Tag: art practice
Painting Architecture in Early Renaissance Italy
05.06.2025
Painting Architecture in Early Renaissance Italy05.06.2025
Livia Lupi’s book Painting Architecture in Early Renaissance Italy: Innovation and Persuasion at the Intersection of Artistic and Architectural Practice addresses a topic of recurring interest to readers of DM and DMJournal: the relation of actual to pictorial representations of architecture and its ornament in early fifteenth-century Italy. Harvey Miller has adorned… Read More
Jean Tinguely: La Vittoria
02.05.2025
Jean Tinguely: La Vittoria02.05.2025
– Editors
In 1970 Pierre Restany and Guido Le Noci, director of the Apollinaire gallery, decided to celebrate, with the help of the municipality of Milan, the tenth anniversary of the foundation of the Nouveaux Réalistes group. On 27 November, ten years after Yves Klein published his single-issue newspaper Le Dimanche 27… Read More
Exploding Art and Architecture: Zaha Hadid’s Irish Prime Minister’s Residence Sketchbook
17.04.2025
Exploding Art and Architecture: Zaha Hadid’s Irish Prime Minister’s Residence Sketchbook17.04.2025
Zaha Hadid’s sketchbook for the Irish Prime Minister’s Residence (1979-1980), held at the Zaha Hadid Foundation with corresponding works at Drawing Matter, has proved invaluable for understanding her early career development of ideas. The project marked Hadid’s first professional solo endeavour, and she established her own office around the same… Read More
Walter Marchetti: Observation of the Movements of a Fly
04.04.2025
Pembroke’s Archives
03.04.2025
Pembroke’s Archives03.04.2025
Alison Turnbull was appointed lead artist for the Mill Lane development at Pembroke College, University of Cambridge in 2020. Drawing on objects from the College Archive and working in close collaboration with architects Haworth Tompkins and landscape architects Tom Stuart-Smith Studio, she has created permanent works for the new interior… Read More
Ian Hamilton Finlay at Drawing Matter
06.01.2025
Ian Hamilton Finlay at Drawing Matter06.01.2025
Ian Hamilton Finlay (1925–2006) was born in Nassau, Bahamas, and educated in Scotland from the age of six. He briefly studied at the Glasgow School of Art and joined the British Army in 1942. After the war, Finlay worked as a shepherd while producing paintings, short plays and stories. He… Read More
Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture
26.09.2024
Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture26.09.2024
Marco Vanucci and Drawing Matter revisit three seminal texts of Luigi Moretti, not generally available in translation. Christopher Huw Evans has translated the three texts for Drawing Matter. The first post presented Luigi Moretti’s opening article ‘Eclecticism and Unity of Language’ that was published in the first issue of Spazio. This second post presents… Read More
Sugimoto and Architecture
29.04.2024
Sugimoto and Architecture29.04.2024
The early twentieth century saw a multifaceted blossoming of the avant-garde in Europe, with Dadaism, Futurism, Constructivism, De Stijl… These movements also had an influence on architecture. Until the nineteenth century, people’s way of living was centred around religion. Much architectural decoration was developed in order to express the magnificence… Read More
Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff
29.04.2024
Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff29.04.2024
– David Chipperfield and Ralph Rugoff
This interview is excerpted from the catalogue of Hiroshi Sugimoto: Time Machine, which was on show at the Hayward Gallery, London, 11 October 2023 – 07 January 2024, and is touring to UCCA Beijing and MCA Australia. Copies of the catalogue can be purchased here. Ralph Rugoff: Hiroshi Sugimoto has… Read More
Nobuo Sekine: The Weight of Things
04.03.2024
Nobuo Sekine: The Weight of Things04.03.2024
‘A stone yearning for the sky.’[1] Such was the sort of rock Nobuo Sekine sought out at a quarry near Udine in the months prior to the opening of the 1970 Venice Biennale. A hulking, oblong piece of unfinished stone perched precariously upon a stainless-steel pillar, Sekine’s sculpture Phase of… Read More
Judit Reigl: Invisible Cities
10.10.2023
Judit Reigl: Invisible Cities10.10.2023
Judit Reigl was ninety-two years old in 2015 when she started Dance of Death, her transcendent series of small-scale vanitas drawings. Having reached a stage where she could barely see her own pencil marks, Reigl found skulls to be a ready subject. She said she had drawn many skulls in… Read More
