Period: c18th

Two Way Traffic: Japanese Woodblock Prints

Two Way Traffic: Japanese Woodblock Prints

Alex Faulkner

One of the great enigmas of ukiyo-e – Japanese woodblock prints of the eighteenth and nineteenth centuries – is the anachronistic intrusion of Western drawing into an apparently closed world; that the sophisticated culture of Edo (now modern Tokyo) seemingly closed off its borders since the Middle Ages. The widespread… Read More

In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář

In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář

Raphael Haque

Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More

After the Revolution: Dugourc in Spain

After the Revolution: Dugourc in Spain

Iris Moon

After Jean Démosthène Dugourc’s forays into revolutionary paperwork, his return to silk and his migration to Spain to work for the Bourbons in 1800 places pressure on understanding his revolutionary activities, and whether he indeed had but briefly dabbled in the politics of the period before ultimately wishing, in his… Read More

Dugourc’s Playing Cards

Dugourc’s Playing Cards

Iris Moon

After the journée of 10 August, Jean Démosthène Dugourc sought to distance himself from Etienne Anisson-Dupéron. He turned his attention from wallpaper to playing cards, leasing a space with his Jacobin business partner Urbaine Jaume in the former warehouse of the Académie royale de musique, down the street from the… Read More

Alberto Pérez-Gómez: Architecture as Drawing

Alberto Pérez-Gómez: Architecture as Drawing

Mark Dorrian and Alberto Pérez-Gómez

Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More

William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England

William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England

Elizabeth Deans

During the upheavals of the Civil War, Westminster Abbey had functioned as the church of the state for the Commonwealth. Upon the Restoration of Charles II, the Abbey resumed its historic role as the coronation church for English monarchs. [1] Parliament voted towards restoring the fabric, reinstituting its monarchical function… Read More

Robert Adam: The Long Gallery at Syon

Robert Adam: The Long Gallery at Syon

Stephen Astley, Adriano Aymonino, Markus Lähteenmäki and Frances Sands

On 18 December 2015, Frances Sands and Stephen Astley took out two leather-bound volumes from the Robert Adam Archive and laid them on the long table in the first-floor library at Sir John Soane’s museum. Adriano Aymonino and Markus Lähteenmäki, the initiators and editors of the Soane Oral Project, joined… Read More

Syon House and the Afterlife of Architectural Drawing

Syon House and the Afterlife of Architectural Drawing

Freddie Phillipson

His writing is not about something; it is that something itself. [1] I knew very little about the eighteenth-century architect Robert Adam prior to June 2014. When challenged to respond to his drawings of the Long Gallery at Syon House, my impulse was to visit and draw my way through… Read More

Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review

Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review

Anthony Vidler

From the frescoes of Pompeii to the Great Hall of Siedlecin, from the Book of Kells to the Book of Hours, architecture has been depicted in full colour. Where colour has been largely absent in the history of architectural representation, however, is in the more technical drawings of architects themselves.… Read More

The Edge of Architecture: Cornices in the Drawing Matter collection

The Edge of Architecture: Cornices in the Drawing Matter collection

Editors

The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.

The Cornice: The Edge of Architecture

The Cornice: The Edge of Architecture

Maarten Delbeke

The following essay was first published as the introduction to ‘The Cornice’, GTA Papers 6 (2021). It is one of the outcomes of the work done in preparation for the exhibition The Hidden Horizontal: The Cornice in Architecture and Art, which was on show at the Graphische Sammlung of ETH… Read More

Montage-Entourage; Or The Politics Of The Seam

Montage-Entourage; Or The Politics Of The Seam

Michael Young

The following text is a version of chapter three from Reality Modeled After Images: Architecture and Aesthetics after the Digital Image by Michael Young, published by Routledge © 2021. Available from Routledge. Portions of this chapter were initially developed in the essay ‘The Aesthetic Recycling of Cultural Refuse’ published in Writing Architectures: Ficto-Critical Approaches… Read More