Tag: culture

Where in the World are We? Melbourne Venice Studios 2022

Where in the World are We? Melbourne Venice Studios 2022

Peter Wilson

Remote teaching as a pandemic consequence has already been a theme for Drawing Matter, in the January 2022 Melbourne University Venice Workshop it reached an almost surreal zenith. Remoteness is fundamental to Australia, whether the extreme separations of the outback or a pre-digital geographic estrangement from global cultural discourses. At… Read More

Benjamin Wistar Morris and a new Metropolitan Opera House

Benjamin Wistar Morris and a new Metropolitan Opera House

Janet Parks

A recent acquisition of six drawings by the American architect Benjamin Wistar Morris reveals his long involvement with one of the most important urban projects of the twentieth century. Morris’s role in this project was a highlight of his career although he has not been widely associated with it. A… Read More

Working with Tony Fretton

Working with Tony Fretton

Jonathan Sergison

In the early 1990s a number of architects, academics and artists came together in a rather fluid manner, meeting regularly in my Bloomsbury apartment. Tony Fretton was older than most of us and had already established a clear critical position. The conversations we had, and sometimes the arguments, were instructive… Read More

The Metropolitan Opera House, NYC: Invisible guests

The Metropolitan Opera House, NYC: Invisible guests

Kyna Leski

The purpose of poetry is to remind ushow difficult it is to remain just one person,  for our house is open, there are no keys in the doors,   and invisible guests come in and out at will.– Czesław Miłosz, from Ars Poetica? My father, Tad Leski, was an architect and designer for Wallace… Read More

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Notes on The Palace of the Assembly and Museum at Chandigarh

Notes on The Palace of the Assembly and Museum at Chandigarh

José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Casino Royale: Stynen’s unrealised sculpture garden

Casino Royale: Stynen’s unrealised sculpture garden

Emerald Liu

The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More

Singing Songs of Piccadilly: Review

Singing Songs of Piccadilly: Review

Editors

Niall Hobhouse writes about The Buildings of Green Park by Andrew Jones. To purchase the book, click here. Green Park, a pair of anecdotes: 1. Queen Caroline – ‘What would it cost, Sir Robert, to close the Park to the public?’ Walpole – ‘May it please your Majesty, but Three Crowns –… Read More

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More

Writing Prize 2020: Pens down, Braid up

Writing Prize 2020: Pens down, Braid up

Cassandra Adjei

Hair, silky, wavy or coiled, somewhere, is felt by us all. It is one of the first things we play with, we shape and mold, unconsciously or artfully. Beginning as a line, slack and tentative, a hair appears as a strike of fine ink. Collected and carefully teased each strand… Read More

Writing Prize 2020: Hugh Casson’s ‘Diary’

Writing Prize 2020: Hugh Casson’s ‘Diary’

Laura Freeman

Hugh Casson did it in the car. He did in in the Opera House, in Westminster Abbey and at the Buckingham Palace Garden Party. He did it in Goa, Mykonos and at Loughborough University. Wherever he went, whatever he saw, he drew. He drew to keep his eyes keen and… Read More

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Elizabeth Hatz

a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More