Tag: drawing matter writing prize 2020

Ritual and Repitition at San Cataldo Cemetery

Ritual and Repitition at San Cataldo Cemetery

Marwa El Mubark

In an AA article from 1995, Adam Caruso wrote that ‘buildings are about many things. Their design develops out of a set of complex and changing circumstances and, once built, the ‘meaning’ of a good building can shift and remain relevant as its social and physical situation changes.’ The same… Read More

Studio Mumbai’s Tape Drawing

Studio Mumbai’s Tape Drawing

Irfan Safdag

Rain falls from the sky as a five-month monsoon season sweeps across India. Often associated with abundance and blessing, rain is a sign of good prospects, particularly for Southwest Indian farmers who are dependent on rainfall for their crops. The Saatrasta-Mahindra tape drawing embodies the term ‘adapting to place’, as… Read More

Derrida & Eisenman: Laugh(ing) of(f) the lyre

Derrida & Eisenman: Laugh(ing) of(f) the lyre

André Patrão

‘I think I understand, at least in principle.’ [1] Jacques Derrida tries to keep track of Peter Eisenman’s elaborate explanation. It is the 21st of April 1986, and in New Haven, Connecticut, philosopher and architect conduct the fifth of six meetings for their design of a garden in Bernard Tschumi’s… Read More

Marie-José Van Hee: Seeing not Showing

Marie-José Van Hee: Seeing not Showing

Tessa Baird

‘House’ by Marie-José Van Hee is drawn on a sheet of trace, the edge of which is visible at the top, offset from the plain white ground for photographing or scanning. It is a freehand drawing that uses black graphite for lines, to hatch, shade, and achieve gradations of roughly rendered… Read More

The Floor Plan of a Room

The Floor Plan of a Room

Thomas Hutton

Drawn from memory, the floor plan of a room in which two plan chests stand apart like two rectangular islands, plain-faced in plan but each one a tower of uncountable lines, paper upon paper suspended and preserved within the pellucid sleeves of polyester where they lie dormant and entombed as… Read More

Hans Poelzig: Der Golem

Hans Poelzig: Der Golem

Robert Wightman

I gaze at the screen, engrossed in the German horror film Der Golem (originally released in 1915 and reworked for reissue in 1920), a masterpiece of performance art. This cinematographic journey is my latest odyssey into the work of Hans Poelzig. The film catalogues his lesser-known work in the art… Read More

The MARS Group’s Plan for London, 1933-1944

The MARS Group’s Plan for London, 1933-1944

Mirjam Kupferschmid

Collaboration within the field of architecture is as important as ever before. Construction projects grow increasingly complex, and pressing social issues need addressing. Yet we think of architects as unique and outstanding personalities that profoundly shape our built environment. This image of the architect as ‘genius’ is more present among… Read More

Stanley Peach: Church Plan based on the Figure of Christ

Stanley Peach: Church Plan based on the Figure of Christ

Mireya Fabregas

Charles Stanley Peach’s watercolour over pencil painting is executed by overlaying two forms of religious representation: figural images over a church plan reflecting a ceiling plan. The figurative depictions narrate accounts of Christianity through various portrayals of Christ; the most prominent being God, benevolent, and Jesus crucified. Other portraits of… Read More

The Perpetual Race of Piranesi and the Tortoise

The Perpetual Race of Piranesi and the Tortoise

Marc McGowan

Melting reality, ancient history and fantasy into one, the etchings of Giovanni Battista Piranesi hold an unparalleled allure that continues to entrance and captivate. They offer an escape into imagined and unknown worlds; each drawing an organism of its own, containing an immense depth of spatial layering and an extraordinary… Read More

Architecture’s Mirror Stage

Architecture’s Mirror Stage

Michael Abrahamson

Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More

In search of an honest map

In search of an honest map

Nicholas Herrmann

We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More

Walter Pichler: Mystery and Mysticism

Walter Pichler: Mystery and Mysticism

Harvey Herman

Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More

Signature

Signature

André Patrão

It’s just a small loose sheet of paper ripped off a notepad. Along its margins, an elegant round-cornered brown border, once enclosing an anonymous blank space of empty expectancy, now ceremoniously frames a mysteriously attractive, harmonious, yet utterly cryptic mark, struck and left upon its surface: a signature. By whose… Read More

