Tag: exhibition design
Bulgakov’s ‘Golden City’ (1923)
3 May 2021
Bulgakov’s ‘Golden City’ (1923)3 May 2021
This text is an excerpt from Mikhail Bulgakov’s series of short vignettes that appeared under the overarching title ‘Golden City’ and were serialised in the Berlin-based Russian migrant ‘Nakanune’ newspaper between 30 September and 14 October 1923. Bulgakov was commissioned to write an account of the first and only All-Russian… Read More
Casino Royale: Stynen’s unrealised sculpture garden
30 March 2021
Casino Royale: Stynen’s unrealised sculpture garden30 March 2021
The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More
On Tony Fretton and the Lisson Gallery
5 February 2021
On Tony Fretton and the Lisson Gallery5 February 2021
A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More
Pan Scroll Zoom 4: Pezo von Ellrichshausen
18 November 2020
Pan Scroll Zoom 4: Pezo von Ellrichshausen18 November 2020
– Sofia von Ellrichshausen, Fabrizio Gallanti and Mauricio Pezo
This is the fourth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Mauricio Pezo and Sofia von Ellrichshausen of Pezo von… Read More
Mies: The Berlin Building Expostition (1974)
25 June 2020
Mies: The Berlin Building Expostition (1974)25 June 2020
The following text is excerpted from Oppositions 2 (1974): 86–91. The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus… Read More
Staging Brancusi
15 June 2020
Staging Brancusi15 June 2020
– Sarah Handelman and Asli Çiçek
Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More
Mies: The Horizon
14 June 2020
Mies: The Horizon14 June 2020
Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More
Paul Robbrecht: Drawn Closer
12 May 2020
Paul Robbrecht: Drawn Closer12 May 2020
Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More
Aalto on Asplund: Stockholm Exhibition (1930)
9 March 2020
Aalto on Asplund: Stockholm Exhibition (1930)9 March 2020
Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.
Cedric Price: The Evolving Image
3 October 2019
Cedric Price: The Evolving Image3 October 2019
Cedric Price: The Evolving Image opened at the RIBA’s Heinz Gallery on 8 October 1975 and ran until 29 November. The exhibition was a drawings show of mostly unbuilt works and Price was at once the subject, designer and organiser. Writing in the Architects’ Journal, Sutherland Lyall, the journal’s building editor,… Read More
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919
9 February 2019
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 19199 February 2019
The drawing is thinking, the same mark used over and over, up and down, hurdling scales quickly, the pulled edge of the sheet mimics the line. There is one idea – on the right, closer up – a study after or rehearsal for the three-quarter view bleached out from the… Read More
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt
26 May 2021
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt26 May 2021
– Niall Hobhouse
Review By preserving the trees on the site within his pavilion in the Giardini, Sverre Fehn offered Venice an insight into a unique Nordic sensitivity towards nature and the environment. He tempered the harsh Mediterranean sun to evoke the horizontal light of the Baltic through a spectacularly innovative technical design… Read More
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