Medium: model

Protected: DMJ – Instruments of Uncertain Occupation

Protected: DMJ – Instruments of Uncertain Occupation

Nat Chard

There is no excerpt because this is a protected post.

Protected: Hermann Czech: Ungefähre Hauptrichtung (Approximate main direction)

Protected: Hermann Czech: Ungefähre Hauptrichtung (Approximate main direction)

Mikael Bergquist

There is no excerpt because this is a protected post.

Protected: Architectural models and the oriental ideal of the Alhambra

Protected: Architectural models and the oriental ideal of the Alhambra

Asun González Pérez

There is no excerpt because this is a protected post.

OMA: London—Foreplay

OMA: London—Foreplay

Richard Hall

This is the first post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Protected: Peter Wilson in the Empire of Signs

Protected: Peter Wilson in the Empire of Signs

Mark Dorrian

There is no excerpt because this is a protected post.

Protected: Giuseppe Terragni’s Primordial Architecture

Protected: Giuseppe Terragni’s Primordial Architecture

Valerio Paolo Mosco

There is no excerpt because this is a protected post.

Masterplanning the University of London

Masterplanning the University of London

Bill Sherman

Legend has it that Charles Holden promised the University of London a building that would last five hundred years. While there is no hard evidence for Holden’s claim, his Senate House (1932–37) looks as permanent as anything built in modern Britain. A 19-storey tower faced with granite and Portland stone,… Read More

DMJ – Template and Talisman

DMJ – Template and Talisman

Laura Harty

For a time, Aldo Van Eyck kept this little amulet in his pocket. An alabaster disc, inlaid with mother of pearl and jet, 30mm in diameter, it is coin-sized, weighted against and warmed by the heat of the body, passing though the fingers. Its uses are both symbolic and instrumental.… Read More

Protected: OMA: Elia Zenghelis—Watersheds

Protected: OMA: Elia Zenghelis—Watersheds

Elia Zenghelis

There is no excerpt because this is a protected post.

Visualizing the Renaissance Worksite and the problems of graphic translation  

Visualizing the Renaissance Worksite and the problems of graphic translation  

Jarne Geenens and Elizabeth Merrill

Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More

Heinz Isler: Natural Hills on Different Edge Lines

Heinz Isler: Natural Hills on Different Edge Lines

John Chilton

I first encountered Heinz Isler’s thin reinforced concrete shells when I saw his presentation ‘Third Decade of Structural Shells’ at the thirtieth anniversary symposium of the International Association for Shell and Spatial Structures (IASS), in Madrid, in September 1989. This was the first time I saw his inspirational drawing ‘Natural Hills on… Read More

Fragmentary Notes on Unclaiming the Life of a Drawing

Fragmentary Notes on Unclaiming the Life of a Drawing

Bahar Avanoğlu

The following notes reflect on a first year teaching studio led by Bahar Avanoğlu at Istanbul Bilgi University. The studio took Niall McLaughlin’s Alternative Histories model, an interpretation of a sketch by Basil Spence for extending the Houses of Parliament in London, as a starting point to continue a chain… Read More