Period: c20th

The Analogous City: Panel

The Analogous City: Panel

Aldo Rossi

Having been asked to write about the panel exhibited at the Venice Biennale—entitled The analogous city, a joint work carried out with my friends Eraldo Consolascio, Bruno Reichlin and Fabio Reinhart—it is worthwhile, I feel, posing a few general questions that arise prior to experiments or results of this kind.… Read More

Franco Purini: Drawings of Imagination

Franco Purini: Drawings of Imagination

Lina Malfona

‘The drawing represents the medianic exploration of the shaded side of reason and, contradictorily, the scene of an ideal landscape in which the architect believes he will be happy. As the place of theoretical truth, the drawing institutes itself independently of architecture. Superior to architecture by the fact that it… Read More

Reading Las Vegas: An Oral History of Drawing

Reading Las Vegas: An Oral History of Drawing

Denise Scott Brown and Ariel Koltun-Fromm

The following interview is excerpted from a longer conversation between Ariel Koltun-Fromm and Denise Scott Brown which took place in April 2024 at her home in Philadelphia. It is part of a larger research project by Ariel investigating drawing as a means of interrogating existing places.  * Ariel Koltun-Fromm (AKF):… Read More

Michael Gold: The Dialogue of Representation

Michael Gold: The Dialogue of Representation

Michael Gold and Dalibor Vesely

The following text, ‘The Dialogue of Representation’ by Dalibor Vesely, was published in People in Architecture, the book featuring the exhibition of work by Michael Gold’s AA Unit 5 students held at the Architectural Association, 4–29 October 1983. Read a response to the exhibition by Peter Wilson here.  Drawing Matter… Read More

A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage

A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage

Koenraad Van Cleempoel and Joshua Kempen

The revitalisation of the Hasselt Beguinage and its transformation into the Faculty of Architecture and Arts has created an opportunity to reconsider the role of drawing as a critical mode of inquiry in adaptive reuse. Rather than treating drawing as a purely representational tool, the project frames it as an… Read More

BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)

BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)

Editors

On Saturday 4 and Sunday 5 July, Drawing Matter presented an exhibition of drawings by BOLLES+WILSON (founded in London in 1980; based in Münster since 1988). The exhibition was the fourth in a series presenting the work of architects and practices that are represented in the Drawing Matter Collection by significant portfolios… Read More

On Tony Fretton’s Sketchbook, 1981 (Video) 

On Tony Fretton’s Sketchbook, 1981 (Video) 

Benjamin Machin

Tony Fretton’s earliest sketchbooks contained within the collection at Drawing Matter are not records of projects developing page by page. They are stranger and more useful than that. Notes, sketches, references, lists, details, business, fragments of furniture and architecture sit beside one another without much concern for order. For an… Read More

The Visual Origins of Circulation in Architecture

The Visual Origins of Circulation in Architecture

Fabio Colonnese

Amidst the architecture historians, the comparison between the plan of Borromini’s church of San Carlo alle Quattro Fontane and that of one of Bramante’s four pillars supporting the dome of St. Peter’s Basilica is well-known. Though I could not find the name of the historian who conceived it, it definitely… Read More

Protected: Colour in Architectural Drawings

Protected: Colour in Architectural Drawings

Editors

There is no excerpt because this is a protected post.

Protected: The Temple

Protected: The Temple

Clive Aslet

There is no excerpt because this is a protected post.

Blow Up: Dante Bini and His House for a Film Director

Blow Up: Dante Bini and His House for a Film Director

Will McLean

On July 4th, 1964, in Crespellano on the outskirts of Bologna, Italian architect Dante Bini successfully constructed (in less than three hours) a 12m diameter, 6m high, hemispherical reinforced concrete shell structure using the unique pneumatic formwork of a giant balloon. As a student, Dante Bini had studied and admired… Read More

Collection Guide: Peter Wilson & BOLLES+WILSON

Collection Guide: Peter Wilson & BOLLES+WILSON

Editors

Peter Wilson and Julia Bolles are the founding partners of Architekturbüro BOLLES+WILSON. Peter Wilson was born in Australia, he studied architecture at the University of Melbourne and the Architectural Association, where he later taught from 1974–1988 (Diploma Unit Master 1980–88). Julia Bolles was born in Münster and graduated from the Karlsruhe Institute of… Read More

The Primacy of Drawing

The Primacy of Drawing

Roger Malbert

The Primacy of Drawing, Deanna Petherbridge’s magisterial survey of the place of drawing in European art since the Renaissance, was first published by Yale University Press in 2010. Weighing in at 520 pages, it was a formidable achievement of vast erudition and profound insight, the fruits of more than two… Read More

