Category: commentaries, rants & reflections

Invented from Copies

Invented from Copies

Neil Bingham

In 1980, Fred A. Stitt, the doyen of American authors of handbooks on the technical and managerial aspects of architectural practice, defined the distinction between drawing and copy drafting (to use the American spelling of draughting) in uncompromising terms: Drawing is an originating process: a creative, aesthetic, and problem-solving process.… Read More

The Primacy of Drawing

The Primacy of Drawing

Roger Malbert

The Primacy of Drawing, Deanna Petherbridge’s magisterial survey of the place of drawing in European art since the Renaissance, was first published by Yale University Press in 2010. Weighing in at 520 pages, it was a formidable achievement of vast erudition and profound insight, the fruits of more than two… Read More

Trevor Dannatt: St Mary’s Grove – La maison où j’ai grandi

Trevor Dannatt: St Mary’s Grove – La maison où j’ai grandi

Adrian Dannatt

This is the eighth and concluding part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series here. * Curtains The newly restored house appeared, on the cover no… Read More

Viollet-le-Duc: Drawing Worlds

Viollet-le-Duc: Drawing Worlds

Peter Sealy

In his Postscript to The Name of the Rose, Umberto Eco describes the first hundred pages of his bestselling 1980 novel as a form of penance, ‘for the purpose of constructing a reader suitable for what comes afterwards.’[1] Beyond creating an easy heuristic for who should or should not descend further into the world of… Read More

The Olympic Stadium Project: Le Corbusier & Baghdad

The Olympic Stadium Project: Le Corbusier & Baghdad

Editors

In the first three months of 2009, the Victoria and Albert Museum presented a small exhibition dedicated to Le Corbusier’s unrealised Olympic Stadium Project for Baghdad. The show was organised by the RIBA, Irena Murray, and Peter Carl, with work loaned from the Canadian Centre for Architecture (CCA), the Fondation… Read More

Protected: The Drawing as a Site of Absence

Protected: The Drawing as a Site of Absence

Francesca Hughes

There is no excerpt because this is a protected post.

Protected: Figuring Out

Protected: Figuring Out

Issi Nanabeyin

There is no excerpt because this is a protected post.

My Parish Drawings

My Parish Drawings

Marina Warner

From an early age I was in love with China and all things Chinese. I don’t know what inspired this passion, but a few years ago I came upon a Rupert Bear cartoon strip and there was the Emperor of China aloft on a flying carpet. I know my father… Read More

Siza on Paper (Exhibition + Talk)

Siza on Paper (Exhibition + Talk)

Editors

On Saturday 28 and Sunday 29 March, Drawing Matter presented an exhibition of drawings by the Portuguese architect Álvaro Siza. The exhibition focused on Siza as a designer of public housing after the Carnation Revolution (1974) and his approaches to drawing. At the centre of the exhibition were three housing… Read More

Philip Christou: 34 Drawings

Philip Christou: 34 Drawings

Freddie Phillipson

…a rigid adherence to a mathematical or logical system when forming a plan tends to make the design detached, mechanical and unresponsive to its site and surroundings—its situation—and make the building overly self-referential. However, when the regular system has cadence, is dynamic and can be disrupted or contaminated by the… Read More

Scaletales: Dr Franz Gibarian’s Lecture

Scaletales: Dr Franz Gibarian’s Lecture

William Firebrace

The following fictional text was extracted from William Firebrace’s Scaletales (Cologne: Verlag der Buchhandlung Walther und Franz König, Köln, 2026). The book investigates the various meanings of the word scale through a story about two elderly women on a journey from Finland through central Europe to the Black Sea. They… Read More

The Incessant Power of Drawings

The Incessant Power of Drawings

Fabrizio Gallanti

We have come to doubt the real necessity of being exposed to original artefacts, as we find ourselves drowned in a deluge of endless reproductions. Why bother visiting galleries and museums when one can check stuff on the web? A picture of teenagers scrolling their cellphones in front of a… Read More

Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Lola Gabellini-Fava

On the 12th of March 1968, Scottish concrete poet Ian Hamilton Finlay wrote, as he did frequently throughout the late 1960s, to friend and architect Philip Steadman. ‘Dear Phil,’ he began, ‘I have been meaning for some time to ask if you could help me with some rough drawings, of… Read More

Protected: The Creative Potential of Archival Boundaries

Protected: The Creative Potential of Archival Boundaries

John Walter

There is no excerpt because this is a protected post.

The Open Hand Reloaded

The Open Hand Reloaded

Maristella Casciato

The above notes are based on a paper first presented at the workshop Long Table Conversation on ‘NonAligned Modernism’ held at the University of Washington in Seattle on October 31, 2025, moderated by Adair Rounthwaite (Art History) and with an introduction by Vikram Prakash (HHF/Architecture). * Maristella Casciato (architect, architectural… Read More

The House Stands Still While Life Moves

The House Stands Still While Life Moves

Alessandro Mendini

The house has a floor sticky like honey; our feet cling to it and we cannot get away from it. The house is a rucksack so huge and full on our shoulders that every movement becomes impossible. The house is an unconditional refuge for those who fear all the mishaps… Read More

Rewriting Eisenman

Rewriting Eisenman

Alexander Bala

In his new book Rewriting Alberti, Peter Eisenman applies the ‘most important lesson in architecture’ that he ever received to a study of the origin of the discipline in the Western tradition.[1] Standing at the fount of that tradition is the fifteenth-century Florentine scholar and architect Leon Battista Alberti.[2] From… Read More

On Cedric Price

On Cedric Price

Andrea Branzi

Cedric Price’s thinking and work have had a very particular influence on my work, in the sense that some fundamental choices I have made as an architect have been deeply influenced by his philosophy. In this sense, it seems to me that Cedric Price was one of the few architects… Read More

A Taste for Architectural Drawings

A Taste for Architectural Drawings

Neil Bingham

The smelling and tasting of historical architectural drawings have been overlooked by scholars as valuable research tools, particularly in matters of dating and authorship. In this short discussion—a foretaste of a future volume, or two, that I intend to write on the subject—I demonstrate that drawings made by architects, including… Read More

Louis Kahn: Sketch for a Mural

Louis Kahn: Sketch for a Mural

Matt Page

Drawing Matter holds a large number of drawings, prints and other materials relating to a project for an office building in Kansas City designed by Louis Kahn. The project was one of the last that the architect worked on before his death in 1974, and many of the drawings carry… Read More

Working (with) Drawings from the Drawing Matter Collection

Working (with) Drawings from the Drawing Matter Collection

Rosie Ellison-Balaam and Maria Mitsoula

The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More

The Architectural Competition: Shopfront to ‘The Trade’

The Architectural Competition: Shopfront to ‘The Trade’

Harry Foley

Alexander Scott Carter’s winning designs for single and double-fronted W.H. Smith shopfronts form a remote bookend to a troubled time for architectural competitions in Britain. The other arrived approximately 75 years earlier in the form of a satirical drawing produced to open Augustus Pugin’s Contrasts (1836). It too was a… Read More

Protected: James Gowan’s Schreiber House

Protected: James Gowan’s Schreiber House

Vera Okodugha

There is no excerpt because this is a protected post.

André des Gachons: Weather Warning

André des Gachons: Weather Warning

Mehdi Zannad

The recent publication, La Veille du ciel: aquarelles météorologiques (Phénomène éditions), one of the most beautiful books published in 2025, gathers together forty years of daily weather reports by André des Gachons on the skies above the small rural commune of La Chaussée-sur-Marne, in eastern France. Des Gachons remained subjective… Read More