Tag: theoretical & imaginary
Collection Guide: Futurism, Rationalism, and Stile Littorio
26.03.2026
Collection Guide: Futurism, Rationalism, and Stile Littorio26.03.2026
The Drawing Matter collection holds around 70 objects that speak to Italy’s architectural evolution in the early twentieth century. It should be noted that this period was characterised by tremendous stylistic diversity, with movements and groups—often unhappily—coexisting and shifting, ultimately culminating in the dominance of the Stile Littorio. At the… Read More
The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026
The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026
The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More
Het woonpalazzo – The Residential Palazzo
16.02.2026
Het woonpalazzo – The Residential Palazzo16.02.2026
Open any book by a Dutch architect and you are bound to come across H. P. Berlage—the forefather from whom sprang everything, albeit indirectly, from the Amsterdam School to Der Stijl and who is revered for his contribution at all scales from the details of his buildings to his town… Read More
Saul Steinberg: Bucharest, Milan, New York
09.02.2026
Saul Steinberg: Bucharest, Milan, New York09.02.2026
Steinberg is for me, first of all, the New Yorker magazine—one of the most intelligent and open American publications, with a very distinct graphic style that includes a generous use of drawings and cartoons, born and fed by the amazingly rich cultural landscape of New York City. I see New York… Read More
Tracing Shadows: A Workshop Primer
05.01.2026
Tracing Shadows: A Workshop Primer05.01.2026
Here, Mark Dorrian examines the theoretical history of the shadow and its evolving role in architectural drawing. The text acts as a word-and-image primer for the third colloquium event, jointly hosted by the RIBA and V&A Drawings Collections, and Drawing Matter, which will take place later this month—a day of… Read More
DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight
18.12.2025
DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight18.12.2025
Architectural stories, almost by definition, construct narratives combining image and text. It is these combinations of the visual and the verbal that make architectural stories particularly compelling and memorable. ‘The Story of the Pool’ (1976) by Rem Koolhaas is a case in point. The script, written by Koolhaas, tells of… Read More
Collection Guide: Zaha Hadid
15.12.2025
Collection Guide: Zaha Hadid15.12.2025
– Editors
Zaha Hadid was born in 1950 in Baghdad, Iraq. After studying mathematics at the American University in Beirut, Lebanon, from 1968 to 1971, she moved to London in 1972, where she studied architecture at the Architectural Association (AA). It was here that her work began to reference the Russian avant-garde,… Read More
This is Tomorrow
02.12.2025
This is Tomorrow 02.12.2025
The following text is excerpted from the catalogue of the exhibition Theo Crosby: One Hundred Lives, which is on view at Osh Gallery London until the 11th December 2025. Curated by Pentagram’s Michael Bierut and researcher Tess McCann, the exhibition focuses on the life and work of Theo Crosby, one of the founding… Read More
Collection Guide: The Viennese School
18.11.2025
Collection Guide: The Viennese School18.11.2025
Drawing Matter’s collection of Viennese drawings from the 19th and early 20th century includes works by Franz Jakob Kreuter, Otto Wagner, Josef Hoffmann, Otto Schönthal, Emil Hoppe, and Friedrich Ohmann, among others. It was a time of great technological advance, social upheaval, cultural revolt, and changing attitudes to design. Considered as a group, the… Read More
Sin Centre: Sheen and Transparent Overlays
10.11.2025
Sin Centre: Sheen and Transparent Overlays10.11.2025
– Nat Chard and Michael Webb
Following a lively debate at Drawing Matter about the surface and support of Michael Webb’s isometric drawing of a car ramp, Nat Chard thought to ask Michael himself how he made it. Dear all, On Monday we had a conversation about one of Mike Webb’s Sin Centre drawings that had a print-like… Read More
The Architect of Impossible Physics
06.11.2025
The Architect of Impossible Physics06.11.2025
More than once, when describing the processes involved in creating these drawings, my listener has responded with two words in particular: loading and channelling. I thought I would and should elaborate. The initial first gestures, lines, squiggles, scratches, smudges and randomisations of the mark making inform the start to the work in these… Read More
Collection Guide: Andrea Branzi & Archizoom Associati
27.10.2025
Collection Guide: Andrea Branzi & Archizoom Associati27.10.2025
– Rosie Ellison-Balaam and Francesco Fiammenghi
