Period: c19th
Anna Atkins: Laying Out the Blueprints
21 December 2020
Anna Atkins: Laying Out the Blueprints21 December 2020
They began to bloom on websites a couple of years or so ago – stretching out on social media, unfurling in the arts sections. Pale alien shapes suspended in deep blue: something like lightning flattened in a flower press; a sleeping creature emerging from a cloud of coral; a spectral… Read More
Soane’s Temple Stye
16 December 2020
Soane’s Temple Stye16 December 2020
A temple for pigs? for swine? for hogs? Not a temple to worship them in, nor a temple for them to be sacrificed in. A temple for them to live in. These are not the pigs which invented their own form of latin, or those powerful Orwellian pigs, but normal… Read More
Drawing, Collaging, Rendering
9 December 2020
Drawing, Collaging, Rendering9 December 2020
When the ‘hard-line drawing’ has become so synonymous with the image of the architect it is easy to forget that the convenience of the everyday pen is relatively recent. For most of the long history of the world’s second-oldest profession, pen, paint and ink were reserved for competition boards or… Read More
Collection of Sections
2 December 2020
Collection of Sections2 December 2020
The following drawings and commentaries have been excerpted from Visual Discoveries: A Collection of Sections (Oro Editions, 2020). The publication surveys the use of section drawings in the histories of architecture and other professions, from the 17th century to the present. More information on the book can be found here.… Read More
William Heath Robinson ‘Tightening the Green Belt’
26 November 2020
William Heath Robinson ‘Tightening the Green Belt’26 November 2020
On 22 March 1921, The Times reported on ‘the urgent need of a green belt being preserved round London.’ It was the first recorded use of the phrase. By the time William Heath Robinson came to makes sketches for ‘Tightening the Green Belt’ (c.1935–47), the urban ring o’ roses was familiar enough… Read More
Sigurd Lewerentz: Siting the Axonometric
17 November 2020
Sigurd Lewerentz: Siting the Axonometric17 November 2020
By Stan Allen
One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More
A New Administration Center For Los Angeles (1936)
27 October 2020
A New Administration Center For Los Angeles (1936)27 October 2020
Excerpted from ‘Architect and Engineer’ 1936 January by William Hamilton.
Raymond Erith On Soane at Tendring Hall
13 October 2020
Raymond Erith On Soane at Tendring Hall13 October 2020
The following notes were composed by Pierre du Prey to accompany his gift of the sketches pictured above to Drawing Matter, 16 September 2020. The circumstances surrounding two detailed sketches by Raymond Erithof the John Soane gate lodges at Tendring Hall, Suffolk, remain stronglyimpressed on the tablets of my memory.… Read More
Soane’s Designs for Combe House, Continued
30 July 2020
Soane’s Designs for Combe House, Continued30 July 2020
When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More
The Birds’ Morning Hymn (1929)
10 July 2020
The Birds’ Morning Hymn (1929)10 July 2020
From a letter to The Times of April 18, 1929: At this season of the resurrection of Nature — that ever-fresh miracle — one thing happens that even keen bird-lovers seem hardly to appreciate to the full. I mean the birds’ Morning Hymn. We have all heard vaguely about ‘Bird… Read More
The Meaning of Lines
11 January 2021
The Meaning of Lines11 January 2021
By Laura Bonell and Daniel López-Dòriga
A series of seemingly abstract lines occupy the whole space of the paper. Each of them is formed by a thin black line that defines the geometry, accompanied by a thicker, semi-transparent brown line, which highlights it. Written annotations are placed on top, sometimes following the drawing’s wavy shape like… Read More
plan theoretical & imaginary drawing matter writing prize 2020