Medium: drawing

Protected: A Short History of Alberto Ponis on the Sardinian Coast

Protected: A Short History of Alberto Ponis on the Sardinian Coast

By Sebastiano Brandolini

There is no excerpt because this is a protected post.

Álvaro Siza: Fast and Slow Lines

Álvaro Siza: Fast and Slow Lines

By Lok-Kan Chau

Álvaro Siza began working on the ‘Quinta da Malagueira’ project in 1977. In his sketchbooks, he would doodle iterations of the proposal over and over, together with other observational scenes, figures, calculations, and schedules. The sketches have various line qualities. Some are steadier, thicker in the middle, and thinner at… Read More

Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire

Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire

By Raphael Haque

When art crosses paths with the language of architecture, odd things can occur. Savinien Petit was an academic painter who is little-known today. Conventional even for his own time, his taste at times did not exceed drawing children in clouds, but mostly he created religious scenes in traditional frescoes for churches, work which was… Read More

The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review

The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review

By Cammy Brothers

Architecture is never an easy topic for exhibitions, because the level of knowledge and pre-existing interest of the public is difficult to gauge. A show devoted specifically to a single architectural detail, seen across a historic panorama, is even more challenging. But this is the ambition of ‘The Hidden Horizontal:… Read More

The Metropolitan Opera House, NYC: Invisible guests

The Metropolitan Opera House, NYC: Invisible guests

By Kyna Leski

The purpose of poetry is to remind ushow difficult it is to remain just one person,  for our house is open, there are no keys in the doors,   and invisible guests come in and out at will.– Czesław Miłosz, from Ars Poetica? My father, Tad Leski, was an architect and designer for Wallace… Read More

Protected: Alberto Ponis on Casa Scalesciani

Protected: Alberto Ponis on Casa Scalesciani

By Alberto Ponis

There is no excerpt because this is a protected post.

Lines, Drawings, the Human Condition

Lines, Drawings, the Human Condition

By Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo

This conversation between Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo was first published, in German translation, in issue 238 of ARCH+ (March 2020). Drawing Matter would like to thank the editors of ARCH+ for allowing us to publish the original English version of the text. Momoyo Kaijima: With… Read More

Doodles: Stirling Wilford and Associates, 1984–2000

Doodles: Stirling Wilford and Associates, 1984–2000

By Marco Iuliano

The architectural trajectory of James Stirling has always been considered that of the individual genius, whilst acknowledging his close links to certain educational and working companions: his lifetime maestro Colin Rowe; the partners James Gowan and Michael Wilford, and the Associates, Laurence Bain and Russell Bevington. Without diminishing the importance and the inspirational role of… Read More

Henri Guerbois: Department Store in King Street, 1921

Henri Guerbois: Department Store in King Street, 1921

By Philippa Lewis

Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. Having peered at the rather… Read More

Twelve Thousand Seven Hundred Forty-Two KM of Continuum

Twelve Thousand Seven Hundred Forty-Two KM of Continuum

By Farnoosh Farmer

There is a handwritten phrase in red ink at the bottom of this sketch, which reads in Italian: ‘for the continuous monument (genesis)’. This drawing is from one of Adolfo Natalini’s sketchbooks and depicts a series of studies about the earth. In the same sketchbook, he drew multiple sequences of… Read More

Porto School, B Side: Insurrectional Organization of Space

Porto School, B Side: Insurrectional Organization of Space

By Pedro Bandeira

The following text on Mário Ramos and Fernando Barroso’s student work at the Porto School is excerpted from the publication Porto School, B Side 1968–1978 (An Oral History) (CIAJG & Documenta, 2014). Collages from the project are included in the exhibition At Play at Garagem Sul, Centro Cultural de Belém… Read More

The Order of Terror

The Order of Terror

By Deanna Petherbridge

This text is the fourth in a series by artist Deanna Petherbridge in which she comments on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Read the introduction to the series, here.… Read More