Period: c18th

On Pristine Boxes and Primeval Huts

On Pristine Boxes and Primeval Huts

By Frank Bauer

Along with his Do Hit Chair (2000), a pristine stainless steel box measuring 1000 x 700 x 750 mm, Dutch-born designer Marijn van der Poll supplies a sledgehammer. In an act of brute physical force he requires the user to expressively sculpt his own seating morphology, not only allowing but… Read More

Superstudio & Piranesi: Zeno is Immortal

Superstudio & Piranesi: Zeno is Immortal

By Olivier Bellflamme

It’s 1777 in the Italian region of Salerno, a man is resting on a massive Doric column, watching his two cows from the ruin of a temple where the weeds grow. This building was, a long time ago, considered as the house of Juno, goddess of fertility and the vital… Read More

Evocation of Solemnity: Temple of Minerva

Evocation of Solemnity: Temple of Minerva

By Rodrigo Dominguez

For the curious visitor that approaches the historic remains of the Temple of Minerva Medica in Rome, it will take a lot of effort to contextualize the building as it could have once been. That which before had allowed for a gentle processional approach to the ruin has now been… Read More

The Beaux-Arts Tradition

The Beaux-Arts Tradition

By Basile Baudez and Maureen Cassidy-Geiger

The following text has been excerpted from Living with Architecture as Art, the recently published catalogue of Peter May’s collection of drawings, models and architectural artefacts. The catalogue is edited by Maureen Cassidy-Geiger and published in two generously illustrated volumes. The first volume includes essays by Maureen Cassidy-Geiger, Basile Baudez,… Read More

The Perpetual Race of Piranesi and the Tortoise

The Perpetual Race of Piranesi and the Tortoise

By Marc McGowan

Melting reality, ancient history and fantasy into one, the etchings of Giovanni Battista Piranesi hold an unparalleled allure that continues to entrance and captivate. They offer an escape into imagined and unknown worlds; each drawing an organism of its own, containing an immense depth of spatial layering and an extraordinary… Read More

Re-presenting the Rococo

Re-presenting the Rococo

By David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Thomas Chippendale and Ornament

Thomas Chippendale and Ornament

By Tom Cookson

‘[Ornament] omitted at pleasure,’ wrote Thomas Chippendale in a guide to his revolutionary The Gentleman and Cabinet Maker’s Director, the first furniture pattern book of its kind. Although initially considered an advertising tool, it quickly became an invaluable manual for craftsmen, with its clear dimensions and rigorously proportioned pieces open… Read More

Soane’s Temple Stye

Soane’s Temple Stye

By Rosie Ellison-Balaam

A temple for pigs? for swine? for hogs? Not a temple to worship them in, nor a temple for them to be sacrificed in. A temple for them to live in. These are not the pigs which invented their own form of latin, or those powerful Orwellian pigs, but normal… Read More

Vitruvius: Follow the Footprints

Vitruvius: Follow the Footprints

By Paul Emmons

An intriguing Italian Renaissance drawing from the mid-sixteenth century has recently received critical attention through Drawing Matter. [1] Both the recto and the verso of the paper sheet have an ancient temple plan in perspective in a landscape setting, drawn in brown ink and attributed to the Sangallo circle as… Read More

Writing Prize 2020: Domestic Space, Registered

Writing Prize 2020: Domestic Space, Registered

By Laura Bonell and Daniel López-Dòriga

Around 200 AD, a map of the city of Rome was carved on marble at a scale of approximately 1:240. It measured 18 meters wide by 13 meters high and comprised 150 marble slabs hung on an interior wall of the Templum Pacis. The Forma Urbis Romae or Severan Marble Plan, as… Read More

Collection of Sections

Collection of Sections

By Allen Keith Yee

The following drawings and commentaries have been excerpted from Visual Discoveries: A Collection of Sections (Oro Editions, 2020). The publication surveys the use of section drawings in the histories of architecture and other professions, from the 17th century to the present. More information on the book can be found here.… Read More

Sigurd Lewerentz: Siting the Axonometric

Sigurd Lewerentz: Siting the Axonometric

By Stan Allen

One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More