Category: Drawing Matter archive: research & collecting

On Travel (Videos)

On Travel (Videos)

– Matthew Wells

These videos, filmed in the space of the archive, are part of an ongoing series at Drawing Matter, where we ask scholars and practitioners to look closely at and comment on particular drawings, sketchbooks, and artefacts in the collection. Find more from the series here. * Matthew Wells teaches architectural history… Read More

Thalia & Melpomene

Thalia & Melpomene

– Roberto Cides

It floats: Amid the haze, like a game or a dream, over an invented geography, toward the Grand Canal, the Po, the Paraná. Il Teatro del Mondo sways to nature’s rhythm.[1] Square in plan, it recalls both the Venetian carnivals and Shakespeare’s Globe. An entrance door on each side and vaporetti in the… Read More

Protected: Collection Guide: OMA

Protected: Collection Guide: OMA

– Martha Cruz

There is no excerpt because this is a protected post.

Asplund’s Villa Snellman: An Oblique View

Asplund’s Villa Snellman: An Oblique View

– Val K. Warke

Situated sometime and somewhere between Paul Cézanne and the Villa Savoye, in the second decade of the twentieth century, is Erik Gunnar Asplund’s Villa Snellman. The building was designed and constructed between 1917 and 1918 for a bank director, and is situated in Djursholm, a suburb of Stockholm.  At first… Read More

Snapshots of Aldo Rossi’s San Cataldo Cemetery

Snapshots of Aldo Rossi’s San Cataldo Cemetery

– Luis Callejas and Julia Spackman

The following conversation has been adapted from a longer interview first published in Pairs 5, now including drawings from the Drawing Matter Collection.  * Julia Spackman (JS): This collection of snapshots by Katie Ladd of Aldo Rossi’s San Cataldo Cemetery is a striking departure from its typical depiction.[1] For one, the… Read More

Collection Guide: Alberto Ponis

Collection Guide: Alberto Ponis

– Editors

Alberto Ponis was born in the small port suburb of Nervi in Genoa, in 1933. He was the son of Mario A. Ponis, who owned a textile production company called MITA, which introduced him early on to many Italian artists and designers of the 20th century. The company had worked… Read More

An Interview with David Connor

An Interview with David Connor

– Gianni Botsford and David Connor

* Gianni Botsford (GB): What I said that I could talk to you about is where it all started for you, how you learned to draw,  where your drawing method came from, and how it developed over time. David Connor (DC): I did start to draw when I was 4 or 5, which would… Read More

DMJ – Notes on Derek Boshier 

DMJ – Notes on Derek Boshier 

– Lucas Zurdo

Derek Boshier’s 16 Situations (1971) could be experienced both in print and as an installation. The exhibition, which toured from early 1971 before being shown at the Whitechapel Gallery in September and October 1973, was simple in concept: the viewer followed a wall with 16 altered photographic images, each one with the… Read More

Collection Guide: John Ruskin

Collection Guide: John Ruskin

– Editors

Drawing Matter holds a mineral collection compiled by John Ruskin for the St David’s Boys’ Preparatory School in Reigate, Surrey. The school later relocated to Stone House in Broadstairs and the mineral collection moved with it. Donated in 1883, the specimens were chosen from Ruskin’s personal collection, yet his idea… Read More

Michael Gold: The Dialogue of Representation

Michael Gold: The Dialogue of Representation

– Michael Gold and Dalibor Vesely

The following text, ‘The Dialogue of Representation’ by Dalibor Vesely, was published in People in Architecture, the book featuring the exhibition of work by Michael Gold’s AA Unit 5 students held at the Architectural Association, 4–29 October 1983. Read a response to the exhibition by Peter Wilson here.  Drawing Matter… Read More

BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)

BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)

– Editors

On Saturday 4 and Sunday 5 July, Drawing Matter presented an exhibition of drawings by BOLLES+WILSON (founded in London in 1980; based in Münster since 1988). The exhibition was the fourth in a series presenting the work of architects and practices that are represented in the Drawing Matter Collection by significant portfolios… Read More

Collection Guide: Cedric Price

Collection Guide: Cedric Price

– Editors

Cedric Price (1934–2003) studied architecture at Cambridge University before receiving his diploma from the Architectural Association (AA) in 1957. He went on to teach at the AA and worked in the offices of Maxwell Fry and Denys Lasdun before founding his own practice in 1960.  Though the majority of Price’s… Read More

