Tag: exhibition design
Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’
15 December 2023
Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’15 December 2023
The 1867 Paris Exposition Universelle was one of the most frivolous and lavish events in late-19th-century European history. Erected along the Champs-de-Mars, it encompassed a huge, covered arena surrounded by dozens of pavilions and gardens.[1] It was conceived by Napoleon III to showcase of industrial and technological progress, to promote… Read More
The City in Dispute (2023) – Review
10 April 2023
The City in Dispute (2023) – Review 10 April 2023
Climbing the majestic double staircase of the Palau de la Virreina, a building that hovers somewhere between the Baroque and the Rococo, one arrives at a small but intense exhibition on show at [La Virreina] Centre de la Imatge, Barcelona. Curated by María García Ruiz and Moisés Puente, it presents… Read More
Richard Neutra’s Corona Avenue School
22 March 2023
Richard Neutra’s Corona Avenue School22 March 2023
This project scrapbook traces the publication and exhibition history of Richard Neutra’s experimental Corona Avenue School, built in 1935 after the Los Angeles earthquake of 1933. The material for this scrapbook has been compiled by Nicholas Olsberg; his earlier text on the school for Drawing Matter can be read here.
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)
9 February 2023
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)9 February 2023
– Editors
Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism
19 October 2022
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism19 October 2022
As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More
Les Fêtes de Nuit (1937)
30 May 2022
Les Fêtes de Nuit (1937)30 May 2022
This is the best concise account of the technical sophistication behind the light and water installations created along and beside the Seine, for the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937). We have added a group of gouache drawings by the architect René-André Coulon, made in the design phase for… Read More
Exhibition Design: Charging the Void
9 March 2022
Exhibition Design: Charging the Void9 March 2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review
4 March 2022
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review4 March 2022
On the morning of 12 April 1961, the cosmonaut Yuri Gagarin was launched into orbit, strapped into a spherical capsule fixed to the top of a modified intercontinental ballistic missile. The first to see our planet in its totality, his words were simple: ‘I see Earth. It is so beautiful.’… Read More
The Philips Pavilion: Models as Structural Expression
23 November 2021
The Philips Pavilion: Models as Structural Expression23 November 2021
The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More
An Overwhelming Concern with Shelter! (1966)
16 September 2021
An Overwhelming Concern with Shelter! (1966)16 September 2021
The International Dialogue on Experimental Architecture (IDEA) was held at New Metropole Arts Centre in Folkestone, Kent, 10–11 June 1966. The symposium was organised by Archigram and included contributions from Hans Hollein, Joe Weber, Yona Friedman, Cedric Price, Arthur Quarmsby, Anthony G. William and Reyner Banham. The following text is… Read More
Architectural Drawing (1983)
22 June 2021
Architectural Drawing (1983)22 June 2021
This essay was first published in the catalogue for Drawings by Architects (25 February – 3 April 1983), held at the ICA in London. A period piece, for sure, the text sits at the cusp of changing attitudes to the display and value attributed to architect’s drawings. In recent years… Read More
The Iterative Power of Architecture’s Absence
7 April 2022
The Iterative Power of Architecture’s Absence7 April 2022
– Peter Sealy
In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More
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