Tag: and the Unseen
OPEN-GROUND
10.07.2026
OPEN-GROUND 10.07.2026
– Daniel Jacobs and Brittany Utting
Architecture often treats the surface of the Earth as a liminal plane to break and excavate, cut and fill, and ultimately smooth into a neutral line. Even one of architecture’s most geological of drawing types, the worm’s-eye, typically eradicates any vestiges of earthly matters, reducing the underworld to an empty… Read More
The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026
The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026
The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More