Category: drawing techniques & materials
Protected: DMJ – Instruments of Uncertain Occupation
26 April 2024
Protected: DMJ – Instruments of Uncertain Occupation26 April 2024
There is no excerpt because this is a protected post.
A Bath for Immortality
24 April 2024
A Bath for Immortality24 April 2024
It is 1971 and the city is Graz. ‘If we look at the city as a set of artefacts that can be modified over time, homogeneous and isotropic, correlated to the physical reality of the landscape and the territory, and at the same time if we refuse to take part… Read More
Protected: Architectural models and the oriental ideal of the Alhambra
19 April 2024
Protected: Architectural models and the oriental ideal of the Alhambra19 April 2024
There is no excerpt because this is a protected post.
Design Drawings Damage Atlas (2023)
15 April 2024
Design Drawings Damage Atlas (2023)15 April 2024
Snap, crackle, pop. Oh, that horrible sound of unravelling a roll of architectural drawings on old dried-up tracing paper from the nineteenth century. Slowly unfurling the brown brittle sheet, it cracks and shatters, little bits drop off in flakes, littering the table and floor like confetti. The experience feels like… Read More
DMJ – The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish
20 March 2024
DMJ – The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish20 March 2024
– Francisco Javier Girón Sierra
At the beginning of the 17th century, the Spanish Jesuit Juan Bautista Villalpando spent his last years of life in Rome obsessively working on an interpretation of the Temple of Solomon. When he came to the question of how to represent its plan, he envisioned a new, almost ghostly, way… Read More
DMJ – Template and Talisman
13 March 2024
DMJ – Template and Talisman13 March 2024
For a time, Aldo Van Eyck kept this little amulet in his pocket. An alabaster disc, inlaid with mother of pearl and jet, 30mm in diameter, it is coin-sized, weighted against and warmed by the heat of the body, passing though the fingers. Its uses are both symbolic and instrumental.… Read More
Tim Robinson: Deep Mapping
26 February 2024
Tim Robinson: Deep Mapping26 February 2024
This text is an excerpt from Shallow Time: The Burren (Dpr-Barcelona and Irish Architecture Foundation, 2023), 73-74, written by Tom Cookson. The text is reproduced with permission from the Irish Architecture Foundation. How to communicate the topographic nature of landscape and lived experience on a map reproduced on paper? The composition… Read More
Houses for Printing: A Microcosm of the World
21 February 2024
Houses for Printing: A Microcosm of the World21 February 2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Caterina Pincioni, secretary at… Read More
DMJ – Grids and Squared Paper in Renaissance Architecture
14 February 2024
DMJ – Grids and Squared Paper in Renaissance Architecture14 February 2024
The grid and the squared paper have played an important role in architectural practice, both in analysing and measuring what already exists (sites, monuments, etc.) and in organising and modularising the graphic development of the design process. The use of the square grid is generally linked to Greek civilization, mathematics,… Read More
Protected: OMA: Elia Zenghelis—Watersheds
7 February 2024
Protected: OMA: Elia Zenghelis—Watersheds7 February 2024
There is no excerpt because this is a protected post.
Collaborators—Outsiders
7 February 2024
Collaborators—Outsiders7 February 2024
[Intro] [Lead Image] Excerpt — Hans Werlemann and Claudi Cornaz Excerpt— Madelon Vrisendorp and Zoe Zenghelis Excerpt— Vincent de Rijk and Frans Pathesius
Branzi, Observed: Autocatalytic, Earnestly Jaded
25 March 2024
Branzi, Observed: Autocatalytic, Earnestly Jaded25 March 2024
– Julian Escudero Geltman
Andrea Branzi died on 9 October 2023 aged 84. The impact of one of his seminal works, No-Stop City, has been felt far and wide within architectural discourse. Since its production between 1967 and 1972, the drawings and collages of No-Stop City have haunted the camps within architectural academia that… Read More
urban form politics Perspective Open Call: Storytellers, Observed theoretical & imaginary