Views of A Civic Utopia

Pierre-François-Léonard Fontaine (1762–1853), Proposed development for Place de la Concorde, Paris, 1811. Pen and black ink with grey wash and watercolour over pencil on paper, 277 × 248 mm. DMC 1654.
Louis-François Trouard (1729–1804), two elevations, Caserne des Gardes Françaises, Versailles, 1771. Pen, ink, grey and blue wash on laid paper, 435 × 610 mm.
François-Joseph Bélanger (1744–1818), Theatre for the Comédie Italienne, section, 1779. Pen and black ink with grey and blue wash on paper, 376 × 514 mm. DMC 1008.
Jean-Charles Delafosse (1734–1791), Projet de Prison, c.1770. Pen, ink and watercolour on laid paper, 233 × 354 mm. DMC 2259.
Louis Combes (1757–1818), Place du Château-Trompette, Bordeaux, c.1797. Pen and black ink, grey wash and watercolour, 175 × 730 mm. DMC 1383.
Pierre-François-Léonard Fontaine (1762–1853), Project for National Cemetary, 1785. Pen and black ink with grey wash over a black pencil sketch, 197 × 900 mm. DMC 1522.
Pierre Rousseau (1751–1829), Projet d’un Palais des Arts, c.1793. Pen and watercolour on paper, mounted on thick card, edged with tooled leather in red Moroccan half calf binding, 328 × 214 mm.
Louis-Pierre Baltard (1764–1846), Longitudinal elevation, Palais de Justice et la Prison de Lyon, 1829–1830. Pen, ink and grey wash on wove paper, 202 × 505 mm. DMC 2462.3.
Unknown French, Projet de Parc, 1810. Black ink, pen, grey and blue and pink wash, and pencil on laid paper, 520 × 685 mm. DMC 1686.