Tag: creative writing

About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01

About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01

Rodrigo Lino Gaspar

The following translation proposed for Álvaro Siza’s writings on page 27 of his sketchbook 01 in Drawing Matter Collections is part of an ongoing investigation into the Malagueira project at DA/UAL PhD Programme in Contemporary Architecture. Siza’s sketchbooks are a precious tool for understanding his work and interpreting his concerns.… Read More

Frank Lloyd Wright, House for Edith Carlson, 1939, Part II

Frank Lloyd Wright, House for Edith Carlson, 1939, Part II

Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Order the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. My dear Miss Carlson, By… Read More

Frank Lloyd Wright, House for Edith Carlson, 1939, Part I

Frank Lloyd Wright, House for Edith Carlson, 1939, Part I

Philippa Lewis

This is part one of the true story of librarian Edith Carlson, who in 1938 commissioned a house from Frank Lloyd Wright. The letters that document the project are now in the Drawing Matter collection. Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press… Read More

Henri Guerbois: Department Store in King Street, 1921

Henri Guerbois: Department Store in King Street, 1921

Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. Having peered at the rather… Read More

PC Harry Woodley: Plans of No 131 Cornwall Street, 1902

PC Harry Woodley: Plans of No 131 Cornwall Street, 1902

Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. It was a short walk… Read More

John Nash: Designs for Langham House, ca. 1812–1816

John Nash: Designs for Langham House, ca. 1812–1816

Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. Nash… Read More

The Architect and the Matador

The Architect and the Matador

Thomas Gould

On one sheet, a matador;on the other, a design,with measurements for a cathedral pier.  What unites these drawingsis provenance:both, apparently, executedby the architectEugène Viollet-le-Ducin meetings.  As Viollet-le-Duc’s mind wanderedfrom doodle to design,my attention,beholding the drawings,is drawn between the two sheets; drawn, by the insistently connective impulseof looking,into associations.  Between architect… Read More

Writing Prize 2020: Smudgy Logic – A Short Story

Writing Prize 2020: Smudgy Logic – A Short Story

Aris Kafantaris

‘it is dangerous to unmask images, since they dissimulate the fact that there is nothing behind them.’– Jean Baudrillard, Simulacra and Simulation ‘so you compute with smudgy pictures?’– K-32, Universal Fabricator ‘But what does it do?’ insisted Kei in his eerily smooth, synthetic voice. ‘Are you really asking me what my drawing does?’ Miho’s… Read More

Behind the Lines 14

Behind the Lines 14

Philippa Lewis

These are just insignificant sketches, but they remind me of the Exposition Internationale des Arts et Techniques in 1937; by night it was a unique experience – mémorable. You see, one theme of the exposition was light and water: an expression of what could be achieved with the power of modern electricity,… Read More

Behind the Lines 13

Behind the Lines 13

Philippa Lewis

I selected a distant meadow in the midst of an empty landscape, barren and forlorn, to make a retreat for myself…. No sooner was the house completed than I knew it was not far enough away from everything I wished to leave behind…Later I sold the house and grounds for… Read More

Behind the Lines 12

Behind the Lines 12

Philippa Lewis

1870Colonel James Clifton-Brown, newly established at Holmbush, his Regency country house in Colgate, West Sussex, has political ambitions – namely, the parliamentary seat for Horsham. He observes that the villagers have only a small cramped chapel in which to fulfil their ambitions to be good Christians. The chapel is not… Read More

Behind the Lines 11

Behind the Lines 11

Philippa Lewis

Robert Schnebbelie peered into the Egyptian Hall wondering what freak show was on view, and then set himself down next door outside the oil and Italian warehouse, Sherborn & Sams. He looked across Piccadilly at the entrance to Burlington Arcade that created a neat endstop to the long wall of… Read More