To probe the long and multifaceted career of Andrea Branzi (1938–2023), one must first turn to his formative years at the Faculty of Architecture at the University of Florence in the early 1960s. At the time, the Florence School became the incubator of several of Italy’s postwar avant-garde groups, including… Read More
Reason for Drawings
20.10.2025
Reason for Drawings 20.10.2025
Have you ever wondered what would happen if a certain drawing did NOT exist? I am forever grateful to Cedric Price for doing this drawing. If he had not done it, my job of devising a way to order and organise materials for what became Cedric Price Works 1952-2003: a forward-minded retrospective (AA/CCA,… Read More
Le Corbusier, Album Punjab, 1951
13.10.2025
Le Corbusier, Album Punjab, 195113.10.2025
The following text first appeared in Maristella Casciato, Le Corbusier Album Punjab, 1951 (Zurich: Lars Müller Publications, 2024), 17–21. * Le Corbusier embarked on his first visit to the Indian state of Punjab in 1951 in anticipation of the planning and construction of Chandigarh. Included in his luggage was a notebook, which he… Read More
John Hejduk: Means, Ends
09.10.2025
John Hejduk: Means, Ends09.10.2025
Peter Eisenman was wrong… It is architecture, even if you can’t ‘get in it.’[1] But he was also right… ‘The tradition of the architect-writer is well precedented in the history of architecture.’[2] It might remain a question without an answer, though it is curious that on large, the once hyphenated… Read More
Protected: John Pudney writes a prescription for… The Ideal City
24.09.2025
Protected: John Pudney writes a prescription for… The Ideal City24.09.2025
There is no excerpt because this is a protected post.
Vor-textu(r)al Translations from Building to Drawing
22.09.2025
Vor-textu(r)al Translations from Building to Drawing22.09.2025
Architecture emerges somewhere in the interval between the first mark of drawing and building; it is from this interstitial space that potential stirs, waiting to be swept up in bouts of differential combustion. In this sense, architecture is neither drawing nor building but something that exceeds both, while transforming their… Read More
Neglected Dimensions: Rough Sketches for Public Space
11.09.2025
Neglected Dimensions: Rough Sketches for Public Space 11.09.2025
Neglected Dimensions: Rough Sketches for Public Space by Paul Carter mediates between graphic form and text, movement-tracking, and place-making to delineate the interstices of public space: what escapes its formal description and what falls outside official design. The book responds to pertinent concerns about the interface between the designers of public… Read More
Carlos Diniz: London 2025
29.08.2025
Carlos Diniz: London 202529.08.2025
– Editors
‘As a piece of urban design [it] is simply abysmal. A wonderful opportunity to create a new place in London with innovative urban forms has been missed… The layout is simplistic and banal, the architecture lumpy and mediocre—the whole looks like a chunk of some ageing, tired and dreary US… Read More
Banana Ballpoint
14.08.2025
Banana Ballpoint14.08.2025
design for a ball-point pen to be the same size as a banana, in plastic with soft rubber skin, and in bold natural colour, technicolour preferably. based on the observation that a ‘peeled’ banana is good functional shape for writing—not unlike a quill pen nor much like one either. 1st… Read More
Genius loci
24.07.2025
Genius loci24.07.2025
This text was first published in French in d’a | d’architectures (no 322,11 December 2024) as a review of the exhibition Trompe-l’oeil, from 1520 to the present day, which was on show at the Musée Marmottan Monet in Paris from 17 October 2024 to 2 March 2025. * It is difficult to distinguish between the… Read More
Collection Guide: Gio Ponti
21.07.2025
Collection Guide: Gio Ponti21.07.2025
– Maristella Casciato and Rosie Ellison-Balaam
Gio Ponti (1891-1979) was born in Milan, and while he had ambitions to become an artist, he enrolled in architecture at the Politecnico di Milano in 1913. He completed his studies in 1921 after serving in the war, and in the same year, he opened his firm. Ponti is often… Read More
DMJ – A Storyboard for the Fun Palace
07.07.2025
DMJ – A Storyboard for the Fun Palace07.07.2025
Each community, with its own pride, wit and resourcefulness, could make a toy, a microcosm, a small city, a university-of-the-streets, a street theatre, a science playground, an adventure playground for the young kids – a place for time-wasting, gossip, new-arguing, learning, promenading, dancing, eating and drinking, handling tools, paint, machinery…… Read More
Working (with) Drawings from the Drawing Matter Collection
27.03.2026
Working (with) Drawings from the Drawing Matter Collection27.03.2026
– Rosie Ellison-Balaam and Maria Mitsoula
The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More
alternative histories (project) DMC sketch theoretical & imaginary