich Mendelsohn; and finally in Chicago… Read More
Anton Markus Pasing
30.01.2025
Anton Markus Pasing30.01.2025
Münster, March 2024 Mad I cannot be, sane I do not deign to be, neurotic I am. Nearly fifty years ago Nigel Coates writing in my Villa Auto AA exhibition catalogue chose the above quote from Roland Barthes to describe my pathological production of architectural fictions. These were hand-drawn, a… Read More
Paul Rudolph: Transcending the Conventions of Architectural Drawing
27.01.2025
Paul Rudolph: Transcending the Conventions of Architectural Drawing 27.01.2025
Paul Rudolph (1918-1997) is known for his compelling large-scale presentation drawings, such as the memorable perspective sections of his Yale Art & Architecture Building in New Haven, CT (1958-1963), among others. But a deeper dig into the Rudolph archive at the United States Library of Congress in Washington D.C. reveals… Read More
Sourcing Superstudio
04.07.2025
Sourcing Superstudio04.07.2025
– Martha Cruz
On the 21st page of Natalini’s 12th sketchbook (DMC 2141) there is a list of buildings and landmarks. It feels quite disparate at first. It begins as a chronological list of architecture’s greatest and most recognisable hits: Stonehenge… the Colosseum… the Uffizi… the Taj Mahal… Crystal Palace… the Eiffel Tower.… Read More
DMC sketch sketchbook