Medium: drawing

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

By Fabrizio Gallanti, Hilary Sample and Michael Meredith

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Review & Excerpt: Stan Allen’s Situated Objects (2020)

Review & Excerpt: Stan Allen’s Situated Objects (2020)

By Niall Hobhouse

REVIEW Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More

Re-presenting the Rococo

Re-presenting the Rococo

By David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Take One: Architects on Drawing

Take One: Architects on Drawing

By Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

In search of an honest map

In search of an honest map

By Nicholas Herrmann

We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More

Walter Pichler: Mystery and Mysticism

Walter Pichler: Mystery and Mysticism

By Harvey Herman

Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More

Superstudio: Another Mirror Image

Superstudio: Another Mirror Image

By Ludwig Engel

Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More

Signature

Signature

By André Patrão

It’s just a small loose sheet of paper ripped off a notepad. Along its margins, an elegant round-cornered brown border, once enclosing an anonymous blank space of empty expectancy, now ceremoniously frames a mysteriously attractive, harmonious, yet utterly cryptic mark, struck and left upon its surface: a signature. By whose… Read More

Mother of all drawings

Mother of all drawings

By Deepiga Kameswaran

The very first attempts of humans to express their thoughts can be seen in prehistoric cave paintings. From these rudimentary markings to modern-day coding, the human race has evolved to acquire many skills. Still, none of us are born fully equipped with this skillset; we must repeat this process of learning… Read More

Charlotte Skene Catling: The Dairy House

Charlotte Skene Catling: The Dairy House

By Françoise Astorg Bollack

This project involved the enlargement of a nineteenth-century masonry dairy house built by the owner’s great grandfather for the estate’s cheesemaker. The addition fills a narrow space dug into the hill behind the existing house providing additional bedrooms, bathrooms, and more generous circulation spaces. The building sits in an 850-acre… Read More

Sir John Soane’s Museum: Bound Legacy

Sir John Soane’s Museum: Bound Legacy

By Alexandra Politis

John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825.  The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public,… Read More

The Architect and the Matador

The Architect and the Matador

By Thomas Gould

On one sheet, a matador;on the other, a design,with measurements, for a cathedral pier.  What unites these drawingsis provenance:both, apparently, executedby the architectEugène Viollet-le-Ducin meetings.  As Viollet-le-Duc’s mind wanderedfrom doodle to design,my attention,beholding the drawings,is drawn between the two sheets; drawn, by the insistently connective impulseof looking,into associations.  Between architect… Read More