Portals: The Visionary Architecture of Paul Goesch (2023) – Review
29.09.2023
Portals: The Visionary Architecture of Paul Goesch (2023) – Review29.09.2023
Paul Goesch was forcibly detained in a psychiatric hospital and, in 1940, murdered by the Nazis. Looking at these intense, yet often playful and exuberant drawings, it is impossible to forget the stark facts of his life. Which is unfortunate, because an exclusive attention to his personal history imposes a… Read More
Fraser Stables: Remembering Architecture
06.09.2023
Fraser Stables: Remembering Architecture 06.09.2023
Fraser Stables speaks quietly through his series Remembering Architecture. There is a staid documentarian quality to his photographs, but not that of architectural photography. When architectural details—the meeting of nature and architecture, light falling on surfaces—are made the focus, the images speak more to a sensitive process of recording moments; and in many… Read More
Nancy Goldring: Drawings and Foto-Projections
17.03.2023
Nancy Goldring: Drawings and Foto-Projections17.03.2023
– Leann Davis Alspaugh and Nancy Goldring
The following interview is reproduced from the publication Distillations: Nancy Goldring, Drawings and Foto-Projections, 1971–2021, published by ORO Editions. The interview was conducted by Leann Davis Alspaugh for The Hedgehog Review. The Hedgehog Review: In the 2014 summer issue of The Hedgehog Review, we ran two of your works ‘The… Read More
DMJ – Asphalt Tales and the Ends of History
03.03.2023
DMJ – Asphalt Tales and the Ends of History03.03.2023
This paper explores how asphalt became a medium for architects and artists from the late 1950s to the 1970s to raise and articulate questions about memory, oblivion, communication and the environment. It questions to what extent T.J. Demos’ recent assertion that experimental visual culture is embedded ‘within social engagements and… Read More
DMJ – From Landscape to Mapscape: Robert Smithson’s Maps
15.11.2022
DMJ – From Landscape to Mapscape: Robert Smithson’s Maps15.11.2022
This text, published alongside Jonathan Foote’s article ‘Borromini’s Smudge’, marks the launch of the first and second issues of DMJournal–Architecture and Representation. Over the coming months, we will be publishing articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The Geological Imagination will be published… Read More
Power & Public Space 5: Mark Wallinger – State Britain
20.07.2022
Power & Public Space 5: Mark Wallinger – State Britain20.07.2022
– Matthew Blunderfield and Mark Wallinger
Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: Much of Mark Wallinger’s art exists in public space. He’s made films and performance pieces set in tube stations and airports, and… Read More
An Artist Browsing the Collection
03.05.2022
An Artist Browsing the Collection03.05.2022
My visits to the archive happened during the summer of 2021 in a gap between lockdowns. Shatwell Farm is a haven of contemporary buildings sitting alongside tumbling and restored farm buildings, an obelisk, pillars, corrugated materials, stone, sleepers, silos, a library, and a gallery. Amongst all this is the Drawing… Read More
Wood & Harrison: A Film About a City
21.03.2022
Wood & Harrison: A Film About a City21.03.2022
– Paul Harrison and John Wood
We are not architects. I mean, if you insist, we could probably knock something up, but we are not that good at maths, and not really that great with materials. ‘Wood and Harrison – Architects. You’ll be knocked out by our buildings’. But we have always been interested in architecture.… Read More
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review
04.03.2022
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review04.03.2022
On the morning of 12 April 1961, the cosmonaut Yuri Gagarin was launched into orbit, strapped into a spherical capsule fixed to the top of a modified intercontinental ballistic missile. The first to see our planet in its totality, his words were simple: ‘I see Earth. It is so beautiful.’… Read More
Sol LeWitt: Non-visual Structures
25.11.2024
Sol LeWitt: Non-visual Structures25.11.2024
– Lucy Lippard
One of the most particular of LeWitt’s preoccupations is his long-standing desire to infer the existence of unseen or interior facts or objects. The concept of encasing in a block of cement the Cellini cup or the Empire State Building runs counter to the unsecretive quality of his open frameworks,… Read More
projection (axonometric isometric) art practice DMC