Tag: topographic/cartographic

Folding Landscapes: The Maps of Tim Robinson

Folding Landscapes: The Maps of Tim Robinson

By Declan Quirke

While walking the land, I am the pen on the paper; while drawing this map, my pen is myself walking the land. I wanted to short circuit the polarities of objectivity and subjectivity, and try keep faith with reality. – Robinson We should maintain an awareness of the stories hidden… Read More

Cartographies of the Imagination

Cartographies of the Imagination

By Kirsty Badenoch and Sayan Skandarajah

Drawing place is illusory. Maps may begin as transcriptions of a worldly order – a semblance of truth and objectivity – but in doing so, become acts of world-building that both belong to and are entirely removed from their starting point. In 2019, we first visited Shatwell Farm in the… Read More

I Cut Mount Fuji Every Day

I Cut Mount Fuji Every Day

By Marie-Henriette Desmoures

With a circumference of approximately 10cm, I compress the majestic mountain. I pressure it between my fingers and the board and I slice. The contours fall on the board; in a matter of minutes, they will turn once more into a fragrant and luminous mountain. The emotional downpour induced by… Read More

To assist

To assist

By Ruben Casqero

Computer Assisted Drawings (CAD) have existed since the mid 60s. A young Ivan Sutherland received a doctorate at the MIT introducing Sketchpad, a device that by the means of an optical pen (!) allowed the direct edition of graphical objects. Around the 35th century BC, someone was writing the first… Read More

The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review

The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review

By Stan Allen

In a series of essays and lectures developed between 1939 and 1943, the philosopher of science Edgar Zilsel identified three distinct sources of knowledge in the Renaissance. In the late-medieval period, writes Zilsel, the traditional learning associated with the universities was still theological and scholastic in character. The texts preserved… Read More

Flores & Prats Sala Beckett International Drama Centre (2020): REVIEW & EXCERPTS

Flores & Prats Sala Beckett International Drama Centre (2020): REVIEW & EXCERPTS

By Helen Thomas

Review Making a book about making a building creates a special narrative challenge in the constant battle between reality and myth that vibrates through non-fiction publications and the ways in which we as readers engage with and interpret them. This is complicated even more when making a book about a… Read More

In search of an honest map

In search of an honest map

By Nicholas Herrmann

We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More

Two Early Paintings with OMA

Two Early Paintings with OMA

By Zoe Zenghelis

Here, Zoe Zenghelis, painter and founding member of OMA, recalls the making of two paintings now in the Drawing Matter collection. The first, pictured below, is an aerial view of the unbuilt Hotel Therma, and the second is a version of OMA’s entry to the Parc de la Villette competition.… Read More

Just Begin: The Convent Sainte-Marie-de-la-Tourette

Just Begin: The Convent Sainte-Marie-de-la-Tourette

By Stan Allen and José Oubrerie

‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More

OMA in Scheveningen

OMA in Scheveningen

By Willem Jan Neutelings

Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More

The Conservative (1941)

The Conservative (1941)

By Graham Greene

All along the wide stony high street of Chipping Campden one is aware of stopped clocks. Time has been strenuously and persistently defied – almost successfully. Even the public telephone box – after a short struggle with the Post Office – has been allowed to wear the protective colouring of… Read More