The Creative Potential of Archival Boundaries

The Creative Potential of Archival Boundaries

– John Walter

This unknown eighteenth-century French textile sample pattern book is an intriguing addition to the Drawing Matter collection. Is it architecture, or is it here through a taxonomic error? Either way, how should we approach reading it within this architectural context? The book opens to roughly A3 in format, and each… Read More

On Tony Fretton’s Sketchbook, 1981 (Video) 

On Tony Fretton’s Sketchbook, 1981 (Video) 

– Benjamin Machin

Tony Fretton’s earliest sketchbooks contained within the collection at Drawing Matter are not records of projects developing page by page. They are stranger and more useful than that. Notes, sketches, references, lists, details, business, fragments of furniture and architecture sit beside one another without much concern for order. For an… Read More

The Visual Origins of Circulation in Architecture

The Visual Origins of Circulation in Architecture

– Fabio Colonnese

Amidst the architecture historians, the comparison between the plan of Borromini’s church of San Carlo alle Quattro Fontane and that of one of Bramante’s four pillars supporting the dome of St. Peter’s Basilica is well-known. Though I could not find the name of the historian who conceived it, it definitely… Read More

Collection Guide: Eugène-Emmanuel Viollet-le-Duc

Collection Guide: Eugène-Emmanuel Viollet-le-Duc

– Martin Bressani

The French Neo-Gothic architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) was one of the defining figures of nineteenth-century architecture worldwide. He transformed the restoration and interpretation of medieval monuments, championed structural rationalism, and reinvented drawing and publishing as tools for disseminating architectural knowledge. By the time of his death, he had become the… Read More

Collection Guide: Peter Wilson & BOLLES+WILSON

Collection Guide: Peter Wilson & BOLLES+WILSON

– Editors

Peter Wilson and Julia Bolles are the founding partners of Architekturbüro BOLLES+WILSON. Peter Wilson was born in Australia, he studied architecture at the University of Melbourne and the Architectural Association, where he later taught from 1974–1988 (Diploma Unit Master 1980–88). Julia Bolles was born in Münster and graduated from the Karlsruhe Institute of… Read More

The Olympic Stadium Project: Le Corbusier & Baghdad

The Olympic Stadium Project: Le Corbusier & Baghdad

– Editors

In the first three months of 2009, the Victoria and Albert Museum presented a small exhibition dedicated to Le Corbusier’s unrealised Olympic Stadium Project for Baghdad. The show was organised by the RIBA, Irena Murray, and Peter Carl, with work loaned from the Canadian Centre for Architecture (CCA), the Fondation… Read More

Siza on Paper (Exhibition + Talk)

Siza on Paper (Exhibition + Talk)

– Editors

On Saturday 28 and Sunday 29 March, Drawing Matter presented an exhibition of drawings by the Portuguese architect Álvaro Siza. The exhibition focused on Siza as a designer of public housing after the Carnation Revolution (1974) and his approaches to drawing. At the centre of the exhibition were three housing… Read More

Provenance in Architecture, A Dictionary: Architectural Drawing

Provenance in Architecture, A Dictionary: Architectural Drawing

– Niall Hobhouse

The following text is one of the entries included in the book Provenance in Architecture, A Dictionary (Berlin: Hatje Cantz Verlag, 2025) edited by Uwe Fleckner and Mari Lending. The book, presented in the form of a dictionary, examines architectural provenance across 101 key concepts, from acquisition to will. Each… Read More

Protected: Collection Guide: Carlo Marchionni

Protected: Collection Guide: Carlo Marchionni

– Elizabeth Kieven

There is no excerpt because this is a protected post.

The Open Hand Reloaded

The Open Hand Reloaded

– Maristella Casciato

The above notes are based on a paper first presented at the workshop Long Table Conversation on ‘NonAligned Modernism’ held at the University of Washington in Seattle on October 31, 2025, moderated by Adair Rounthwaite (Art History) and with an introduction by Vikram Prakash (HHF/Architecture). * Maristella Casciato (architect, architectural… Read More

Vaucher’s Shadows

Vaucher’s Shadows

– Mark Dorrian

It is a curious drawing, one that exudes an almost Magritte-like aroma of the surreal—the kind that depends upon the rendering of a visual-conceptual oxymoron with an extreme degree of realism. The subject has something to do with this, an isolated Ionic capital cut off at the neck from its… Read More

Wedging a Shrine

Wedging a Shrine

– Federico Rebecchini

This drawing by an unknown author can be appreciated from two different perspectives. On the one hand, it depicts a jinja, a Japanese Shinto shrine. From a historical point of view, the image can be read as an ezu—an illustrated map from the late Edo period (mid-nineteenth century)—featuring premodern calligraphy and the… Read More