Tag: drawing matter writing prize 2020
The James Clarke Remake
20 July 2021
The James Clarke Remake20 July 2021
– Oscar Binder and Nikolaus Podlaha
In 1989 the architect James Clarke was commissioned to propose a design for the new Multimedia Library of Mr. Yamamoto in Tokyo, Japan. Although never built, and only a handful of sketches were ever published in some obscure magazines of the mid 90s, the drawings were highly praised by the… Read More
On Pristine Boxes and Primeval Huts
13 July 2021
On Pristine Boxes and Primeval Huts13 July 2021
Along with his Do Hit Chair (2000), a pristine stainless steel box measuring 1000 x 700 x 750 mm, Dutch-born designer Marijn van der Poll supplies a sledgehammer. In an act of brute physical force he requires the user to expressively sculpt his own seating morphology, not only allowing but… Read More
Florian Beigel & Aru’s Pojagi House: Searching for the Essential
28 June 2021
Florian Beigel & Aru’s Pojagi House: Searching for the Essential28 June 2021
Below is a sketch of a traditional South Korean Pojagi (a handcrafted patchwork tapestry) drawn by Florian Beigel. Described as ‘beautifully unsure’, it shows the importance of the sketch in translating between a reference and the key concept of the Pojagi House, designed by Beigel and the Architectural Research Unit… Read More
Folding Landscapes: The Maps of Tim Robinson
23 June 2021
Folding Landscapes: The Maps of Tim Robinson23 June 2021
While walking the land, I am the pen on the paper; while drawing this map, my pen is myself walking the land. I wanted to short circuit the polarities of objectivity and subjectivity, and try keep faith with reality. – Robinson We should maintain an awareness of the stories hidden… Read More
The Language of Architecture: Peter Märkli’s system of proportion
15 June 2021
The Language of Architecture: Peter Märkli’s system of proportion15 June 2021
Peter Märkli’s hand-drawn section of the ancient monument Hagia Sophia (532–7) is part of a working process developed alongside his design work. The output is a collection of investigative drawings that document sacred archetypal buildings, and articulate his resolved thesis that ‘architecture has a language’. The drawing illustrates a system… Read More
The Over Under: Drawing as process
10 June 2021
The Over Under: Drawing as process10 June 2021
The Over Under series is a look at drawing as process, but in this instance, not the process of designing a building or object, but rather an amplification and deepening of the reality we encounter. Reality here begins with a place but has since transformed into working and imagining through… Read More
The Future City
9 June 2021
The Future City9 June 2021
Antonio Sant’Elia foresees the technological cities of the mid to late 20th century. High-rise towers shooting skyward, train lines and highways articulated as horizontally streaking into vanishing points, and aeroplanes arriving and departing omnidirectionally. Similarly, Winold Reiss’s Future City: Study for a Mural, is an homage to technological advancement, and… Read More
An Everyday Detail
2 June 2021
An Everyday Detail2 June 2021
Representation of architectural design often focuses on a limited number of sources – artistic conceptual sketches and diagrams, dreamy computer-generated renders, or carefully curated photographs of the finished building. These three media capture the continuity of the concept and can stand on their own right. The mundane reality of architectural… Read More
Hans Poelzig: Decorating the Empty Centre
1 June 2021
Hans Poelzig: Decorating the Empty Centre1 June 2021
‘Artists such as Poelzig, prevented from building in real life, have been driven to create Expressionist cinema architecture […] But in the long run, pasteboard fantasy creations […] can never be satisfying fodder for the architect; he has an inner urge to conceive and erect buildings in which real people… Read More
I Cut Mount Fuji Every Day
31 May 2021
I Cut Mount Fuji Every Day31 May 2021
With a circumference of approximately 10cm, I compress the majestic mountain. I pressure it between my fingers and the board and I slice. The contours fall on the board; in a matter of minutes, they will turn once more into a fragrant and luminous mountain. The emotional downpour induced by… Read More
biq: Revealing Construction
26 May 2021
biq: Revealing Construction26 May 2021
The French Modernist Auguste Perret is famously quoted as saying that ‘Construction is the mother tongue of the architect. The architect is a poet who thinks and speaks in terms of construction’. If this is the case, and given drawings are the primary communication tool for architects, it is perhaps… Read More
Superstudio & Piranesi: Zeno is Immortal
24 May 2021
Superstudio & Piranesi: Zeno is Immortal24 May 2021
It’s 1777 in the Italian region of Salerno, a man is resting on a massive Doric column, watching his two cows from the ruin of a temple where the weeds grow. This building was, a long time ago, considered as the house of Juno, goddess of fertility and the vital… Read More
Medieval Masons and tracing-floors
10 May 2021
