Architect: Luigi Moretti
Luigi Moretti and Spazio: Structures and Sequences of Spaces
17 October 2024
Luigi Moretti and Spazio: Structures and Sequences of Spaces17 October 2024
Marco Vanucci and Drawing Matter revisit three seminal texts of Luigi Moretti, not generally available in translation. Christopher Huw Evans has translated the three texts for Drawing Matter. The first post presented Luigi Moretti’s article ‘Eclecticism and Unity of Language’ (published in the first issue of Spazio), and the second post featured Moretti’s… Read More
Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture
26 September 2024
Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture26 September 2024
Marco Vanucci and Drawing Matter revisit three seminal texts of Luigi Moretti, not generally available in translation. Christopher Huw Evans has translated the three texts for Drawing Matter. The first post presented Luigi Moretti’s opening article ‘Eclecticism and Unity of Language’ that was published in the first issue of Spazio. This second post presents… Read More
Luigi Moretti and Spazio: Eclecticism and Unity of Language
31 July 2024
Luigi Moretti and Spazio: Eclecticism and Unity of Language31 July 2024
In the newfound spirit that emerged at the end of the Second World War, Rome became the epicentre of a cultural renaissance. In a context marked by the dynamic interplay between the innovative language of the modern avant-garde and the city’s artistic heritage, Luigi Moretti emerged as a key figure… Read More
The Edge of Architecture: Cornices in the Drawing Matter collection
21 February 2022
The Edge of Architecture: Cornices in the Drawing Matter collection21 February 2022
– Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
The Values of Profiles (1951)
8 January 2021
The Values of Profiles (1951)8 January 2021
Provoked by the assertion of rational architecture, the beginnings of modern non-figurative art coincide in time with the exclusion from the world of living forms of cornices and profiles, the most evidently ‘abstract’ elements of ancient architecture. At least two reasons may be relevant to this singular phenomenon: one is… Read More