Tag: culture

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

By José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris is 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Notes on The Palace of the Assembly and Museum at Chandigarh

Notes on The Palace of the Assembly and Museum at Chandigarh

By José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris is 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Casino Royale: Stynen’s unrealised sculpture garden

Casino Royale: Stynen’s unrealised sculpture garden

By Emerald Liu

The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More

Singing Songs of Piccadilly: Review

Singing Songs of Piccadilly: Review

By Editors

Niall Hobhouse writes about The Buildings of Green Park by Andrew Jones. To purchase the book, click here. Green Park, a pair of anecdotes: 1. Queen Caroline – ‘What would it cost, Sir Robert, to close the Park to the public?’ Walpole – ‘May it please your Majesty, but Three Crowns –… Read More

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

By Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More

Writing Prize 2020: Pens down, Braid up

Writing Prize 2020: Pens down, Braid up

By Cassandra Adjei

Hair, silky, wavy or coiled, somewhere, is felt by us all. It is one of the first things we play with, we shape and mold, unconsciously or artfully. Beginning as a line, slack and tentative, a hair appears as a strike of fine ink. Collected and carefully teased each strand… Read More

Writing Prize 2020: Hugh Casson’s ‘Diary’

Writing Prize 2020: Hugh Casson’s ‘Diary’

By Laura Freeman

Hugh Casson did it in the car. He did in in the Opera House, in Westminster Abbey and at the Buckingham Palace Garden Party. He did it in Goa, Mykonos and at Loughborough University. Wherever he went, whatever he saw, he drew. He drew to keep his eyes keen and… Read More

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

By Elizabeth Hatz

a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More

Tony Fretton: Tolerance

Tony Fretton: Tolerance

By Richard Hall

The following text is an excerpt from AMAG 20 | Tony Fretton Architects. Drawing Matter would like to thank the author and the editors of the magazine for allowing us to reproduce the text on drawingmatter.org. To order a copy of AMAG 20, click here. Tolerance is a measure of… Read More

OMA in Scheveningen

OMA in Scheveningen

By Willem Jan Neutelings

Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More

Stirling at Stuttgart: Rear View / Up Views

Stirling at Stuttgart: Rear View / Up Views

By John Tuomey

Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More

Mies: The Horizon

Mies: The Horizon

By Robin Evans

Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More