Tag: exhibition design

Bulgakov’s ‘Golden City’ (1923)

Bulgakov’s ‘Golden City’ (1923)

By Cyril Babeev

This text is an excerpt from Mikhail Bulgakov’s series of short vignettes that appeared under the overarching title ‘Golden City’ and were serialised in the Berlin-based Russian migrant ‘Nakanune’ newspaper between 30 September and 14 October 1923. Bulgakov was commissioned to write an account of the first and only All-Russian… Read More

Casino Royale: Stynen’s unrealised sculpture garden

Casino Royale: Stynen’s unrealised sculpture garden

By Emerald Liu

The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

By Nicholas Logsdail

A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni and Cassius Hammick and their son, Yanis, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the… Read More

Pan Scroll Zoom 4: Pezo von Ellrichshausen

Pan Scroll Zoom 4: Pezo von Ellrichshausen

By Fabrizio Gallanti, Mauricio Pezo and Sofia von Ellrichshausen

This is the fourth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Mauricio Pezo and Sofia von Ellrichshausen of Pezo von… Read More

Mies: The Berlin Building Expostition (1974)

Mies: The Berlin Building Expostition (1974)

By Philip Johnson

The following text is excerpted from Oppositions 2 (1974): 86–91. The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus… Read More

Staging Brancusi

Staging Brancusi

By Asli Çiçek and Sarah Handelman

Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More

Mies: The Horizon

Mies: The Horizon

By Robin Evans

Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More

Paul Robbrecht: Drawn Closer

Paul Robbrecht: Drawn Closer

By Paul Robbrecht

Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More

Aalto on Asplund: Stockholm Exhibition (1930)

Aalto on Asplund: Stockholm Exhibition (1930)

By Alvar Aalto

Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.

Cedric Price: The Evolving Image

Cedric Price: The Evolving Image

Cedric Price: The Evolving Image opened at the RIBA’s Heinz Gallery on 8 October 1975 and ran until 29 November. The exhibition was a drawings show of mostly unbuilt works and Price was at once the subject, designer and organiser. Writing in the Architects’ Journal, Sutherland Lyall, the journal’s building editor,… Read More

Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919

Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919

By Tom de Paor

The drawing is thinking, the same mark used over and over, up and down, hurdling scales quickly, the pulled edge of the sheet mimics the line. There is one idea – on the right, closer up – a  study after or rehearsal for the three-quarter view bleached out from the… Read More

Zaha Hadid

Zaha Hadid

By Desley Luscombe

When in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period,     What if fate had led her… Read More