Trevor Dannatt: St Mary’s Grove – La maison où j’ai grandi

Trevor Dannatt: St Mary’s Grove – La maison où j’ai grandi

Adrian Dannatt

This is the eighth and concluding part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series here. * Curtains The newly restored house appeared, on the cover no… Read More

The Right to Imagine: Michael Sorkin’s Visual Argument

The Right to Imagine: Michael Sorkin’s Visual Argument

Marina Correia

On the wall of the third-floor mezzanine of the Spitzer School of Architecture of The City College of New York (CCNY) hangs a wood model titled Urbanagram. It was the product of a collaboration of students of the Master’s in Urban Design Program, directed for almost two decades by Michael Sorkin… Read More

Owen Luder: Sunderland Stadium

Owen Luder: Sunderland Stadium

Owen Hopkins

Apart from the extraordinary dynamism of the composition, one of the most striking things about this drawing of Owen Luder’s design for a new stadium for Sunderland A.F.C. is that the people heading towards the turnstiles aren’t wearing red and white. Indeed, the figures are not your usual football fans—today,… Read More

The Olympic Stadium Project: Le Corbusier & Baghdad

The Olympic Stadium Project: Le Corbusier & Baghdad

Editors

In the first three months of 2009, the Victoria and Albert Museum presented a small exhibition dedicated to Le Corbusier’s unrealised Olympic Stadium Project for Baghdad. The show was organised by the RIBA, Irena Murray, and Peter Carl, with work loaned from the Canadian Centre for Architecture (CCA), the Fondation… Read More

Siza on Paper (Exhibition + Talk)

Siza on Paper (Exhibition + Talk)

Editors

On Saturday 28 and Sunday 29 March, Drawing Matter presented an exhibition of drawings by the Portuguese architect Álvaro Siza. The exhibition focused on Siza as a designer of public housing after the Carnation Revolution (1974) and his approaches to drawing. At the centre of the exhibition were three housing… Read More

Uncommon References: Le Corbusier, the Primal and the Flesh of Matter

Uncommon References: Le Corbusier, the Primal and the Flesh of Matter

João Miguel Couto Duarte and Maria João Moreira Soares

In 1950, Le Corbusier began designing the Chapel of Notre-Dame du Haut in Ronchamp. Le Corbusier wrote that it represented ‘Liberté’ (freedom).[1] Totally free architecture. A veritable phenomenon of visual acoustics. That freedom affected one visitor in 1955: ‘the sacred building stood in the landscape like an extraterrestrial object, leaving… Read More

The ‘Typewriter’ Drawing

The ‘Typewriter’ Drawing

Valeriia Chemerisova

The ‘Typewriter’ drawing is made on brown paper mounted on a black backing, its surface carrying both the mechanical impressions of a typewriter and the analogue traces of a black pen layered above them. But unlike later typewriter drawings, which use typed characters as grids, codes, or proto-digital marks, this… Read More

Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Lola Gabellini-Fava

On the 12th of March 1968, Scottish concrete poet Ian Hamilton Finlay wrote, as he did frequently throughout the late 1960s, to friend and architect Philip Steadman. ‘Dear Phil,’ he began, ‘I have been meaning for some time to ask if you could help me with some rough drawings, of… Read More

The Open Hand Reloaded

The Open Hand Reloaded

Maristella Casciato

The above notes are based on a paper first presented at the workshop Long Table Conversation on ‘NonAligned Modernism’ held at the University of Washington in Seattle on October 31, 2025, moderated by Adair Rounthwaite (Art History) and with an introduction by Vikram Prakash (HHF/Architecture). * Maristella Casciato (architect, architectural… Read More

Chandigarh’s Forgotten Modernists

Chandigarh’s Forgotten Modernists

Maristella Casciato, Eashan Chaufla, Deepika Gandhi and Vikramaditya Prakash

The following conversation took place to mark the opening of Chandigarh’s Indian Modernists at the Government Museum and Art Gallery, Chandigarh (28 February–25 April 2026). The exhibition was curated by Deepika Gandhi, Eashan Chaufla, Vikramaditya Prakash, and Maristella Casciato. The text is illustrated with objects included in the exhibition. What… Read More

Vaucher’s Shadows

Vaucher’s Shadows

Mark Dorrian

It is a curious drawing, one that exudes an almost Magritte-like aroma of the surreal—the kind that depends upon the rendering of a visual-conceptual oxymoron with an extreme degree of realism. The subject has something to do with this, an isolated Ionic capital cut off at the neck from its… Read More