Period: c20th
Drawing Sacred Forests and Courtyards in South Benin
20 January 2021
Drawing Sacred Forests and Courtyards in South Benin20 January 2021
The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce the… Read More
Aldo Rossi: Divination of a Drawing
18 January 2021
Aldo Rossi: Divination of a Drawing18 January 2021
‘With the instinct of a water-diviner, he begins to search, and that which is inside… begins to simmer to the surface.’ – Giorgio De Chirico This is a short meditation on an enigmatic drawing by Aldo Rossi. The drawing is framed as a stacked layering of three architectural elements whose… Read More
Architecture at the Edge
13 January 2021
Architecture at the Edge13 January 2021
By Marco Moro and Craig Moller
The following is a conversation between Marco Moro and Craig Moller, New Zealand-born architect and author of the drawing pictured above. Moller made the drawing while in a design studio taught by Mark Wigley in 1985, while the latter was about to finish his doctoral thesis within the newly established… Read More
The Discreet Charm of the Bureaucratic
13 January 2021
The Discreet Charm of the Bureaucratic13 January 2021
When Henry-Russell Hitchcock drew a crooked line between the architecture of genius and the architecture of bureaucracy in a famous essay of 1947, he could hardly have predicted that within two decades, neo-avant-gardists around the world would embrace bureaucratic architecture because of its liberatory capacities—precisely the opposite reading of what… Read More
Light Adaptation
8 January 2021
Light Adaptation8 January 2021
By Chase Galis
Techniques of architectural drawing have been developed according to the physics of light and our perception of its effects. From the origins of two-dimensional representation – often mythologized in the act of tracing a projected silhouette on a flat surface – to practices of atmospheric simulation in rendering, recognized patterns of light have become essential in the communication of architecture’s spatial… Read More
The Values of Profiles (1951)
8 January 2021
The Values of Profiles (1951)8 January 2021
Provoked by the assertion of rational architecture, the beginnings of modern non-figurative art coincide in time with the exclusion from the world of living forms of cornices and profiles, the most evidently ‘abstract’ elements of ancient architecture. At least two reasons may be relevant to this singular phenomenon: one is… Read More
Writing Prize 2020: Architectural Apparitions
7 January 2021
Writing Prize 2020: Architectural Apparitions7 January 2021
Some dreams are never meant to see the light of day. Like a wild design that continually finds itself at the bottom of the roster, patiently waiting its turn to be a part of the city’s skyline, it either promises to burn a hole in the pocket of the investor,… Read More
Malagueria: Conflict Resolution (1983)
4 January 2021
Malagueria: Conflict Resolution (1983)4 January 2021
By Álvaro Siza
From my experience at Évora, I believe that participation – neither mystifying nor mystified – implies numerous and inevitable conflicts, conflicts which come out of the project. The general concept for the Malagueira district, the methods, the project itself, have indeed given rise to contradictory commentaries, even before our intervention:… Read More
Startha Éagsula: GKMP architects on Charles Moore
17 December 2020
Startha Éagsula: GKMP architects on Charles Moore17 December 2020
The sketch sections by Charles Moore are dense with ideas. They suggest an intriguing disparity between the exterior form and the interior space, a type of Baroque poché created by a thicket of lines. The structure is tree-like, with trunks and branches shaping the space of the undercroft. Our model… Read More
Writing Prize 2020: The Anatomy of an Oyster Theatre
14 December 2020
Writing Prize 2020: The Anatomy of an Oyster Theatre14 December 2020
In the beginning, there was only a shell. An empty shell. But we could already sense the contours of its elliptical shape, its multilayered protective envelope, stratified, laminated, like the bark of a tree (a). Slowly, the outer flaps of the carapace would move away from each other, vertically sweeping… Read More
Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid
11 December 2020
Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid11 December 2020
By Sheila O'Donnell and John Tuomey
Around the time she made this super-skinny scheme for Berlin, Zaha came to Dublin to lecture at the National Gallery. She showed her design for the Taoiseach’s House, breaking out of the walled garden in the Phoenix Park, alongside her breakthrough project for the Hong Kong Peak and other funny… Read More
Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid
19 January 2021
Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid19 January 2021
By John Tuomey
From a sheet of sketches by Zaha Hadid to rock formations at Ines Meáin and St Brigid’s Well, in this short film John Tuomey explains the thinking behind O’Donnell + Tuomey’s Alternative Histories model. This commentary is the first in a series organised by the Irish Architectural Archive. The series,… Read More