Period: c20th

James Stirling, and the Industrialization of Architecture?

James Stirling, and the Industrialization of Architecture?

Lok-Kan Chau

James Stirling’s presentation drawing from 1957 to a faculty of engineers might seem strangely familiar to contemporary architects. A section of a box, showing the structure, services, and how people might dwell inside—it almost anticipates the prefabricated modular construction architects are now being asked to design. Only a few years… Read More

Protected: John Hejduk’s Farm Library

Protected: John Hejduk’s Farm Library

Mehrshad Atashi and Lida Badafareh

There is no excerpt because this is a protected post.

Protected: Hermann Czech: Ungefähre Hauptrichtung (Approximate main direction)

Protected: Hermann Czech: Ungefähre Hauptrichtung (Approximate main direction)

Mikael Bergquist

There is no excerpt because this is a protected post.

A Bath for Immortality

A Bath for Immortality

Clara Maria Puglisi

It is 1971 and the city is Graz. ‘If we look at the city as a set of artefacts that can be modified over time, homogeneous and isotropic, correlated to the physical reality of the landscape and the territory, and at the same time if we refuse to take part… Read More

Protected: Banham in Buffalo

Protected: Banham in Buffalo

Brian Carter

There is no excerpt because this is a protected post.

Hans Hollein at Drawing Matter

Hans Hollein at Drawing Matter

Editors and Nicholas Olsberg

The Austrian architect Hans Hollein (1934–2014) studied under Clemens Holzmeister at the Academy of Fine Arts in Vienna, and then at the Illinois Institute of Technology and the College of Environmental Design at the University of California Berkeley. With the sculptor and designer Walter Pichler he introduced a body of… Read More

­­­Constant’s Ladders as Mythic Entity

­­­Constant’s Ladders as Mythic Entity

Alison Bartlett

The ladder, a seemingly unexceptional instrument within the array of futuristic and utopian architectural schemes, sits front and centre; the protagonist of not only this drawing but of Constant’s almost two-decade-long project, spanning 1956–1974, entitled ‘New Babylon’. Propped somewhat haphazardly against a series of horizontally-connected and vertically-angled planes, it exudes… Read More

OMA: London—Foreplay

OMA: London—Foreplay

Richard Hall

This is the first post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Mies van der Rohe: Clarity as the Aim

Mies van der Rohe: Clarity as the Aim

Carlos Martí Arís

Mies’s work is an exemplary embodiment of the idea of architectural abstraction. His buildings are free of all the ‘figurative’ ingredients that characterise traditional architecture. They are made up of materials or constructive elements given cohesion and structure by a series of visual devices. But, although his language is so… Read More

Design Drawings Damage Atlas (2023)

Design Drawings Damage Atlas (2023)

Neil Bingham

Snap, crackle, pop. Oh, that horrible sound of unravelling a roll of architectural drawings on old dried-up tracing paper from the nineteenth century. Slowly unfurling the brown brittle sheet, it cracks and shatters, little bits drop off in flakes, littering the table and floor like confetti. The experience feels like… Read More

Protected: O.M. Ungers: Drawing a metaphor

Protected: O.M. Ungers: Drawing a metaphor

Diogo Lopes and Fanny Noël

There is no excerpt because this is a protected post.

Protected: Peter Wilson in the Empire of Signs

Protected: Peter Wilson in the Empire of Signs

Mark Dorrian

There is no excerpt because this is a protected post.