Category: drawing histories
In the Archive: New and Found 4
26 July 2024
In the Archive: New and Found 426 July 2024
– Editors
Click on drawings to move. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is a collection… Read More
Fabric Object: Diana Agrest and Mario Gandelsonas
25 July 2024
Fabric Object: Diana Agrest and Mario Gandelsonas25 July 2024
– Darell Wayne Fields, Anda French, Tessa Kelly, Paul Lewis and Michael Meredith
The small exhibition Fabric Object, curated by Michael Meredith and exhibited at the Princeton University School of Architecture between 7th March and 3rd May 2024, brought together seven projects from the early career of Diana Agrest and Mario Gandelsonas, of Agrest and Gandelsonas Architects. Short texts written by the Princeton School of Architecture faculty: Stan… Read More
Protected: A Missing Drawing
18 July 2024
Protected: A Missing Drawing18 July 2024
There is no excerpt because this is a protected post.
Protected: Luigi Moretti and Spazio: Structures and Sequences of Spaces
2 July 2024
Protected: Luigi Moretti and Spazio: Structures and Sequences of Spaces2 July 2024
There is no excerpt because this is a protected post.
Protected: Wolkenbügel: El Lissitzky as Architect
1 July 2024
Protected: Wolkenbügel: El Lissitzky as Architect1 July 2024
– Richard Anderson and Markus Lähteenmäki
There is no excerpt because this is a protected post.
OMA: Rotterdam—Child’s Crusade
28 June 2024
OMA: Rotterdam—Child’s Crusade28 June 2024
This is the third post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
Fabric Object: Diana Agrest and Mario Gandelsonas
27 June 2024
Fabric Object: Diana Agrest and Mario Gandelsonas27 June 2024
– Stan Allen, Beatriz Colomina, Michael Meredith, Jesse Reiser and Mark Wigley
The small exhibition Fabric Object, curated by Michael Meredith and exhibited at the Princeton University School of Architecture between 7th March and 3rd May 2024, brought together seven projects from the early career of Diana Agrest and Mario Gandelsonas, of Agrest and Gandelsonas Architects. Short texts written by the Princeton School of Architecture faculty: Stan… Read More
Frank Lloyd Wright at Drawing Matter
25 June 2024
Frank Lloyd Wright at Drawing Matter25 June 2024
– Editors and Nicholas Olsberg
The Frank Lloyd Wright collection is of primary interest from 1936 to 1951, and especially for a small group of studies and presentations for the shaping of domestic space, dwelling within landscape, and interior fittings. There are also important isolated drawings for a prairie house, Midway Gardens, the Johnson Administration… Read More
Protected: Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture
24 June 2024
Protected: Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture24 June 2024
There is no excerpt because this is a protected post.
Protected: Fabric Object: Diana Agrest and Mario Gandelsonas
10 June 2024
Protected: Fabric Object: Diana Agrest and Mario Gandelsonas10 June 2024
– Erin Besler, Marshall Brown, Sylvia Lavin and Michael Meredith
There is no excerpt because this is a protected post.
OMA: Elia Zenghelis—Watersheds
31 May 2024
OMA: Elia Zenghelis—Watersheds31 May 2024
This is the second post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
Watchful Solitude: John Hejduk and Venice
15 July 2024
Watchful Solitude: John Hejduk and Venice15 July 2024
– Marina Correia
The Thirteen Watchtowers of Cannaregio (with Waiting House) and House for the Inhabitant Who Refused to Participate were conceived as an urban ensemble and laid the foundation for the later phase of John Hejduk’s work, which he described as an ‘architecture of pessimism’, and encompasses his best-known projects, such as… Read More
sketch publication theoretical & imaginary urban form Perspective