Tag: Open Call: Visibility, and the Unseen

Protected: Unseen Bodies
12.05.2026

Protected: Unseen Bodies12.05.2026

– Christine Bjerke

There is no excerpt because this is a protected post.

concept & diagram Open Call: Visibility, and the Unseen diagram disability body human form presentation

The ‘Typewriter’ Drawing
01.05.2026

The ‘Typewriter’ Drawing01.05.2026

– Valeriia Chemerisova

The ‘Typewriter’ drawing is made on brown paper mounted on a black backing, its surface carrying both the mechanical impressions of a typewriter and the analogue traces of a black pen layered above them. But unlike later typewriter drawings, which use typed characters as grids, codes, or proto-digital marks, this… Read More

presentation DMC Open Call: Visibility, and the Unseen

Protected: Mapping Water
29.04.2026

Protected: Mapping Water29.04.2026

– Anna Biza

There is no excerpt because this is a protected post.

plan presentation map Open Call: Visibility, and the Unseen water mapping

Protected: The Creative Potential of Archival Boundaries
29.04.2026

Protected: The Creative Potential of Archival Boundaries29.04.2026

– John Walter

There is no excerpt because this is a protected post.

archive Open Call: Visibility, and the Unseen textile presentation DMC

Protected: Drawing Motion as Thought
15.04.2026

Protected: Drawing Motion as Thought15.04.2026

– MRND

There is no excerpt because this is a protected post.

sketch Open Call: Visibility, and the Unseen

The Architectural Competition: Shopfront to ‘The Trade’
20.03.2026

The Architectural Competition: Shopfront to ‘The Trade’20.03.2026

– Harry Foley

Alexander Scott Carter’s winning designs for single and double-fronted W.H. Smith shopfronts form a remote bookend to a troubled time for architectural competitions in Britain. The other arrived approximately 75 years earlier in the form of a satirical drawing produced to open Augustus Pugin’s Contrasts (1836). It too was a… Read More

competition commerce DMC Open Call: Visibility, and the Unseen

The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026

The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026

– Max Livesey

The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More

DMC Open Call: Visibility, and the Unseen elevation and the Unseen presentation theoretical & imaginary

And in the shadows, the section fades
13.03.2026

And in the shadows, the section fades13.03.2026

– Charlotte Erckrath

On the black cartridge, a veil of pigments builds up, articulates an edge and fades into the depth. And yet it is the edge that meets me first, together with all the other edges that are layered upon each other. Cascading contrasts of white and black. Or: of brightness and darkness. Now… Read More

section Open Call: Visibility, and the Unseen