Category: drawing histories

Drawings as Cosmovisions

Drawings as Cosmovisions

Fernanda Canales

My decision to become an architect was triggered by my love of drawing. But during my university years in the 1990s, when digital techniques became widespread, nothing was more distant than the relationship between architecture and manual drawing. Without hand-drawn images, the connection between the body and ideas was gone,… Read More

Luigi Moretti and Spazio: Eclecticism and Unity of Language

Luigi Moretti and Spazio: Eclecticism and Unity of Language

Marco Vanucci

In the newfound spirit that emerged at the end of the Second World War, Rome became the epicentre of a cultural renaissance. In a context marked by the dynamic interplay between the innovative language of the modern avant-garde and the city’s artistic heritage, Luigi Moretti emerged as a key figure… Read More

Adolfo Natalini with Superstudio at Drawing Matter

Adolfo Natalini with Superstudio at Drawing Matter

James Dunbar and Editors

Adolfo Natalini (1941–2020) was an Italian architect. A member of the ‘School of Pistoia’ Pop Art group in the early 1960s, Natalini combined his Pop aesthetic with critique and irony in his thesis work at the University of Florence School of Architecture, graduating in 1966.[1] Soon after, he co-founded Superstudio… Read More

In the Archive: New and Found 4

In the Archive: New and Found 4

Editors

Click on drawings to move. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is a collection… Read More

Fabric Object: Diana Agrest and Mario Gandelsonas

Fabric Object: Diana Agrest and Mario Gandelsonas

Darell Wayne Fields, Anda French, Tessa Kelly, Paul Lewis and Michael Meredith

The small exhibition Fabric Object, curated by Michael Meredith and exhibited at the Princeton University School of Architecture between 7th March and 3rd May 2024, brought together seven projects from the early career of Diana Agrest and Mario Gandelsonas, of Agrest and Gandelsonas Architects. Short texts written by the Princeton School of Architecture faculty: Stan… Read More

Watchful Solitude: John Hejduk and Venice

Watchful Solitude: John Hejduk and Venice

Marina Correia

The Thirteen Watchtowers of Cannaregio (with Waiting House) and House for the Inhabitant Who Refused to Participate were conceived as an urban ensemble and laid the foundation for the later phase of John Hejduk’s work, which he described as an ‘architecture of pessimism’, and encompasses his best-known projects, such as… Read More

OMA: Rotterdam—Child’s Crusade

OMA: Rotterdam—Child’s Crusade

Richard Hall

This is the third post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Fabric Object: Diana Agrest and Mario Gandelsonas

Fabric Object: Diana Agrest and Mario Gandelsonas

Stan Allen, Beatriz Colomina, Michael Meredith, Jesse Reiser and Mark Wigley

The small exhibition Fabric Object, curated by Michael Meredith and exhibited at the Princeton University School of Architecture between 7th March and 3rd May 2024, brought together seven projects from the early career of Diana Agrest and Mario Gandelsonas, of Agrest and Gandelsonas Architects. Short texts written by the Princeton School of Architecture faculty: Stan… Read More

Frank Lloyd Wright at Drawing Matter

Frank Lloyd Wright at Drawing Matter

Editors and Nicholas Olsberg

The Frank Lloyd Wright collection is of primary interest from 1936 to 1951, and especially for a small group of studies and presentations for the shaping of domestic space, dwelling within landscape, and interior fittings. There are also important isolated drawings for a prairie house, Midway Gardens, the Johnson Administration… Read More

OMA: Elia Zenghelis—Watersheds

OMA: Elia Zenghelis—Watersheds

Richard Hall

This is the second post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Begin again. Fail Better: Pichler and Hollein

Begin again. Fail Better: Pichler and Hollein

Matt Page

This text by Matt Page will be included in the exhibition catalogue for Begin again. Fail Better: Preliminary drawings in architecture (and art). The exhibition opens on the 31st May 2024 at the Kunstmuseum Olten, and includes nearly 100 drawings from the Drawing Matter Collection. More information about the exhibition… Read More

Louis-Hippolyte Lebas at Drawing Matter

Louis-Hippolyte Lebas at Drawing Matter

Editors and Nicholas Olsberg

French architect Louis-Hippolyte Lebas (1782–1867) trained with Percier and Fontaine, whose assistant he remained for some years; working in Paris, both independently and in collaboration with Éloi Labarre and others from the mid 1820s; professor of history of architecture at the École des Beaux-Arts from 1840; and leader of an… Read More