Architect: Zoe Zenghelis
OMA: Collaborators—Allies
30 September 2024
OMA: Collaborators—Allies30 September 2024
This is the fifth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
OMA: Elia Zenghelis—Watersheds
31 May 2024
OMA: Elia Zenghelis—Watersheds31 May 2024
This is the second post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
Construct
13 March 2023
Construct13 March 2023
In 1975, OMA (the Office for Metropolitan Architecture) produced two projects for Roosevelt Island (formerly Welfare Island), in New York’s East River, between Manhattan and Queens. The thin sliver of land—historically treated as ‘a storehouse for “undesirables”’ [1]—was undergoing a process of redevelopment under the New York State Urban Development… Read More
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review
26 April 2022
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review26 April 2022
During the spring and summer of 2021, a two-part exhibition of the work of Zoe Zenghelis was shown in London. The first show was an enjoyably intimate immersion at Betts Project in Clerkenwell. The second, a more extensive review at the Architectural Association. Later that year a thick, crisply designed… Read More
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids
11 March 2021
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids11 March 2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More
Two Early Paintings with OMA
25 January 2021
Two Early Paintings with OMA25 January 2021
Here, Zoe Zenghelis, painter and founding member of OMA, recalls the making of two paintings now in the Drawing Matter collection. The first, pictured below, is an aerial view of the unbuilt Hotel Therma, and the second is a version of OMA’s entry to the Parc de la Villette competition.… Read More
In the Archive: OMA, Neutelings, Hejduk, Gowan
1 March 2020
In the Archive: OMA, Neutelings, Hejduk, Gowan1 March 2020
– Richard Hall and Emma Rutherford
Click on drawings to move and enlarge (fullscreen version). In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. When faced with a mass of unknown information, one tends to start with… Read More
Roosevelt Island
17 February 2019
Roosevelt Island17 February 2019
The Roosevelt Island competition was sponsored by New York State Urban Development Corporation for the urbanisation of an island in the East River of Manhattan. The city grid served as a formal generator for the building types, adapted with controlling geometry to the proportions of the island’s topography. There are… Read More
The Captive Globe
28 March 2024
The Captive Globe28 March 2024
– Reinier de Graaf
This essay is about a drawing—or rather, about the insight embedded within that drawing and the life it has taken on in the forty-five years since it was made. The drawing in question is The City of the Captive Globe. It was created in 1972, first published in 1978 by… Read More
urban form projection (axonometric isometric) publication concept & diagram theoretical & imaginary