Tag: section
Protected: Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência
16.06.2025
Protected: Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência16.06.2025
There is no excerpt because this is a protected post.
Ludwig Mies van der Rohe at Drawing Matter
13.05.2025
Ludwig Mies van der Rohe at Drawing Matter13.05.2025
– Editors and Nicholas Olsberg
The drawings archive held by Mies at the time of his death was placed in the Museum of Modern Art, and his correspondence and papers at the Library of Congress. They constitute a comprehensive record of his works after the opening of his practice in the United States, especially for… Read More
Aldo Rossi at Drawing Matter
20.03.2025
Aldo Rossi at Drawing Matter20.03.2025
– Editors and Nicholas Olsberg
Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More
Broadcasting Norwegian Time
13.03.2025
Broadcasting Norwegian Time13.03.2025
All drawings were done by Nils Holter Office during the NRK project period 1941-47, each made in pencil on paper with the initials of the draughtsman who drew it. Drawings from Nils Holter’s archives/Jan Bauck Arkitektkontor. Photographs courtesy of Jørgen Johan Tandberg. In the summer of 2024, and after several… Read More
Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop
19.12.2024
Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop19.12.2024
– Raffael Baur and Patricia Guaita
The following text recounts the week-long drawing workshop held at Shatwell Farm in August 2024. To read the students’ reflections and view their drawings, click here. To read invited expert Sergio Ekerman’s account of the two lectures he delivered throughout the week, click here. The 2024 ENAC Summer Workshop at… Read More
Drawing as Signature: Paul Rudolph and the Perspective Section
12.12.2024
Drawing as Signature: Paul Rudolph and the Perspective Section12.12.2024
The following text delves into the drawing of the perspective section—a spatial and structural design tool as well as a specific type of architectural representation—through the drawings of Paul Rudolph, while also reflecting on a post-war Modern era of architectural design-thinking. The text is included in Reassessing Rudolph, ed. by… Read More
Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3
10.10.2024
Retreat and Commemoration: Heath’s Court, 1878–82 – Part 310.10.2024
This post concludes Nicholas Olsberg’s series on William Butterfield’s Heath’s Court project, the text of which is included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024. ‘Sounding corridors’: entry and sequence The driveway brings us into a… Read More
Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2
03.10.2024
Retreat and Commemoration: Heath’s Court, 1878–82 – Part 203.10.2024
This post continues with the second part of Nicholas Olsberg’s text on William Butterfield’s Heath’s Court project, included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024. ‘Cycles of the human tale’: the library The elevation of the… Read More
Seeing Fire | Seeing Meadows
19.08.2024
Seeing Fire | Seeing Meadows19.08.2024
– Holger Kleine and Anna Kostreva
‘The architecture of agency is the architecture of the cemetery. The power to change is the power to say goodbye.’ (Epigraph, Seeing Fire | Seeing Meadows) ‘The cemetery is a place made for the living to spatialize their emotions; certain things can happen there that can’t happen in other places.’… Read More
The Future of the Past: The ‘Round Church’, Cambridge
09.08.2024
The Future of the Past: The ‘Round Church’, Cambridge09.08.2024
The war to restore to churches ritual and at the same time architectural dignity was waged by one man and one society, the man being a fervent convert to Catholicism, the society calling itself Catholic too, but meaning what is called Anglo-Catholic. They operated independently, but appreciated one another. The… Read More
Sydney’s Infill Facades
05.07.2024
Sydney’s Infill Facades05.07.2024
This survey intends to draw and identify the material and facade arrangements of office buildings in Sydney. Built between 1950 and 1980, the selected buildings are examples of a certain type of post-World War II city infill fabric, characterised by their 4 to 16-storey building heights, shared party walls, fine-grain… Read More
Louis-Hippolyte Lebas at Drawing Matter
27.05.2024
Louis-Hippolyte Lebas at Drawing Matter27.05.2024
– Editors and Nicholas Olsberg
French architect Louis-Hippolyte Lebas (1782–1867) trained with Percier and Fontaine, whose assistant he remained for some years; working in Paris, both independently and in collaboration with Éloi Labarre and others from the mid 1820s; professor of history of architecture at the École des Beaux-Arts from 1840; and leader of an… Read More
Hans Hollein at Drawing Matter
23.04.2024
Hans Hollein at Drawing Matter23.04.2024
– Editors and Nicholas Olsberg
The Austrian architect Hans Hollein (1934–2014) studied under Clemens Holzmeister at the Academy of Fine Arts in Vienna, and then at the Illinois Institute of Technology and the College of Environmental Design at the University of California Berkeley. With the sculptor and designer Walter Pichler he introduced a body of… Read More
Geoffrey Bawa: Drawing from the Archives (2023) — Review
08.03.2024
Geoffrey Bawa: Drawing from the Archives (2023) — Review08.03.2024
Geoffrey Bawa, the Sri Lankan architect who died in 2003 at 83 years old in his native Columbo, has been justly celebrated for the skill with which he integrated modern architectural forms and materials into the landscapes and built environment of Sri Lanka and Bali. Although he was often labelled… Read More
Unveiling the Enigma: Jan Henriksson’s Örebro Riksbank, 1987.
29.02.2024
Unveiling the Enigma: Jan Henriksson’s Örebro Riksbank, 1987.29.02.2024
– Felicia Liang and William Wikström
Jan Henriksson playfully crafted an evocative scenography for the financial world of the 1980s, deviating from the pursuit of uniformity with various forms that break free as autonomous figures within a larger context. Two of Henriksson’s drawings for the Central Bank, Örebro Riksbank exemplify his unique position in 20th-century Swedish… Read More
Houses for Printing: A Microcosm of the World
21.02.2024
Houses for Printing: A Microcosm of the World21.02.2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Caterina Pincioni, secretary at… Read More
Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’
15.12.2023
Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’15.12.2023
The 1867 Paris Exposition Universelle was one of the most frivolous and lavish events in late-19th-century European history. Erected along the Champs-de-Mars, it encompassed a huge, covered arena surrounded by dozens of pavilions and gardens.[1] It was conceived by Napoleon III to showcase of industrial and technological progress, to promote… Read More
Diplomatics and Instrumentality of the Drawing / William Butterfield
21.08.2023
Diplomatics and Instrumentality of the Drawing / William Butterfield21.08.2023
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More
John Hejduk’s Bye House: An Object in the Landscape
29.06.2023
John Hejduk’s Bye House: An Object in the Landscape29.06.2023
– Stan Allen and Marina Correia
‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More
Drawing Programme: A Drawing Matter Workshop
02.05.2023
Drawing Programme: A Drawing Matter Workshop02.05.2023
– Niall Hobhouse, Manuel Montenegro and Amy Teh
This audio recording documents a workshop on architects’ drawings exploring the relationship between form, space and programme. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More
Materia 5: Timber
18.04.2023
Materia 5: Timber18.04.2023
This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More
W. R. Lethaby: The Church of Sancta Sophia, Constantinople
28.11.2022
W. R. Lethaby: The Church of Sancta Sophia, Constantinople28.11.2022
This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More
Buffington & Mies: Skyscrapers on Paper
31.01.2025
Buffington & Mies: Skyscrapers on Paper31.01.2025
– Niall Hobhouse
The ‘skyscraper’ was conceived in Minnesota in 1871; its designer, LeRoy Buffington, described it in the patent he registered seventeen years later: ‘as a building having a continuous skeleton of metal, a covering of veneer, and a non-conducting packing between the skeleton and veneer.’ His innovation—which he struggled to defend… Read More
section patent presentation construction drawing DMC model