Startha Éagsula: David Leech Architects on Barthélemy Enfantin
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The colourful ink and pencil drawing of Barthélemy Enfantin seeks to establish a set of rules for a new open metropolis. Without site, set out in all axes, and with the edges of the drawing alluding to a non-determined repetition, it was possibly drawn for continuous reuse and translation.
Like a game of Chinese whispers our model becomes a twenty-first-century speculation. Contemporary filters distort our perception – new modelling techniques, modernism and Mies, all forming a new twin or non-identical clone. Mis-reading, mis-remembering and mis-taken.
In the coming weeks, we will be adding commentaries on the new additions to Alternative Histories made by Ireland-based practices. These commentaries can be found in full, and together with the original Irish participants in our new publication, Startha Éagsula, available here.
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This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive.
Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here.
– Yvonne Farrell and Shelley McNamara