Period: c18th
Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden
20 January 2023
Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden20 January 2023
Stone, hard and unfeeling, appears in our contemporary lexicon as a metaphor for the lifeless and the immutable. Yet in the classical gardens and paintings of China, stones were objects of fascination for the élite literati for precisely the opposite reason: the cosmic forces of creation and dissolution they, and… Read More
DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope
9 December 2022
DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope9 December 2022
In 1739, the English poet Alexander Pope transformed his grotto – a subterranean passage that used to consist of a cryptoporticus with architectural orders – into ‘a mine’. Minerals were encrusted into the walls in a manner that imitated those found underground. Previous scholars have considered this to be a… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
4 October 2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář4 October 2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
After the Revolution: Dugourc in Spain
16 September 2022
After the Revolution: Dugourc in Spain16 September 2022
After Jean Démosthène Dugourc’s forays into revolutionary paperwork, his return to silk and his migration to Spain to work for the Bourbons in 1800 places pressure on understanding his revolutionary activities, and whether he indeed had but briefly dabbled in the politics of the period before ultimately wishing, in his… Read More
Dugourc’s Playing Cards
14 September 2022
Dugourc’s Playing Cards14 September 2022
After the journée of 10 August, Jean Démosthène Dugourc sought to distance himself from Etienne Anisson-Dupéron. He turned his attention from wallpaper to playing cards, leasing a space with his Jacobin business partner Urbaine Jaume in the former warehouse of the Académie royale de musique, down the street from the… Read More
Alberto Pérez-Gómez: Architecture as Drawing
28 July 2022
Alberto Pérez-Gómez: Architecture as Drawing28 July 2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England
18 May 2022
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England18 May 2022
During the upheavals of the Civil War, Westminster Abbey had functioned as the church of the state for the Commonwealth. Upon the Restoration of Charles II, the Abbey resumed its historic role as the coronation church for English monarchs. [1] Parliament voted towards restoring the fabric, reinstituting its monarchical function… Read More
Robert Adam: The Long Gallery at Syon
13 May 2022
Robert Adam: The Long Gallery at Syon13 May 2022
– Stephen Astley, Adriano Aymonino, Markus Lähteenmäki and Frances Sands
On 18 December 2015, Frances Sands and Stephen Astley took out two leather-bound volumes from the Robert Adam Archive and laid them on the long table in the first-floor library at Sir John Soane’s museum. Adriano Aymonino and Markus Lähteenmäki, the initiators and editors of the Soane Oral Project, joined… Read More
Syon House and the Afterlife of Architectural Drawing
22 April 2022
Syon House and the Afterlife of Architectural Drawing22 April 2022
His writing is not about something; it is that something itself. [1] I knew very little about the eighteenth-century architect Robert Adam prior to June 2014. When challenged to respond to his drawings of the Long Gallery at Syon House, my impulse was to visit and draw my way through… Read More
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review
17 March 2022
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review17 March 2022
From the frescoes of Pompeii to the Great Hall of Siedlecin, from the Book of Kells to the Book of Hours, architecture has been depicted in full colour. Where colour has been largely absent in the history of architectural representation, however, is in the more technical drawings of architects themselves.… Read More
The Edge of Architecture: Cornices in the Drawing Matter collection
21 February 2022
The Edge of Architecture: Cornices in the Drawing Matter collection21 February 2022
– Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
Two Way Traffic: Japanese Woodblock Prints
12 October 2022
Two Way Traffic: Japanese Woodblock Prints12 October 2022
– Alex Faulkner
One of the great enigmas of ukiyo-e – Japanese woodblock prints of the eighteenth and nineteenth centuries – is the anachronistic intrusion of Western drawing into an apparently closed world; that the sophisticated culture of Edo (now modern Tokyo) seemingly closed off its borders since the Middle Ages. The widespread… Read More
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