Category: commentaries, rants & reflections
Drawing on History: Mirages, Interventions and Contestations
10 June 2021
Drawing on History: Mirages, Interventions and Contestations10 June 2021
This text is the first in a series by artist Deanna Petherbridge in which she will comment on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Her commentary on… Read More
Insignificance 3: Mourning Work
9 June 2021
Insignificance 3: Mourning Work9 June 2021
All drawings contain traces of all previously drawn mediations. [1] All drawings are silent acts of memorialising (by employing inter-subjective readings of iconography, lineage, parody, reverie and reflexivity) what has been drawn before, or thought to have been so, or simply, what has been, consciously misplaced. [2] The text above… Read More
This Blue Love: Aldo Rossi in Samos in late Summer 1989
2 June 2021
This Blue Love: Aldo Rossi in Samos in late Summer 19892 June 2021
In his voyage to Samos in the Summer of 1989 Aldo Rossi gathered a collection of fragments in accordance with a Palladian education. The image repeats itself, following what Johns had written in 1984: ‘I like to repeat an image in another medium to observe the play between the two:… Read More
I Cut Mount Fuji Every Day
31 May 2021
I Cut Mount Fuji Every Day31 May 2021
With a circumference of approximately 10cm, I compress the majestic mountain. I pressure it between my fingers and the board and I slice. The contours fall on the board; in a matter of minutes, they will turn once more into a fragrant and luminous mountain. The emotional downpour induced by… Read More
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt
26 May 2021
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt26 May 2021
Review By preserving the trees on the site within his pavilion in the Giardini, Sverre Fehn offered Venice an insight into a unique Nordic sensitivity towards nature and the environment. He tempered the harsh Mediterranean sun to evoke the horizontal light of the Baltic through a spectacularly innovative technical design… Read More
Insignificance 2: Distinction – Polysemy
19 May 2021
Insignificance 2: Distinction – Polysemy19 May 2021
The following texts are excerpted from Gordon Shrigley, Insignificance: A short discourse on the physical and ideational economy of line within architectural representation (Solitude Editions, 1998). Now, twenty years after Insignificance was first published, Gordon Shrigley has revisited the publication for a series of postings on Drawing Matter. Each of these posts connect… Read More
Evocation of Solemnity: Temple of Minerva
19 May 2021
Evocation of Solemnity: Temple of Minerva19 May 2021
For the curious visitor that approaches the historic remains of the Temple of Minerva Medica in Rome, it will take a lot of effort to contextualize the building as it could have once been. That which before had allowed for a gentle processional approach to the ruin has now been… Read More
Bovenbouw Architectuur: One Paper Model and Three Paper Collages
12 May 2021
Bovenbouw Architectuur: One Paper Model and Three Paper Collages12 May 2021
The layers found in Bovenbouw Architectuur’s collages are analogous to the layering in their architecture – there to be unravelled by those willing to search. Sometimes ruinous, never complete, they are a representation of uncanny worlds where chimneystacks become doors, tyres become classical pediments and windows are adorned with eyelashes.… Read More
Eric Gill On Designing War Graves (1919)
11 May 2021
Eric Gill On Designing War Graves (1919)11 May 2021
By Eric Gill
Gentlemen, Sir Frederic Kenyon’s report to the Imperial War Graves Commission calls for public protest. [1] We are all aware that to be effective such protest must come from the millions of men and women whose sons and husbands and fathers are buried in foreign lands, rather than from any… Read More
The Intention of Suspension: Peter Wilson’s Clandeboye Fish
10 May 2021
The Intention of Suspension: Peter Wilson’s Clandeboye Fish10 May 2021
A phenomenological reading of ‘bridge’ would not prioritise function (crossing) but this suspended moment. – Peter Wilson [1] A fish out of water, a lady in thought, floating ‘wilderness’. Things first have to be separated from each other so as to be united later on. [2] Peter Wilson’s drawings of… Read More
Architectural Drawing (1983)
22 June 2021
Architectural Drawing (1983)22 June 2021
By George Collins
This essay was first published in the catalogue for Drawings by Architects (25 February – 3 April 1983), held at the ICA in London. A period piece, for sure, the text sits at the cusp of changing attitudes to the display and value attributed to architect’s drawings. In recent years… Read More
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