Medium: drawing
Ludwig Mies van der Rohe at Drawing Matter
13.05.2025
Ludwig Mies van der Rohe at Drawing Matter13.05.2025
– Editors and Nicholas Olsberg
The drawings archive held by Mies at the time of his death was placed in the Museum of Modern Art, and his correspondence and papers at the Library of Congress. They constitute a comprehensive record of his works after the opening of his practice in the United States, especially for… Read More
Protected: Le Corbusier at Drawing Matter
07.05.2025
Protected: Le Corbusier at Drawing Matter07.05.2025
– Maristella Casciato and Nicholas Olsberg
There is no excerpt because this is a protected post.
Lisson to Tony Fretton
05.05.2025
Lisson to Tony Fretton05.05.2025
– Tony Fretton and Ricardo Aboim Inglez
Tony Fretton founded his architectural practice (Tony Fretton Architects) in 1982 in London. He came into international prominence in 1991 after the completion of the second Lisson Gallery building, transforming the street into an urban setting to be absorbed by culture. From his house in London and over two hours,… Read More
Jean Tinguely: La Vittoria
02.05.2025
Jean Tinguely: La Vittoria02.05.2025
– Editors
In 1970 Pierre Restany and Guido Le Noci, director of the Apollinaire gallery, decided to celebrate, with the help of the municipality of Milan, the tenth anniversary of the foundation of the Nouveaux Réalistes group. On 27 November, ten years after Yves Klein published his single-issue newspaper Le Dimanche 27… Read More
Protected: Sin Centre: Sheen and Transparent Overlays
01.05.2025
Trevor Dannatt: St Mary’s Grove —The Study, Pot Plants & Pottery
01.05.2025
Trevor Dannatt: St Mary’s Grove —The Study, Pot Plants & Pottery01.05.2025
Bringing the outside indoors, merging and blurring nature and culture, extending the garden into the study—such notions, a legacy of a generous North American sense of the landscape, from Fallingwater to the Case Study Houses, may have drifted into cliché but still, there is such glory to the actual open… Read More
Processing Process
25.04.2025
Processing Process25.04.2025
It is not Walter Gropius’ fault that his drawing for a single-family row house is strikingly dull. Even the towering figures of architecture, those revered creators of space and form, must, at times, strip their visions down to something much simpler. Clear, unadorned, almost utilitarian sketches become the necessary language… Read More
Wang Shu: Drawing Uncommon Grounds
24.04.2025
Wang Shu: Drawing Uncommon Grounds24.04.2025
– Xin Jin
Despite the extensive literature on Chinese experimental architecture that emerged in the mid-1990s after the Cultural Revolution, architects’ reflections on and practices of representation remain under explored. Wang Shu (王澍), recipient of the 2012 Pritzker Prize, is a prominent figure in Chinese experimental architecture. Though widely acclaimed in the West… Read More
DMJ – Of Ends and Origins: Raimund Abraham and the Birth of Architecture
21.04.2025
DMJ – Of Ends and Origins: Raimund Abraham and the Birth of Architecture 21.04.2025
Origin stories have a unique standing in the history of architectural thinking and imagination. They are textual, visual, and representational devices not only of what architecture aspires to be but of the world to which architecture responds and in which it operates. Effective origin stories produce the subjects which both… Read More
Exploding Art and Architecture: Zaha Hadid’s Irish Prime Minister’s Residence Sketchbook
17.04.2025
Exploding Art and Architecture: Zaha Hadid’s Irish Prime Minister’s Residence Sketchbook17.04.2025
Zaha Hadid’s sketchbook for the Irish Prime Minister’s Residence (1979-1980), held at the Zaha Hadid Foundation with corresponding works at Drawing Matter, has proved invaluable for understanding her early career development of ideas. The project marked Hadid’s first professional solo endeavour, and she established her own office around the same… Read More
The (Im)possible Palimpsest
10.04.2025
The (Im)possible Palimpsest10.04.2025
Preceding the Campo Marzio plan, a plate named Scenographia Campi Martii offers a clue towards an understanding of Piranesi’s work—the terminology is fundamental, the word Scenographia is purposely chosen to make a direct link to the theatrical representation and scenic design, often investigated by Piranesi. The image presented in this… Read More
Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz
07.04.2025
Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 07.04.2025
Last year, Francis Martinuzzi contacted Drawing Matter after seeing a reproduction of one of his drawings on our website. The drawing was from a project from the submission for his architectural diploma with Jean Faloux under the tutelage of Antoine Grumbach at Unité Pédagogiuqe no. 6 (L’École nationale supérieure d’architecture… Read More
Pembroke’s Archives
03.04.2025
Pembroke’s Archives03.04.2025
Alison Turnbull was appointed lead artist for the Mill Lane development at Pembroke College, University of Cambridge in 2020. Drawing on objects from the College Archive and working in close collaboration with architects Haworth Tompkins and landscape architects Tom Stuart-Smith Studio, she has created permanent works for the new interior… Read More
In the Archive: Abattoirs, Boucheries, and Slaughterhouses
31.03.2025
In the Archive: Abattoirs, Boucheries, and Slaughterhouses31.03.2025
Click on drawings to move and enlarge. As architectural typologies, abattoirs, boucheries, and slaughterhouses embody the civilising of animal slaughter; serving as concrete expressions of the culture of animal consumption. Over time, the slaughterhouse has evolved in both its structures and perceptions, from a small-scale, craft-based operation rooted in necessity,… Read More
Curtains
28.03.2025
Curtains28.03.2025
– Petra Blaisse and Sophie Wehtje
Brief email exchanges. When meeting physically is out of the question, good old-fashioned correspondence still works, even if and for some time now, it is done electronically. This is how many of the editorial pieces on the Drawing Matter website come into being—through a chain of typed messages. It’s a… Read More
The Master Builder: William Butterfield and His Times
27.03.2025
The Master Builder: William Butterfield and His Times27.03.2025
It’s the sign of a good book about an architect that you want to drop everything and go out to visit, or re-visit, their buildings. And a sure indication of a good book that reproduces many architectural drawings is that you want to be able to pore over the originals… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
Leicester Engineering Building: Un-detailing
21.03.2025
Leicester Engineering Building: Un-detailing21.03.2025
The building is in many ways as extraordinary as its details. At ground-floor level it confronts the visitor with a blank wall of hard-faced red brick, which is occasionally pierced with a rather private-looking doorway, except at the point where the glazed main-entrance lobby splits this defensive podium into two… Read More
Aldo Rossi at Drawing Matter
20.03.2025
Aldo Rossi at Drawing Matter20.03.2025
– Editors and Nicholas Olsberg
Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More
DMJ – A Will to the City
17.03.2025
DMJ – A Will to the City17.03.2025
Nine unfinished drawings from 15 years ago; a text titled Phobos, which later appears in print; a story by Emilio Gadda and a brief encounter with agoraphobes; Denis Hollier’s work on Bataille’s aversion to monuments; Michel Serres’ Rome: The Book of Foundations; Aldo Rossi’s fabricca; Michel Foucault’s panopticism; Borges’ fear of mirrors; 50 years of sporadic visits to… Read More
Zünd-Up’s Great Vienna War of Dreams
14.03.2025
Zünd-Up’s Great Vienna War of Dreams14.03.2025
‘Only the realization of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… Share the power! Share property.’ Wolf Vostell, Cologne 1969 [1] On June 28, 1969, the four members of the Viennese collective Zünd-Up presented their student project, The Great Vienna Auto-Expander, for Karl… Read More
Hans van der Laan’s Instruments of Thought: Proportion, Architecture, Analogy (2025)
16.05.2025
Hans van der Laan’s Instruments of Thought: Proportion, Architecture, Analogy (2025)16.05.2025
– C.M. Howell
Introduction A steady trickle of works on Dom Hans Van der Laan has appeared in the years since his passing in 1991. Most important among these, Richard Padovan has presented a compelling argument for the significance of Van der Laan’s theory of proportion through a series of texts, including Dom… Read More
elevation projection (axonometric isometric) presentation