Category: on their own work

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

By Elizabeth Hatz

a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More

Qamutit Home

Qamutit Home

By Konstantin Ikonomidis

Qamutit (Inuktitut: ᖃᒧᑏᒃ): an Inuit-designed sled for transport on snow and ice. This conceptual sledge-house exhibits a catalogue of ideas and perceptions regarding the notion of ‘home’, dissolving the boundaries between building and environment and between building and meaning. To regard a house as a home is to regard a… Read More

Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha

Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha

By Yvonne Farrell and Shelley McNamara

This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. We… Read More

OMA in Scheveningen

OMA in Scheveningen

By Willem Jan Neutelings

Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More

A Glasgow Effect

A Glasgow Effect

By Paul Stallan

I draw and make dens to counter the weather of Scotland and the urban dislocation that I experienced from growing up in Glasgow, a city that suffered disproportionately from devastating post-war planning policy and the imposition of industrial modern architecture. The consequences of this are described by the medical term… Read More

Venice Biennale (1985)

Venice Biennale (1985)

By Dario Passi

The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More

Siza at sixteen

Siza at sixteen

By Manuel Montenegro and Álvaro Siza

Pouco a pouco, quase sem dar por isso, o carvão começou a não partir, o papel a não manchar, o miolo de pão a manter a plasticidade, o fôlego a aumentar. E a confiança. Slowly but steadily, unwittingly, the lead began to not break, paper to not stain, the bread… Read More

Fresh and Surprised

Fresh and Surprised

By Julian Lewis

Indische Buurt is a suburban area at the eastern edge of Amsterdam that is rich with diverse ethnicities, building ages and spatial experiences. The streets are named after islands and, as a territory historically built upon reclaimed land, there is an overriding feeling of an archipelago: islands that are places… Read More

Stirling at Stuttgart: Rear View / Up Views

Stirling at Stuttgart: Rear View / Up Views

By John Tuomey

Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More

Staging Brancusi

Staging Brancusi

By Asli Çiçek and Sarah Handelman

Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More

Álvaro Siza: Drawn Closer

Álvaro Siza: Drawn Closer

By Álvaro Siza

I began using sketchbooks in 1977, and this is the first of them. I had been asked by the new communist mayor of Évora to plan a very large social housing development – Quinta da Malagueira – as an extension of the medieval city on an abandoned agricultural estate. Until… Read More