Tag: and the Unseen
A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage
21.08.2026
A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage21.08.2026
– Koenraad Van Cleempoel and Joshua Kempen
The revitalisation of the Hasselt Beguinage and its transformation into the Faculty of Architecture and Arts has created an opportunity to reconsider the role of drawing as a critical mode of inquiry in adaptive reuse. Rather than treating drawing as a purely representational tool, the project frames it as an… Read More
OPEN-GROUND
10.07.2026
OPEN-GROUND 10.07.2026
– Daniel Jacobs and Brittany Utting
Architecture often treats the surface of the Earth as a liminal plane to break and excavate, cut and fill, and ultimately smooth into a neutral line. Even one of architecture’s most geological of drawing types, the worm’s-eye, typically eradicates any vestiges of earthly matters, reducing the underworld to an empty… Read More
The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026
The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026
The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More
