Category: drawing histories
Tradition and Modernity, Continuity and Critique
4 March 2021
Tradition and Modernity, Continuity and Critique4 March 2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More
The Perpetual Race of Piranesi and the Tortoise
1 March 2021
The Perpetual Race of Piranesi and the Tortoise1 March 2021
By Marc McGowan
Melting reality, ancient history and fantasy into one, the etchings of Giovanni Battista Piranesi hold an unparalleled allure that continues to entrance and captivate. They offer an escape into imagined and unknown worlds; each drawing an organism of its own, containing an immense depth of spatial layering and an extraordinary… Read More
Architecture’s Mirror Stage
26 February 2021
Architecture’s Mirror Stage26 February 2021
Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More
Review & Excerpt: Stan Allen’s Situated Objects (2020)
24 February 2021
Review & Excerpt: Stan Allen’s Situated Objects (2020)24 February 2021
REVIEW Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More
Re-presenting the Rococo
24 February 2021
Re-presenting the Rococo24 February 2021
In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More
Take One: Architects on Drawing
23 February 2021
Take One: Architects on Drawing23 February 2021
By Editors
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
In search of an honest map
22 February 2021
In search of an honest map22 February 2021
We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More
Superstudio: Another Mirror Image
17 February 2021
Superstudio: Another Mirror Image17 February 2021
By Ludwig Engel
Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More
Signature
15 February 2021
Signature15 February 2021
By André Patrão
It’s just a small loose sheet of paper ripped off a notepad. Along its margins, an elegant round-cornered brown border, once enclosing an anonymous blank space of empty expectancy, now ceremoniously frames a mysteriously attractive, harmonious, yet utterly cryptic mark, struck and left upon its surface: a signature. By whose… Read More
Sir John Soane’s Museum: Bound Legacy
9 February 2021
Sir John Soane’s Museum: Bound Legacy9 February 2021
John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825. The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public,… Read More
The Architect and the Matador
8 February 2021
The Architect and the Matador8 February 2021
By Thomas Gould
On one sheet, a matador;on the other, a design,with measurements, for a cathedral pier. What unites these drawingsis provenance:both, apparently, executedby the architectEugène Viollet-le-Ducin meetings. As Viollet-le-Duc’s mind wanderedfrom doodle to design,my attention,beholding the drawings,is drawn between the two sheets; drawn, by the insistently connective impulseof looking,into associations. Between architect… Read More
Make me Hyper-Real: image ethics and the architectural visualisation
5 March 2021
Make me Hyper-Real: image ethics and the architectural visualisation5 March 2021
By Daniel Innes
Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More
presentation humour & satire