Mother of all drawings

Mother of all drawings

Deepiga Kameswaran

The very first attempts of humans to express their thoughts can be seen in prehistoric cave paintings. From these rudimentary markings to modern-day coding, the human race has evolved to acquire many skills. Still, none of us are born fully equipped with this skillset; we must repeat this process of learning… Read More

Sir John Soane’s Museum: Bound Legacy

Sir John Soane’s Museum: Bound Legacy

Alexandra Politis

John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825. The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public, and… Read More

The Architect and the Matador

The Architect and the Matador

Thomas Gould

On one sheet, a matador;on the other, a design,with measurements for a cathedral pier.  What unites these drawingsis provenance:both, apparently, executedby the architectEugène Viollet-le-Ducin meetings.  As Viollet-le-Duc’s mind wanderedfrom doodle to design,my attention,beholding the drawings,is drawn between the two sheets; drawn, by the insistently connective impulseof looking,into associations.  Between architect… Read More

Drawing the Curtain: Entangling rendering and theatrical space

Drawing the Curtain: Entangling rendering and theatrical space

Thomas Hutton

Pliny the Elder recounted the following story in Naturalis Historia: The two great painters of classical Greece, Zeuxis and Parrhasius staged a contest to determine the greater painter. When Zeuxis unveiled his painting, the grapes he depicted appeared so real that a bird flew down to peck at them. When… Read More

Carlos Diniz and the World Trade Center

Carlos Diniz and the World Trade Center

Sam van Strien

The landmark skyscrapers of SOM, the deconstructivism of Frank Gehry’s Disney Concert Hall, and the corporate modernist master plan of the World Trade Center all have something in common: long before they were constructed, they were represented in drawings by Carlos Diniz.  In 1962, the architect Minoru Yamasaki hired Diniz… Read More

Hello Iwona

Hello Iwona

Hamish Lonergan

A large, red ‘Hello!!’ and attribution to ‘Gowan, James’ is all I can see, at first, of image 3157.3r in Drawing Matter’s online archive. No date, no caption. The greeting is enthusiastic enough to stop scrolling: ‘Hi there, James!!’ I think. But when I zoom in, it’s not him at all. … Read More

The House and the Sketch

The House and the Sketch

Bijan Thornycroft

288 sketches precede the design of a house. Each one starts again from zero. None for more than a few seconds. Never larger than a few centimeters. With each repetition of the loop, the house searches for itself. For the first 287 pages, it did not know what it was… Read More

Viollet-le-Duc: Ruins in Reverse

Viollet-le-Duc: Ruins in Reverse

Thomas Gould

In 1844, architect Eugéne Viollet-le-Duc won a competition to supervise the restoration of the Notre-Dame Cathedral.  Blasted and defaced during the Revolution, the condition of the great church testified less to the promises of an infant republic than to the bloody throes of its birth. For its restoration, the Comité des… Read More

Aldo Rossi: Divination of a Drawing

Aldo Rossi: Divination of a Drawing

Chloe Spiby Loh

‘With the instinct of a water-diviner, he begins to search, and that which is inside… begins to simmer to the surface.’ – Giorgio De Chirico This is a short meditation on an enigmatic drawing by Aldo Rossi. The drawing is framed as a stacked layering of three architectural elements whose… Read More

Pier Vittorio Aureli’s Architecture of Abstraction

Pier Vittorio Aureli’s Architecture of Abstraction

Nicholas Andrew Pacula

Pier Vittorio Aureli’s The Marriage of Reason and Squalor series may rightly be called barbaric. ‘Barbarism? Yes indeed,’ writes Walter Benjamin in his 1933 essay, Experience and Poverty. ‘We say this in order to introduce a new positive concept of barbarism. For what does poverty of experience do for the… Read More

The Discreet Charm of the Bureaucratic

The Discreet Charm of the Bureaucratic

Michael Abrahamson

When Henry-Russell Hitchcock drew a crooked line between the architecture of genius and the architecture of bureaucracy in a famous essay of 1947, he could hardly have predicted that within two decades, neo-avant-gardists around the world would embrace bureaucratic architecture because of its liberatory capacities—precisely the opposite reading of what… Read More