Dom Hans Van Der Laan Saint Benedictusberg Abbey at Vaals

Dom Hans van der Laan (1904–1991), Cross section and interior view of church, St. Benedictusberg Abbey at Vaals, 1956. Pen and pencil on paper, 220 × 280 mm.

The following text is excerpted from an interview with Hans Van der Laan and Antoine Bodar, broadcast by Nederlandse Omroep Stichting (NOS), 24 December 1988.

Given that we have reduced architecture to proportions – to a matter of measurements, which is akin to solving a mathematical problem, the design has not been created visually. This is in contrast to all the designs I have seen being made, which are always based on sketches: the first thing an architect does is to produce a sketch. That sketch becomes something very important, considered as being from the master himself. Only then does the actual measuring process start. What has been achieved herewas not at all designed like that. The process I use has nothing at all of that of an ‘artist’ nor does it have anything in common with an ‘artistic gesture’. It is completely and meticulously thought out. In order to conceive it, I have a set of sizes in my head – It is a very small cycle of proportions – a very nice round chord (…)

Dom Hans van der Laan (1904–1991), Front view of abbey church, atrium and guest quarters, St. Benedictusberg Abbey at Vaals, 1956. Pencil on paper, 220 × 280 mm.
Dom Hans van der Laan (1904–1991), Cross-section of church and courtyard, St. Benedictusberg Abbey at Vaals, 1945. Pencil on paper, 220 × 290 mm.
Dom Hans van der Laan (1904–1991), Longitudinal section through the church and atrium, St. Benedictusberg Abbey at Vaals, 1956. Pencil on paper, 220 × 280 mm.
Dom Hans van der Laan (1904–1991), Floor plan, guest quarters, St. Benedictusberg Abbey at Vaals, 1956. Pencil on paper, 220 × 280 mm.