Medieval Masons and tracing-floors10 May 2021
The tracing-floors of York Minster offer a rare glimpse into the relationship between drawing and the Cathedral, the most iconic monument to medieval Gothic. Tucked away into the loft of a small vestibule connecting the North Transept to the Chapter House, the Mason’s Lodge, as it is known, is one… Read More
The Intention of Suspension: Peter Wilson’s Clandeboye Fish
10 May 2021
The Intention of Suspension: Peter Wilson’s Clandeboye Fish10 May 2021
A phenomenological reading of ‘bridge’ would not prioritise function (crossing) but this suspended moment. – Peter Wilson [1] A fish out of water, a lady in thought, floating ‘wilderness’. Things first have to be separated from each other so as to be united later on. [2] Peter Wilson’s drawings of… Read More
fala atelier: Seriously Playful
6 May 2021
fala atelier: Seriously Playful6 May 2021
Back in December 2018, I received an email with a pdf containing 8 compositions in 1:200 from fala atelier. These were ‘comprehensive drawings’ that they were experimenting with for their 2G publication. They simply wanted to know which I liked, and what I thought about them. Some differ from the… Read More
Notes on Architectural Education and Drawing
3 May 2021
Notes on Architectural Education and Drawing3 May 2021
The speed of transformation that characterises our contemporality is largely motivated by the development of the newest information technologies. The speed introduced by computation seems to be the promoter of the instability that reaches the conceptions of almost all professional and disciplinary fields since it imposes a pace of change… Read More
14 Wine Street, Bristol
29 April 2021
14 Wine Street, Bristol29 April 2021
Whilst leafing through the Drawing Matter collection, this drawing from 1885, by architect Henry Crisp, caught my eye. The drawing depicts a new shopfront and facade to be grafted on to the existing structure of 14 Wine Street, Bristol. Initially, the design struck me as remarkably contemporary and I came… Read More
Order and Uncertainty in Architectural Drawing
26 April 2021
Order and Uncertainty in Architectural Drawing26 April 2021
How we look at architectural drawings is an inherently complicated topic. The issue arises from what we understand to appear and disappear on the page. The field of architecture has spent little time talking about what we see (and don’t see) on the surface of the drawing itself. One could… Read More
The Vitruvian Man: with Fresh Eyes
14 April 2021
The Vitruvian Man: with Fresh Eyes14 April 2021
‘The Vitruvian Man of Leonardo da Vinci as a model of innovative entrepreneurship at the intersection of business, art and technology’ is shown in the first image. This is a ‘modern’ interpretation of the Renaissance drawing as a business model as published in the Journal of Innovation and Entrepreneurship in 2017. An… Read More
Shaping Landscape: Schinkel and Erratics
12 April 2021
Shaping Landscape: Schinkel and Erratics12 April 2021
It is the unique trait of the section drawing to fragment the singularity of built form, to allow the reading of a building as a series of individual pieces, and thereby delay our innate predilection for gestalt. Much like an erratic (in geology, an erratic is a material moved by geologic forces from… Read More
Place and Displacement: Rubbings from Architecture
12 April 2021
Place and Displacement: Rubbings from Architecture12 April 2021
The process of making a rubbing transcends the traditional boundaries of architectural draughtsmanship and illustration. A rubbing is made by placing a sheet of paper over an object or textured surface and burnishing its surface with a drawing medium such as graphite or charcoal. Many of us might associate the… Read More
Hans Hollein: From a Distance
7 April 2021
Hans Hollein: From a Distance7 April 2021
On a page of Hans Hollein’s sketchbook, a cluster of adobe buildings climb slowly and modestly above the horizon, seeming to rise out of the earth. The sketch, produced in 1960 during the Austrian architect’s exploration of the western United States, feels unorthodox for Hollein, whose proclivity for radical, anti-Functionalist… Read More
André Arbus: Details Matter
29 March 2021
André Arbus: Details Matter29 March 2021
These presentation drawings – polished, finished, complete – were drawn by André Arbus in the 1950s. They are of a compact, open-plan apartment. Although they are not design drawings, they reveal a lot about the process of design. They communicate thought and care and suggest many drawings have come before them.… Read More
Cassius Goldsmith’s Grey Weather Gate House
25 July 2021
Cassius Goldsmith’s Grey Weather Gate House25 July 2021
– Marie-Henriette Desmoures
I find myself lost in the woods, then reorientated, guided by the centralised chimney. Standing dead centre in front of the gate lodge, my gaze is lifted to the space between chimney and sky, between foreground or background. A cloud of white smoke disguises itself as an English cloud, passing… Read More
theoretical & imaginary drawing matter writing prize 2020 DMC elevation