Tag: theoretical & imaginary

Learning From Machine Learning, on designer trees and architectural historiographies of the digital

Learning From Machine Learning, on designer trees and architectural historiographies of the digital

Sylvia Lavin

What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More

Drawing as Preservation

Drawing as Preservation

Lisa Huang

Jiang Yuan’s ‘Epanggong Illustration’ is a reverie made real by the tip of Yuan’s paintbrush. It is simultaneously a fantasy of a past to which one cannot return, a fascination with a form of existence that has disappeared, and also a set of ideas, which live on in spheres far… Read More

Bruno Taut’s ‘Alpine Architektur’

Bruno Taut’s ‘Alpine Architektur’

Iain Boyd Whyte

This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. In January 1917, the architect Bruno… Read More

Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée

Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée

Beatrice Lampariello

This text is excerpted from Aldo Rossi. Insulae, edited by Nadejda Bartels, a catalogue that accompanies an exhibition of the same name at the Museum for Architectural Drawing in Berlin, run by the Tchoban Foundation (on display from 4 February – 14 May 2023). Drawing represented for Aldo Rossi the privileged… Read More

Aldo Rossi: Transforming Artefacts into Objects of Affection

Aldo Rossi: Transforming Artefacts into Objects of Affection

Marianna Charitonidou

Michael Sorkin, in Drawings for Sale, draws a distinction between two levels of the impact of architectural drawings on their spectator: ‘the drawing as artefact and the drawing as the representation of certain ideas about some architecture’. Sorkin argues that the power of the impact of a drawing on its spectator… Read More

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Editors

Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More

Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review

Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review

Markus Lähteenmäki

This carefully curated and beautifully displayed exhibition brings together 150 drawings with numerous publications and films to display a wave of rebellion and research by architects across the European continent, with a focus on the east, over three decades.  The abundance of visionary thinking that followed the boom of post-war… Read More

The City of Design

The City of Design

Emilio Ambasz

Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More

‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism

‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism

Mark Dorrian

As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More

Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto

Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto

Jaime Tillería Durango

Looking at This was a long time ago/now this is lost, as well as other drawings in Rossi’s unofficial collection of l’architettura assassinata, brings to mind the image of a feast. The scenes are funereal indeed, but they hold a festive aura, as if a celebration had just taken place… Read More

The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II

The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II

Freddie Phillipson

This is part two of two posts pairing Freddie Phillipsons’s drawings from The Ulysses Project with excerpts from James Joyce’s landmark novel. The drawings are on display at the Irish Architectural Archive, Dublin, until 19 August 2022. The exhibition is part of Ulysses100, an international programme of events celebrating 100 years… Read More

The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part I

The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part I

Freddie Phillipson

This is part one of two posts pairing Freddie Phillipsons’s drawings from The Ulysses Project with excerpts from James Joyce’s landmark novel. The drawings are on display at the Irish Architectural Archive, Dublin, until 19 August 2022. The exhibition is part of Ulysses100, an international programme of events celebrating 100 years… Read More